Theatre Research International: Volume 37 -

Published on behalf of The International Federation for Theatre Research

Only show content I have access to (10)

Over 3 years (74)

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save this undefined to your undefined account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your undefined account. Find out more about saving content to .

To save this article to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

URL: /core/journals/theatre-research-international
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

< Back to all issues

Volume 37 - July 2012

Contents

Page 3 of 4

Book Review

Old Age, Masculinity, and Early Modern Drama: Comic Elders on the Italian and Shakespearean Stage. By Anthony Ellis. Farnham: Ashgate, 2009. Pp. 190, 2 illus. £55 Hb. - Shakespeare and Venice. By Graham Holderness. Farnham: Ashgate, 2010. Pp. 155. £50 Hb. - Italian Culture in the Drama of Shakespeare & His Contemporaries: Rewriting, Remaking, Refashioning. Edited by Michele Marrapodi. Farnham: Ashgate, 2009. Pp. xiv + 286, 4 illus. £65 Hb.
Kenneth Richards
Published online by Cambridge University Press:

26 January 2012, pp. 83-85
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Cognition in the Globe: Attention and Memory in Shakespeare's Theatre. By Evelyn B. Tribble. New York: Palgrave Macmillan, 2011. Pp. 166. £54/$80 Hb.
Amy Cook
Published online by Cambridge University Press:

03 May 2012, pp. 192-193
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Ken Campbell: The Great Caper. By Michael Coveney. London: Nick Hern Books, 2011. Pp. xix + 268 + 37 illus. £14.99 Pb.
Jacqueline Bolton
Published online by Cambridge University Press:

26 January 2012, pp. 85-86
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

The Framing Text in Early Modern English Drama: ‘Whining’ Prologues and ‘Armed’ Epilogues. By Brian W. Schneider. Farnham: Ashgate, 2011. Pp. 320. £60 Hb.
Lisa Hopkins
Published online by Cambridge University Press:

03 May 2012, pp. 193-194
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Das Drama des Prekären: Über die Wiederkehr der Ethik in Theater und Performance (The Drama of the Precarious: On the Return of Ethics in Theatre and Performance). By Katharina Pewny. Bielefeld: transcript, 2011. Pp. 336. €32.80 Pb.
Sruti Bala
Published online by Cambridge University Press:

04 September 2012, pp. 292-293
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Don Gil de las calzas verdes. By Tirso de Molina. Edited by Enrique García Santo-Tomás. Madrid: Cátedra, Letras Hispánicas, 2009. Pp. 224. €8.30 Pb.
Arantza Mayo
Published online by Cambridge University Press:

03 May 2012, pp. 194-195
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Re-visioning Myth: Modern and Contemporary Drama by Women. By Frances Babbage. Manchester: Manchester University Press, 2011. Pp. x + 261. £60 Hb.
Gilli Bush-Bailey
Published online by Cambridge University Press:

04 September 2012, pp. 293-294
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Christoph Schlingensief: Art without Borders. Edited by Tara Forrest and Anna Teresa Scheer. Bristol: Intellect, 2010. Pp. vi + 223. £22.50 Pb.
Lourdes Orozco
Published online by Cambridge University Press:

26 January 2012, pp. 86-87
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

The African American Theatrical Body: Reception, Performance, and the Stage. By Soyica Diggs Colbert. Cambridge: Cambridge University Press, 2011. Pp. xiii + 329 + 11 illus. $110 Hb.
Harvey Young
Published online by Cambridge University Press:

04 September 2012, pp. 295-296
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Indonesian Postcolonial Theatre: Spectral Genealogies and Absent Faces. By Evan Darwin Winet. Basingstoke: Palgrave Macmillan, 2010. Pp. xvi + 262 + 24 illus. £55/$85 Hb.
William Peterson
Published online by Cambridge University Press:

26 January 2012, pp. 87-88
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Performing South Africa's Truth Commission: Stages of Transition. By Catherine M. Cole. Bloomington and Indianapolis: Indiana University Press, 2010. Pp. xviii + 227 + 10 illus. $65 Hb; $24.95 Pb.
Geoffrey V. Davis
Published online by Cambridge University Press:

03 May 2012, pp. 195-196
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Alternative Chinese Opera in the Age of Globalization: Performing Zero. By Daphne P. Lei. Basingstoke: Palgrave Macmillan, 2011. Pp. xii + 232. £50 Hb.
Ruru Li
Published online by Cambridge University Press:

03 May 2012, pp. 196-197
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Theatre in Colonial India: Play-House of Power. Edited by Lata Singh. New Delhi: Oxford University Press, 2009. Pp. viii + 354. £33.24 Hb. - Performing women, Performing womanhood: Theatre, Politics and Dissent in North India. By Nandi Bhatia. New Delhi: Oxford University Press, 2010. Pp. xxviii + 158. £26.13 Hb.
Brahma Prakash
Published online by Cambridge University Press:

26 January 2012, pp. 88-90
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

A Pathognomy of Performance. By Simon Bayly. Basingstoke: Palgrave Macmillan, 2011. Pp. 246 + 22 illus. £55/$80 Hb.
James Hudson
Published online by Cambridge University Press:

04 September 2012, pp. 296-297
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Liverpool Playhouse: A Theatre & Its City. By Ros Merkin. Liverpool: Liverpool University Press, 2011. Pp. 224. £25 Hb.
Chris High
Published online by Cambridge University Press:

