21598 results in Cambridge Companions
Introduction
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- The Cambridge Companion to Composition
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9 - Did Women Have a Classical Style?
- from Part III - Women Composers circa 1750–1880
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- 23 May 2024
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- 30 May 2024, pp 161-182
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3 - Ex Uno Plures
- from Part I - Creative Processes
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14 - Electronic Composition
- from Part III - Styles, Conventions, and Issues
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- 30 May 2024, pp 217-232
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Part I - Creative Processes
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Dedication
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Contributors
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7 - Sixteenth-century women composers, beyond borders
- from Part II - Highlighting Women Composers before 1750
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Contents
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17 - Composition and Ecological Listening
- from Part III - Styles, Conventions, and Issues
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18 - Finding Your Voice
- from Part IV - Building a Career
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1 - Historical Women Composers and the Transience of Female Musical Fame
- from Part I - Themes in Studying Women Composers
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4 - Progress and Professionalism
- from Part I - Themes in Studying Women Composers
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Part IV - Women Composers circa 1880–2000
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6 - Composing for Ensemble
- from Part II - Techniques
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12 - Dots, Squiggles, and Words
- from Part III - Styles, Conventions, and Issues
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10 - Composing for the Stage
- from Part II - Techniques
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10 - Women, Song, and Subjectivity in the Nineteenth Century
- from Part III - Women Composers circa 1750–1880
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4 - Instruments and Invention
- from Part I - Creative Processes
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Part III - Styles, Conventions, and Issues
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