Volume 74 - Summer 2021
Reviews
Incroci teatrali Italo-Iberici. Michela Graziani and Salomé Vuelta García, eds. Biblioteca dell’“Archivum Romanicum,” Serie 1: Storia, Letteratura, Paleografia 490. Florence: Olschki, 2018. viii + 152 pp. €25.
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- 29 June 2021, pp. 686-687
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Magic and the Dignity of Man: Pico della Mirandola and His Oration in Modern Memory. Brian P. Copenhaver. Cambridge, MA: Belknap Press of Harvard University Press, 2019. xvi + 682 pp. $55.
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- 24 September 2021, pp. 1034-1036
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Sperone Speroni and the Debate over Sophistry in the Italian Renaissance. Teodoro Katinis. Brill's Studies in Intellectual History 272. Leiden: Brill, 2018. xii + 174 pp. $109.
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- 26 March 2021, pp. 333-335
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A Humanist in Reformation Politics: Philipp Melanchthon on Political Philosophy and Natural Law. Mads Langballe Jensen. Early Modern Natural Law 3. Leiden: Brill, 2020. xii + 222 pp. €99.
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- 31 December 2021, pp. 1376-1377
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Sovereignty: Seventeenth-Century England and the Making of the Modern Political Imaginary. Feisal G. Mohamed. Oxford: Oxford University Press, 2020. viii + 220 pp. $70.
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- 31 December 2021, pp. 1377-1379
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Drama in Medieval and Early Modern Europe: Playmakers and Their Strategies. Nadia Thérèse Van Pelt. Themes in Medieval and Early Modern History. London: Routledge, 2019. xxii + 144 pp. $44.95.
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- 29 June 2021, pp. 687-688
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Giordano Bruno: Un philosophie des liens et de la relation. Antonella Del Prete and Thomas Berns, eds. Philosophie politique: Généalogies et actualités. Brussels: Éditions de l'Université de Bruxelles, 2016. 166 pp. €19.
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- 26 March 2021, pp. 335-337
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The Marriage of Philology and Scepticism: Uncertainty and Conjecture in Early Modern Scholarship and Thought. Gian Mario Cao, Anthony Grafton, and Jill Kraye, eds. Warburg Institute Colloquia 33. London: Warburg Institute, 2019. x + 246 pp. £41.60.
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- 24 September 2021, pp. 1036-1037
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The Cambridge History of Sixteenth-Century Music. Iain Fenlon and Richard Wistreich, eds. The Cambridge History of Music. Cambridge: Cambridge University Press, 2019. xxii + 520 pp. $155. - Music of the Renaissance: Imagination and Reality of a Cultural Practice. Laurenz Lütteken. Trans. James Steichen. Berkeley: University of California Press, 2019. xvi + 224 pp. $70.
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- 26 March 2021, pp. 337-339
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Dizionario dei sogni nel Medioevo: Il “Somniale Danielis” in manoscritti letterari. Valerio Cappozzo. Biblioteca dell’“Archivum Romanicum,” Serie 1: Storia, Letteratura, Paleografia 466. Florence: Olschki, 2018. xii + 404 pp. €35.
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- 29 June 2021, pp. 688-690
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The Debate on Probable Opinions in the Scholastic Tradition. Rudolf Schuessler. Brill's Studies in Intellectual History 302. Leiden: Brill, 2019. xii + 527 pp. €149.
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- 31 December 2021, pp. 1379-1380
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With Mornefull Musique: Funeral Elegies in Early Modern England. K. Dawn Grapes. Music in Britain, 1600–2000. Woodbridge: Boydell Press, 2018. xii + 276 pp. $99.
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- 24 September 2021, pp. 1037-1039
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The Segovia Manuscript: A European Musical Repertory in Spain, c. 1500. Wolfgang Fuhrmann and Cristina Urchueguía, eds. Studies in Medieval and Renaissance Music 20. Woodbridge: Boydell Press, 2019. xxviii + 350 pp. $99.
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- 31 December 2021, pp. 1381-1382
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Music and Patronage in the Court of René d'Anjou: Sacred and Secular Music in the Literary Program and Ceremonial. Paul Merkley. Medieval and Renaissance Texts and Studies 498. Tempe: Arizona Center for Medieval and Renaissance Studies, 2017. x + 414 pp. $78.
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- 26 March 2021, pp. 340-341
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Economic Imperatives for Women's Writing in Early Modern Europe. Carme Font Paz and Nina Geerdink, eds. Women Writers in History 2. Leiden: Brill, 2018. x + 262 pp. €105.
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- 24 September 2021, pp. 1039-1040
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Purgatorio e Antipurgatorio: Un'indagine dantesca. Gennaro Sasso. I libri di Viella 307. Rome: Viella, 2019. 198 pp. €25.
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- 29 June 2021, pp. 690-691
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The Subject of Crusade: Lyric, Romance, and Materials (1150–1500). Marisa Galvez. Chicago: University of Chicago Press, 2020. viii + 302 pp. $30.
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- 31 December 2021, pp. 1382-1383
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Itinéraires du livre italien à la Renaissance: Suisse romande, anciens Pays-Bas et Liège. Renaud Adam and Chiara Lastraioli, eds. Travaux du Centre d’études supérieures de la Renaissance 3. Paris: Classiques Garnier, 2019. 204 pp. €26.
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- 29 June 2021, pp. 692-693
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The Requiem of Tomás Luis de Victoria (1603). Owen Rees. Music in Context 6. Cambridge: Cambridge University Press, 2019. xiv + 262 pp. $99.99.
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- 26 March 2021, pp. 341-343
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The Genres of Renaissance Tragedy. Daniel Cadman, Andrew Duxfield, and Lisa Hopkins, eds. Manchester: Manchester University Press, 2019. viii + 222 pp. £80.
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- 24 September 2021, pp. 1041-1042
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