Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-16T07:25:48.678Z Has data issue: false hasContentIssue false

Microchemical Study of Pigments and Binders in Polychrome Relics from Maiji Mountain Grottoes in Northwestern China

Published online by Cambridge University Press:  03 August 2016

Luyao Liu
Affiliation:
Department of Chemistry, Zhejiang University, Hangzhou 310027, Zhejiang Province, P.R. China
Wei Shen
Affiliation:
School of Environmental and Chemical Engineering, Jiangsu University of Science and Technology, Zhenjiang 212003, Jiangsu Province, P.R. China Department of Chemistry, National University of Singapore, Singapore 117543, Singapore
Bingjian Zhang*
Affiliation:
Department of Chemistry, Zhejiang University, Hangzhou 310027, Zhejiang Province, P.R. China Department of Cultural Heritage and Museology, Zhejiang University, Hangzhou 310028, Zhejiang Province, P.R. China
Qian Ma
Affiliation:
Maiji Mountain Grottoes Art Research Institute, Tianshui 741000, Gansu Province, P.R. China
*
*Corresponding author. [email protected]
Get access

Abstract

In this study, an integrated analytical method was developed to investigate the composition of both the inorganic pigments and organic binders of polychrome relics in Maiji Mountain Grottoes in northwestern China. Cross-sections of each sample were prepared at the beginning of the study, and all experiments were carried out on these cross-sections. Polychromic structures were revealed by optical microscopy and scanning electron microscopy-backscattered electron imaging. Inorganic materials were determined by using SEM coupled with an energy dispersive spectrometer and μ-Raman spectrometer, whereas organic materials were identified by staining techniques and highly sensitive and specific immunofluorescence microscopy. Data showed that the red colors are attributed to one or two pigments of red ochre, cinnabar, and minium; the blue pigment is natural lazurite; the green pigment is ascribed to atacamite; the white color is attributed to potassium feldspar; and the black surface is formed by the discoloration of minium to plattnerite under the influence of environmental factors. Regarding organic binders used in painting and preparation layers, mammalian animal glue and chicken egg white were both found alone or in mixture. Finally, the conclusion is made that the Secco technique is employed in polychrome relics from Maiji Mountain Grottoes.