04 September 2012, p. 297
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Eurasian Theatre: Drama and Performance between East and West from Classical Antiquity to the Present. By Nicola Savarese. Holstebro, Malta and Wroclaw: Icarus Publishing Enterprise, 2010. Pp. 640. €27 Hb.
Christel Weiler
Published online by Cambridge University Press:

26 January 2012, pp. 90-91
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

So Much Wasted: Hunger, Performance and the Morbidity of Resistance. By Patrick Anderson. Durham, NC: Duke University Press, 2010. Pp. ix + 188. £56/$74.95 Hb; £14.99/$21.95 Pb.
Meredith Heller
Published online by Cambridge University Press:

03 May 2012, pp. 197-198
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Playwright, Space and Place in Early Modern Performance: Shakespeare and Company. By Tim Fitzpatrick. Farnham: Ashgate, 2011. Pp. xiv + 314. £65 Hb.
Laurence Publicover
Published online by Cambridge University Press:

04 September 2012, pp. 297-298
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

La Boite: The Story of an Australian Theatre Company. By Christine Comans. Brisbane: Playlab Press, 2009. Pp. 352 + illus. $55 Pb.
Glenn D'Cruz
Published online by Cambridge University Press:

26 January 2012, pp. 91-92
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia. By Margaret Hamilton. Amsterdam and New York: Rodopi, 2011. Pp. 244 + illus. $65; €48 Pb.
Bree Hadley
Published online by Cambridge University Press:

03 May 2012, pp. 198-199
- Article
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Page 3 of 4

Theatre Research International

Refine listing

Actions for selected content:

Volume 37 - July 2012

Book Review

Cognition in the Globe: Attention and Memory in Shakespeare's Theatre. By Evelyn B. Tribble. New York: Palgrave Macmillan, 2011. Pp. 166. £54/$80 Hb.

Ken Campbell: The Great Caper. By Michael Coveney. London: Nick Hern Books, 2011. Pp. xix + 268 + 37 illus. £14.99 Pb.

The Framing Text in Early Modern English Drama: ‘Whining’ Prologues and ‘Armed’ Epilogues. By Brian W. Schneider. Farnham: Ashgate, 2011. Pp. 320. £60 Hb.

Das Drama des Prekären: Über die Wiederkehr der Ethik in Theater und Performance (The Drama of the Precarious: On the Return of Ethics in Theatre and Performance). By Katharina Pewny. Bielefeld: transcript, 2011. Pp. 336. €32.80 Pb.

Don Gil de las calzas verdes. By Tirso de Molina. Edited by Enrique García Santo-Tomás. Madrid: Cátedra, Letras Hispánicas, 2009. Pp. 224. €8.30 Pb.

Re-visioning Myth: Modern and Contemporary Drama by Women. By Frances Babbage. Manchester: Manchester University Press, 2011. Pp. x + 261. £60 Hb.

Christoph Schlingensief: Art without Borders. Edited by Tara Forrest and Anna Teresa Scheer. Bristol: Intellect, 2010. Pp. vi + 223. £22.50 Pb.

The African American Theatrical Body: Reception, Performance, and the Stage. By Soyica Diggs Colbert. Cambridge: Cambridge University Press, 2011. Pp. xiii + 329 + 11 illus. $110 Hb.

Indonesian Postcolonial Theatre: Spectral Genealogies and Absent Faces. By Evan Darwin Winet. Basingstoke: Palgrave Macmillan, 2010. Pp. xvi + 262 + 24 illus. £55/$85 Hb.

Performing South Africa's Truth Commission: Stages of Transition. By Catherine M. Cole. Bloomington and Indianapolis: Indiana University Press, 2010. Pp. xviii + 227 + 10 illus. $65 Hb; $24.95 Pb.

Alternative Chinese Opera in the Age of Globalization: Performing Zero. By Daphne P. Lei. Basingstoke: Palgrave Macmillan, 2011. Pp. xii + 232. £50 Hb.

A Pathognomy of Performance. By Simon Bayly. Basingstoke: Palgrave Macmillan, 2011. Pp. 246 + 22 illus. £55/$80 Hb.

Liverpool Playhouse: A Theatre & Its City. By Ros Merkin. Liverpool: Liverpool University Press, 2011. Pp. 224. £25 Hb.

Eurasian Theatre: Drama and Performance between East and West from Classical Antiquity to the Present. By Nicola Savarese. Holstebro, Malta and Wroclaw: Icarus Publishing Enterprise, 2010. Pp. 640. €27 Hb.

So Much Wasted: Hunger, Performance and the Morbidity of Resistance. By Patrick Anderson. Durham, NC: Duke University Press, 2010. Pp. ix + 188. £56/$74.95 Hb; £14.99/$21.95 Pb.

Playwright, Space and Place in Early Modern Performance: Shakespeare and Company. By Tim Fitzpatrick. Farnham: Ashgate, 2011. Pp. xiv + 314. £65 Hb.

La Boite: The Story of an Australian Theatre Company. By Christine Comans. Brisbane: Playlab Press, 2009. Pp. 352 + illus. $55 Pb.

Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia. By Margaret Hamilton. Amsterdam and New York: Rodopi, 2011. Pp. 244 + illus. $65; €48 Pb.

Theatre Research International

Refine listing

Actions for selected content:

Save Search

Volume 37 - July 2012

Book Review