Book contents
- Wrestling with Shylock
- Wrestling with Shylock
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgments
- Preface
- Part I Introductions
- Part II Discourses
- Part III The Stage
- Part IV Literature, Art, and Music
- 14 Zionism in Ludwig Lewisohn’s novel, The Last Days of Shylock (1931)
- 15 Jessica’s Jewish Identity in Contemporary Feminist Novels
- 16 Christian Iconography and Jewish Accommodation in Maurycy Gottlieb’s Painting, Shylock and Jessica
- 17 Shylock in Opera, 1871–2014
- Part V Postscript
- Index
15 - Jessica’s Jewish Identity in Contemporary Feminist Novels
from Part IV - Literature, Art, and Music
Published online by Cambridge University Press: 04 May 2017
- Wrestling with Shylock
- Wrestling with Shylock
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgments
- Preface
- Part I Introductions
- Part II Discourses
- Part III The Stage
- Part IV Literature, Art, and Music
- 14 Zionism in Ludwig Lewisohn’s novel, The Last Days of Shylock (1931)
- 15 Jessica’s Jewish Identity in Contemporary Feminist Novels
- 16 Christian Iconography and Jewish Accommodation in Maurycy Gottlieb’s Painting, Shylock and Jessica
- 17 Shylock in Opera, 1871–2014
- Part V Postscript
- Index
Summary
- Type
- Chapter
- Information
- Wrestling with ShylockJewish Responses to <I>The Merchant of Venice</I>, pp. 337 - 358Publisher: Cambridge University PressPrint publication year: 2017