Underwater archaeological research has been developed less aggressively in Malaysia than in other ASEAN partner countries, such as Indonesia, Thailand, Vietnam, and the Philippines. In past decades, financial constraints have limited the development of underwater archaeology, and the field has been dominated by commercial salvage experts. Malaysia has not addressed many issues or fundamental problems related to future development. The discovery of the Bidong Shipwreck in 2013 has raised hopes that underwater archaeological research in Malaysia will develop more dynamically. The successful excavation of this shipwreck site proves that local experts can conduct scientific excavations. This article presents and discusses the discovery and process of excavating artifacts from the Bidong Shipwreck. The project outcomes provide a guide for stakeholders and agencies involved in future underwater excavations in Malaysian waters.

As an escape from the day-to-day drudgery of our “real” world, video games allow us to leave reality and explore new fictional worlds. These worlds are more enjoyable when they are developed from various digital materials and presented as an official story, which is called “lore.” Lore invites the player to submerge into background stories of fictional worlds, including but not limited to those in video games. Video-game lore often provides historical narratives of these worlds, sometimes even drawing on archaeological themes in the creation of characters and places. The video game League of Legends (LoL), developed by Riot Games, has its own detailed lore, often revolving around individual characters. Riot has developed this lore not only through the video game itself but through accompanying media. Although the lore is separate from the game and not necessarily needed, the advantage is that it can orient individuals to the world and the background stories of the characters and players. Additionally, it allows people who are not interested in playing the game to interact with the fictional world, given that the stories are captivating on their own. Here, we briefly discuss Riot's interactive lore website and focus on the background of two places within the LoL fictional world: Ionia and Targon. We examine the presentation of these places through an archaeological framework. Then, we evaluate how archaeology is portrayed throughout the lore, focusing specifically on archaeological field notes and the methods that we are told are employed by one of the characters. In our analysis of the portrayal of Targon, the discussion centers on how archaeological perspectives are an integral framework for the LoL lore. Lore creates a sense of place (a connection between a person and a spatial setting) for the fan community, players, and even developers. Consequently, it is useful to focus on this idea of storytelling through lore, taking a critical view of its power and how it can impact various audiences.