Is belief in God reasonable? Richard Dawkins is right to say that traditional arguments for the existence of God are flawed; but so is his own disproof of the existence of God, and there are gaps in neo-Darwinian explanations of the origin of language, of life, and of the universe. The rational response is neither theism nor atheism but agnosticism. Faith in a creed is no virtue, but mere belief in God may be reasonable even if false.

This paper seeks to differentiate negative properties from positive properties, with the aim of providing the groundwork for further discussion about whether there is anything that corresponds to either of these notions. We differentiate negative and positive properties in terms of their functional role, before drawing out the metaphysical implications of proceeding in this fashion. We show that if the difference between negative and positive properties tabled here is correct, then negative properties are metaphysically contentious entities, entities that many philosophers will be unwilling to countenance.

Ethics, in the sense in which that word is used by philosophers, may be described as the theoretical treatment of moral phenomena. I use the phrase “moral phenomena” to cover all those facts and only those in describing which we have to use such words as “ought,” “right and wrong,” “good and evil,” or any others which are merely verbal translations of these.

This paper re-contextualises Popper within a Kantian tradition by examining his interaction with the Vienna Circle. The complexity of Popper's relationship to the Vienna Circle is often a point of confusion as some view him as a member of the Vienna Circle while others minimise his association with this group. This paper argues that Popper was not a member of the Vienna Circle or a positivist but shared many neo-Kantian philosophical tendencies with the members of the Circle as well as many of their philosophical problems and interests. By better understanding the influence of the Circle's members upon Popper, we not only remove the myths surrounding Popper's positivism, but also place the logical positivism of the Vienna Circle within its proper philosophical context. This paper further argues that it was Popper's friend during his formative philosophical years in Vienna, Julius Kraft (1921–1960) who was responsible for the way in which Popper approached Kant. Through Kraft, Popper was introduced to the thought of Leonard Nelson (1882–1927) and Jakob Fries (1773–1843) as well as a tradition of critical rationalism which Popper would continue both in his methodological orientation as well as through his late German Enlightenment intellectual values.

Many philosophers have declared that everything which exists is a particular. There is a weak interpretation of this doctrine which I believe to be a true proposition, and a strong one which I believe to be false.

Kripke's lectures, published as Wittgenstein on Rules and Private Language, posed a sceptical problem about following a rule, which he cautiously attributed to Wittgenstein. He briefly noticed an analogy between his new kind of scepticism and Goodman's riddle of induction. ‘Grue’, he said, could be used to formulate a question not about induction but about meaning:

the problem would not be Goodman's about induction—‘Why not predict that grass, which has been grue in the past, will be grue in the future?’—but Wittgenstein's about meaning: ‘Who is to say that in the past I did not mean grue by “green”, so that now I should call the sky, not the grass, “green”?’.

In at least one respect, classical music is superior to popular music. Classical music (understood as common practice composition) has greater potential for expressiveness and, consequently, has more potential for psychological insight and profundity. The greater potential for expressiveness in classical music is due, in large part, to it greater harmonic resources. The harmonies in classical music are more likely to be functional, more contrary motion is employed, and modulation is more common. Although popular music employs rhythms not found in classical music, on the whole there is less rhythmic variety in popular music than there is in classical.

In American philosophy at the end of the nineteenth century there was small interest in Empiricism and almost no interest in Realism.

Ever since they were first published, the works of Bernard Mandeville have met with a few careful readers as well as with a larger number of stupid or unscrupulous assailants. Both classes are faithfully recorded at the end of F. B. Kaye's splendid edition of The Fable of the Bees (Oxford, 1924), which has helped to revive interest in Mandeville, and which has moulded the current estimate of his ideas: the treatment of Mandeville in such a work as Basil Willey's Eighteenth Century Background (London, 1940) is confessedly based almost entirely on Kaye. My purpose in this paper is to suggest some modifications of the account given by Kaye, and to make claims for Mandeville's importance in one particular field, the relation of ethics to politics.

For a while now, there has been much conceptual discussion about the respective natures of knowledge-that and knowledge-how, along with the intellectualist idea that knowledge-how is really a kind of knowledge-that. Gilbert Ryle put in place most of the terms that have so far been distinctive of that debate, when he argued for knowledge-how's conceptual distinctness from knowledge-that. But maybe those terms should be supplemented, expanding the debate. In that spirit, the conceptual option of practicalism has recently entered the fray. Practicalism conceives anew the nature of knowledge-that, as being a kind of knowledge-how. In this paper we enlarge upon this conceptual suggestion. We draw from an ancient Chinese text, the Analects of Confucius, explaining how it lends some support to practicalism.

Most recent discussions of truth ignore the fact that a few philosophers, past and present, have flirted with and sometimes openly subscribed to an identity theory, according to which a proposition's being true consists in its identity with the reality it is supposedly about. This neglect is probably due to the theory's counter-intuitiveness: it faces obvious and fundamental objections. The aim of this paper is to consider these objections and decide if there is a version of the theory which can escape them, thereby becoming an at least initially plausible candidate for an account of truth. In this way the metaphysical price exacted by commitment to an identity theory can be assessed.

