Book contents
- Frontmatter
- Contents
- List of illustrations
- Acknowledgments
- 1 ‘Memory is like a dog that lies down where it pleases’
- 2 Flashes in the dark: first memories
- 3 Smell and memory
- 4 Yesterday's record
- 5 The inner flashbulb
- 6 ‘Why do we remember forwards and not backwards?’
- 7 The absolute memories of Funes and Sherashevsky
- 8 The advantages of a defect: the savant syndrome
- 9 The memory of a grandmaster: a conversation with Ton Sijbrands
- 10 Trauma and memory: the Demjanjuk case
- 11 Richard and Anna Wagner: forty-five years of married life
- 12 ‘In oval mirrors we drive around’: on experiencing a sense of déjà vu
- 13 Reminiscences
- 14 Why life speeds up as you get older
- 15 Forgetting
- 16 ‘I saw my life flash before me’
- 17 From memory – Portrait with Still Life
- Index of names
3 - Smell and memory
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- List of illustrations
- Acknowledgments
- 1 ‘Memory is like a dog that lies down where it pleases’
- 2 Flashes in the dark: first memories
- 3 Smell and memory
- 4 Yesterday's record
- 5 The inner flashbulb
- 6 ‘Why do we remember forwards and not backwards?’
- 7 The absolute memories of Funes and Sherashevsky
- 8 The advantages of a defect: the savant syndrome
- 9 The memory of a grandmaster: a conversation with Ton Sijbrands
- 10 Trauma and memory: the Demjanjuk case
- 11 Richard and Anna Wagner: forty-five years of married life
- 12 ‘In oval mirrors we drive around’: on experiencing a sense of déjà vu
- 13 Reminiscences
- 14 Why life speeds up as you get older
- 15 Forgetting
- 16 ‘I saw my life flash before me’
- 17 From memory – Portrait with Still Life
- Index of names
Summary
Anyone writing about smell and memory, it seems, is obliged to start by taking tea with Marcel Proust. Every treatise on the psychology of smell contains a reference to a scene from A la recherche du temps perdu. The depiction is often at the umpteenth hand, three lines long at most and whittled away until almost unrecognizable: the narrator drinks a cup of tea, dunks a piece of cake in it and suddenly the smell takes him back to his youth in Combray. In the original version by Proust, the scene covers a good four pages. His is a subtle, introspective account of the trouble it costs him to come to grips with his feelings. One cold winter's day he comes home feeling depressed. His mother offers him a cup of tea, and one of the small fancy sponge cakes called ‘petites madeleines’.
And soon, mechanically, weary after a dull day with the prospect of a depressing morrow, I raised to my lips a spoonful of the tea in which I had soaked a morsel of the cake. No sooner had the warm liquid, and the crumbs with it, touched my palate than a shudder ran through my whole body, and I stopped, intent upon the extraordinary changes that were taking place. An exquisite pleasure had invaded my senses, but individual, detached, with no suggestion of its origin.
The narrator tries to discover where the sudden delight had come from, but fails in his attempt.
- Type
- Chapter
- Information
- Why Life Speeds Up As You Get OlderHow Memory Shapes our Past, pp. 31 - 44Publisher: Cambridge University PressPrint publication year: 2004
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