Type
Materials Applications
Copyright
© Microscopy Society of America 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Aceto, M., Agostino, A., Fenoglio, G. & Picollo, M. (2013). Non-invasive differentiation between natural and synthetic ultramarine blue pigments by means of 250-900nm FORS analysis. Anal Methods 5(16), 41844189.CrossRefGoogle Scholar
Aze, S., Vallet, J.M., Detalle, V., Grauby, O. & Baronnet, A. (2008). Chromatic alterations of red lead pigments in artworks: a review. Phase Transit 81(2–3), 145154.Google Scholar
Bardelli, F., Barone, G., Crupi, V., Longo, F., Majolino, D., Mazzoleni, P. & Venuti, V. (2011). Combined non-destructive XRF and SR-XAS study of archaeological artefacts. Anal Bioanal Chem 399(9), 31473153.Google Scholar
Bonaduce, I., Blaensdorf, C., Dietemann, P. & Colombini, M.P. (2008). The binding media of the polychromy of Qin Shihuang’s Terracotta Army. J Cult Herit 9(1), 103108.Google Scholar
Burgio, L. & Clark, R.J.H. (2001). Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation. Spectrochim Acta A Mol Biomol Spectrosc 57(7), 14911521.Google Scholar
Cappitelli, F. & Koussiaki, F. (2006). THM-GCMS and FTIR for the investigation of paints in Picasso’s Still Life, Weeping Woman and Nude Woman in a Red Armchair from the Tate Collection, London. J Anal Appl Pyrol 75(2), 200204.Google Scholar
Cartechini, L., Vagnini, M., Palmieri, M., Pitzurra, L., Mello, T., Mazurek, J. & Chiari, G. (2010). Immunodetection of Proteins in Ancient Paint Media. Acc Chem Res 43(6), 867876.Google Scholar
Cauzzi, D., Chiavari, G., Montalbani, S., Melucci, D., Cam, D. & Ling, H. (2013). ). Spectroscopic and chromatographic studies of sculptural polychromy in the Zhongshan Grottoes (R.P.C.). J Cult Herit 14(1), 7075.CrossRefGoogle Scholar
Daniilia, S., Minopoulou, E., Demosthenous, F.D. & Karagiannis, G. (2008). A comparative study of wall paintings at the Cypriot monastery of Christ Antiphonitis: one artist or two? J Archaeol Sci 35(6), 16951707.Google Scholar
Dong, Y. (1983). The stages of Maiji Mountain Grottoes. Cult Relics 29(6), 1830. 103–104.Google Scholar
Franquelo, M.L., Duran, A., Castaing, J., Arquillo, D. & Perez-Rodriguez, J.L. (2012). XRF, mu-XRD and mu-spectroscopic techniques for revealing the composition and structure of paint layers on polychrome sculptures after multiple restorations. Talanta 89, 462469.Google Scholar
Guo, H. (2004). The identification of ancient Secco and Buon Frescoes. Cult Relics Central China 38(2), 7680.Google Scholar
Hu, W., Zhang, K., Zhang, H., Zhang, B. & Rong, B. (2015). Analysis of polychromy binder on Qin Shihuang’s Terracotta Warriors by immunofluorescence microscopy. J Cult Herit 16(2), 244248.Google Scholar
Huang, W. (1989). The history of Maiji Mountain Grottoes. Cult Relics 35(3), 8389. 96, 104-105.Google Scholar
Kuckova, S., Anca Sandu, I.C., Crhova, M., Hynek, R., Fogas, I. & Schafer, S. (2013). Protein identification and localization using mass spectrometry and staining tests in cross-sections of polychrome samples. J Cult Herit 14(1), 3137.Google Scholar
Mancini, D., Tournie, A., Caggiani, M.-C. & Colomban, P. (2012). Testing of Raman spectroscopy as a non-invasive tool for the investigation of glass-protected miniature portraits. J Raman Spectrosc 43(2), 294302.Google Scholar
Mazzocchin, G.A., Agnoli, F., Mazzocchin, S. & Colpo, I. (2003). Analysis of pigments from Roman wall paintings found in Vicenza. Talanta 61(4), 565572.CrossRefGoogle ScholarPubMed
Navas, N., Romero-Pastor, J., Manzanoa, E. & Cardell, C. (2008). Benefits of applying combined diffuse reflectance FTIR spectroscopy and principal component analysis for the study of blue tempera historical painting. Anal Chim Acta 630(2), 141149.Google Scholar
Palmieri, M., Vagnini, M., Pitzurra, L., Rocchi, P., Brunetti, B.G., Sgamellotti, A. & Cartechini, L. (2011). Development of an analytical protocol for a fast, sensitive and specific protein recognition in paintings by enzyme-linked immunosorbent assay (ELISA). Anal Bioanal Chem 399(9), 30113023.Google Scholar
Piovesan, R., Siddall, R., Mazzoli, C. & Nodari, L. (2011). The Temple of Venus (Pompeii): a study of the pigments and painting techniques. J Archaeol Sci 38(10), 26332643.Google Scholar
Prinsloo, L.C. (2007). Rock hyraces: a cause of San rock art deterioration? J Raman Spectrosc 38(5), 496503.Google Scholar
Rosi, F., Burnstock, A., Van den Berg, K.J., Miliani, C., Brunetti, B.G. & Sgamellotti, A. (2009). A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials. Spectrochim Acta A-Mol Biomol Spectrosc 71(5), 16551662.Google Scholar
Sandu, I.C.A., Roque, A.C.A., Matteini, P., Schaefer, S., Agati, G., Correia, C.R. & Fernandes Pacheco Viana, J.F. (2012a). Fluorescence recognition of proteinaceous binders in works of art by a novel integrated system of investigation. Microsc Res Techniq 75(3), 316324.Google Scholar
Sandu, I.C.A., Schaefer, S., Magrini, D., Bracci, S. & Roque, C.A. (2012b). Cross-section and staining-based techniques for investigating organic materials in painted and polychrome works of art: A review. Microsc Microanal 18(4), 860875.Google Scholar
Sister, D. & Minopoulou, E. (2009). A study of smalt and red lead discolouration in Antiphonitis wall paintings in Cyprus. Appl Phys A Mater Sci Process 96(3), 701711.Google Scholar
Su, B., Li, Z., Ma, Z., Li, S. & Ma, Q. (2000). A study of pigments in murals of Kizil Grottoes. Dunhuang Res 63(1), 6575.Google Scholar
Vagnini, M., Pitzurra, L., Cartechini, L., Miliani, C., Brunetti, B.G. & Sgamellotti, A. (2008). Identification of proteins in painting cross-sections by immunofluorescence microscopy. Anal Bioanal Chem 392(1–2), 5764.Google Scholar
Veneranda, M., Irazola, M., Pitarch, A., Olivares, M., Iturregui, A., Castro, K. & Manuel Madariaga, J. (2014). In-situ and laboratory Raman analysis in the field of cultural heritage: The case of a mural painting. J Raman Spectrosc 45(3), 228237.Google Scholar
Wang, N., He, L., Egel, E., Simon, S. & Rong, B. (2014). Complementary analytical methods in identifying gilding and painting techniques of ancient clay-based polychromic sculptures. Microchem J 114, 125140.Google Scholar
Wei, H. (2011). A literature review on the study on Maiji Mountain Grottoes in Tianshui. Lanzhou: Northwest Normal University.Google Scholar
Wei, S., Ma, Q. & Schreiner, M. (2012). Scientific investigation of the paint and adhesive materials used in the Western Han dynasty polychromy terracotta army, Qingzhou, China. J Archaeol Sci 39(5), 16281633.Google Scholar
Xia, Y. (2006). Polarized light microscopy, application on ancient Chinese pigments’ study and related database establishing. Xi’an: Northweatern University.Google Scholar
Zhou, G. (1991). The analysis of inorganic pigments from the mural paintings and polychromic sculptures of Maiji Mountain Grottoes by X-ray Diffractions. Archaeology 35(8), 744755.Google Scholar
Supplementary material: File

Liu supplementary material

Liu supplementary material 1

Download Liu supplementary material(File)
File 339.2 KB