Sydney Shoemaker argues that time without change is possible, but begs the question by assuming an, in effect, Newtonian absolute time, that ‘flows equably’ in a region in which there is no change and in one in which there is. An equally possible, relativist, assumption, consistent, it seems, with relativity theory, is that where nothing changes there is no time flow, though there may be elsewhere, where there is change. Such an assumption would require some revision of uncritical common thought about time. Aristotle argues that there is no time without change but that time is not change. His arguments for the latter can be faulted both internally and again in terms of the same relativist assumption. From the Physics we can derive, though Aristotle himself did not, an argument that time is to change as geometrical space is to body: the thing itself in abstraction.

The publication in English of Karl R. Popper's The Logic of Scientific Discovery (London, Hutchinson, 1959) twenty-five years after the appearance of the German original, is an important event. At the time when many philosophers questioned the cognitive value of scientific hypotheses (and even of the most down-to-earth empirical generalizations), Popper has shown how to reconcile the free use of bold explanatory hypotheses with an insistence on empirical testing. Many of Popper's views have now been accepted even by most of his earlier opponents, which is no small tribute to a philosopher who had challenged an important current of opinion. But, though the basic aspects of Popper's theory have attracted considerable attention in recent years, some of his finer points have received insufficient discussion. It is hoped that the publication of this important book in English translation will now help to remedy this situation.

If I say “we are now living in England” or “grass is green in summer’ or ‘the cat is on the mat’ what I say will normally be true or false—the statements are true if they correctly report how things are, or correspond to the facts; and if they do not do these things, they are false. Such a statement will only fail to have a truth-value if its referring expressions fail to refer (e.g. there is no object to which ‘the cat’ can properly be taken to refer); or if the statement lies on the border between truth and falsity (e.g. the grass is blue-green) so that it is as true to say that the statement is true as to say that it is false. Are moral judgments normally true or false in the way in which the above statements are true or false? I will term the view that they are objectivism and the view that they are not subjectivism. The objectivist maintains that it is as much a fact about an action that it is right or wrong as that it causes pain or takes a long time to perform. The subjectivist maintains that saying than an action is right or wrong is not stating a fact about it but merely expressing approval of it or commending it or doing some such similar thing. I wish in this paper, first, to show that all arguments for subjectivism manifestly fail, and secondly to produce a strong argument for objectivism. But, to start with, some preliminaries.

In this article, we will consider how far we might be said to be active in forming our beliefs; in particular, we will ask to what extent we can be said to be free in believing what we want to believe. It is clear that we ought to believe only what is really so, at least in so far as it lies in our power to determine this, but reflection shows that, regrettably, we do not confine our beliefs to what we have evidence for, nor do we always believe in accordance with the evidence we do have. So it is natural to conclude that non-intellectual factors may be at work here; such, at least, was the view of Descartes, who attributed error to the influence of our will in leading us to assent to judgments which go beyond the evidence presented by our infallible intellect. This view has some initial plausibility when we think of cases in which emotional considerations lead people to take up and genuinely believe things they have no evidence for, but it is not a view which has received much support from modern philosophers. So, in Part 1 we will look at criticisms levelled against Descartes' view by J. L. Evans, and in Part 2 we will see how far Descartes can be defended. Our conclusions here will lead us to give in Part 3 a general account of the influence of the will in beliefs. We will suggest that we are always responsible for our explicit beliefs, even though it is not true that we can simply believe what we like. Thus we will reject the idea that a man can consciously know something, and at the same time, by will power, believe the opposite. Belief is not then totally free, but we will argue that people do sometimes form beliefs which go against what they should and could believe, and that this can in a way be put down to the influence of the will. Finally we will consider some of the ways in which it is possible to influence our beliefs by willed acts over a long period of time, though this is not the way that we clami that the will might be said to play a part in every judgment that we make.

In the literature and discussion on aesthetics there is a widespread failure either to recognize that there is any significant distinction between the aesthetic and the artistic, or to characterize the distinction adequately. While in some cases the conflation of the two concepts is of little or no consequence, in others it can lead to serious misconception. Although it is widely overlooked the distinction is often of central importance, and is more complex than is commonly supposed.

This article offers a reading of Sartre's phenomenological ontology in light of the pre-modern understanding of ‘transcendentals’ as universal properties and predicates of all determinate beings. Drawing on Sartre's transcendental account of nothingness in his early critique of Husserl as well as his discussion of ‘determination as negation’ in Being and Nothingness, this article argues that Sartre's universal predicate of ‘the not’ (le non) could be understood in a similar light to the medieval scholastic conception of transcendentals. But whereas the scholastics saw the transcendental properties of oneness, truth, and goodness as reflections of God's divine perfections, Sartre's predicate of the ‘not’ operates as an atheistic transcendental which signifies the non-being of God – that God is not. By comparing Sartre's phenomenological ontology to medieval theological metaphysics, this article not only highlights the atheist underpinnings of Sartre's entire ontological schema in Being and Nothingness but also offers a new way of interpreting Sartre as a systematic transcendental metaphysician.

Of all moral conditions, innocence seems easily the best and most desirable, for it means the complete absence of error and regret and all the anxieties that go with these—anxieties about avoiding guilt and making amends for instance. Against the background of guilt and traffic with wrong, innocence is indisputably better, just as something clean is better than something soiled, something fresh better than something stale.