We are pleased to present the latest account of the sequence of burial and construction at the site of Stonehenge, deduced by its most recent excavators and anchored in time by the application of Bayesian radiocarbon modelling. Five prehistoric stages are proposed, of varied duration, and related by our authors to neighbouring monuments in the Stonehenge environs. While it may never be possible to produce a definitive chronology for this most complex of monuments, the comprehensive and integrated achievement owed to these researchers has brought us much closer to that goal. It is from this firm platform that Stonehenge can begin its new era of communication with the public at large.

Stonehenge continues to surprise us. In this new study of the twentieth-century excavations, together with the precise radiocarbon dating that is now possible, the authors propose that the site started life in the early third millennium cal BC as a cremation cemetery within a circle of upright bluestones. Britain's most famous monument may therefore have been founded as the burial place of a leading family, possibly from Wales.

Stonehenge is the icon of British prehistory, and continues to inspire ingenious investigations and interpretations. A current campaign of research, being waged by probably the strongest archaeological team ever assembled, is focused not just on the monument, but on its landscape, its hinterland and the monuments within it. The campaign is still in progress, but the story so far is well worth reporting. Revisiting records of 100 years ago the authors demonstrate that the ambiguous dating of the trilithons, the grand centrepiece of Stonehenge, was based on samples taken from the wrong context, and can now be settled at 2600-2400 cal BC. This means that the trilithons are contemporary with Durrington Walls, near neighbour and Britain's largest henge monument. These two monuments, different but complementary, now predate the earliest Beaker burials in Britain – including the famous Amesbury Archer and Boscombe Bowmen, but may already have been receiving Beaker pottery. All this contributes to a new vision of massive monumental development in a period of high European intellectual mobility….

Last summer an archaeologist, Mr R. J. C. Atkinson, taking photographs at Stonehenge, made a most remarkable discovery. He was preparing to photograph a name carved on the inward-facing (northwest) face of Stone 53, one of the Great Horseshoe Trilithons; for this purpose he had remained there after 5 o’clock on July 10th, waiting for the sun to move round and shine on it. Looking not directly at the stone itself but at the image on the glass of his reflex camera, he suddenly saw the dark outline of what appeared to be a dagger, and beside it that of an axe. The carvings were deeply cut and the edges smoothened by the erosive action of more than thirty centuries of British weather (PLATE I). Closer inspection revealed several more axes and some other markings, all probably artificial but now too much weathered for decipherment. Two days later a ten-year-old schoolboy, David Booth, found an axe on the outer face of Stone 4, one of the stones of the Outer Circle, and subsequent search revealed ten more axes on the same face (PLATES II, VI A). Later still, while engaged in making casts of the axes already discovered, Mr R. S. Newall has found many more, bringing the total for Stone 53 up to 12 and for Stone 4 to 25, including on the latter one exceptionally large axe measuring 14 inches in length and 10½ inches across the splayed cutting edge. He has also verified three axes like the others near the bottom left-hand corner of the outer face of Stone 3 (PLATE III B).

John webb, in his preface to Inigo Jones's posthumously published Stonehenge, in 1655 says : ‘This discourse of Stonehenge is moulded off and cast into a rude Form, from some few indigested notes after the late judicious Architect, the Vitruvius of his Age, Inigo Jones’. Upon these notes, Webb undoubtedly dined not wisely but too well and I trust I shall not be accused of doing the same with Colonel Hawley's many and well digested notes. I have one advantage over Webb in that I have seen Stonehenge, and I very much doubt whether he had.

In describing the stones, I shall begin at the centre and work outwards, taking as centre the point where a line drawn from stone 91 just inside the bank to stone 93, and a line from hole 92 in the middle of the supposed barrow to hole 94 in a similar barrow in the NW quadrant, cut each other and the axis of Stonehenge. It is from this point as centre that all the black circles on the plan are drawn. The axis is a line through the centre, which divides the stones and earthworks into two equal parts.