It has hitherto been assumed that the Tone system of the Yoruba language comprised four tones, viz.—a high tone, a middle tone, a low tone, and a so-called compound tone. An examination of the phonetic structure of the language has led to the conclusion that there are other significant tónes which must be understood. The purpose of this article is to explain the Tone system of the language as viewed in the light of recent investigations. The observations and transcriptions are based upon the pronunciation of Mr. A. Baptist, a native Yoruba, to whom I am considerably indebted for his patience and his zealous interest in the subject.

With this article the series “Zurvanica” comes to an end. There still remain passages in the Dēnkart deserving of attention, notably in the fourth book. The author has, however, found the relevant passages in that book so obscure and so difficult that he cannot undertake to publish a translation of them for a long time yet. In the present article all passages of importance have been collected from the third book. To these have been added the celebrated Daharĩ passage in the Šikand GumāniīVazār and the conclusion of that book. The translation of certain Pahlavī terms has sometimes been a source of embarrassment.

The vocabularies of the present notice are due to Dr. W. M. Strong. They were collected at Panakrusima (Earle Island) in the east-centralpart of the Calyados Chain, about 48 miles south-east of Panaieti(Deboyne Island) and at Panatinani (Joannet Island), about 18 milesto the east, close to North-West Tagula (Sud-Est Island).

In a previous paper I discussed the typology of two collections of neolithic artifacts from the North Karnataka of India and discovered a close correspondence between them.