Book contents
- Untangling Blackness in Greek Antiquity
- Untangling Blackness in Greek Antiquity
- Copyright page
- Contents
- Figures
- Tables
- Acknowledgments
- Note on Nomenclature
- Abbreviations
- Chapter 1 Introduction
- Chapter 2 Masks of Blackness
- Chapter 3 Masks of Difference in Aeschylus’s Suppliants
- Chapter 4 Beyond Blackness
- Chapter 5 From Greek Scythians to Black Greeks
- Chapter 6 Black Disguises in an Aithiopian Novel
- Chapter 7 Conclusion
- Book part
- Recommended Translations of Primary Greek Texts
- Bibliography
- Index
Chapter 2 - Masks of Blackness
Reading the Iconography of Black People in Ancient Greece
Published online by Cambridge University Press: 12 April 2022
- Untangling Blackness in Greek Antiquity
- Untangling Blackness in Greek Antiquity
- Copyright page
- Contents
- Figures
- Tables
- Acknowledgments
- Note on Nomenclature
- Abbreviations
- Chapter 1 Introduction
- Chapter 2 Masks of Blackness
- Chapter 3 Masks of Difference in Aeschylus’s Suppliants
- Chapter 4 Beyond Blackness
- Chapter 5 From Greek Scythians to Black Greeks
- Chapter 6 Black Disguises in an Aithiopian Novel
- Chapter 7 Conclusion
- Book part
- Recommended Translations of Primary Greek Texts
- Bibliography
- Index
Summary
Chapter 2 offers a visual paradigm for representations of black people in the ancient Greek world. It considers fifth-century BCE janiform cups that depict black and brown faces on opposite sides. Contemporary ideas are all the more pronounced when dealing with visual constructs of skin color in Greek antiquity and therefore require continual interrogation. Disputing the uncomfortable ease with which some art historians presume a fixed connection between black people and bumbling inferiority, this chapter argues that the black face serves as part of a repertoire of sympotic performance. Similar to masks, janiform cups enable drinkers in the symposium to adopt new identities. The discourse about the chromatics on janiform cups leads to a broader examination of black skin in ancient Greek art. Close scrutiny of museum displays reveals the temporal clash that can occur when audiences encounter iconography of black people in Greek antiquity. In particular, scrupulous inspection of the British Museum unearths a troubling tendency to privilege ancient Egypt as an indication of legitimacy and legibility, contrasted with Nubia.
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- Information
- Untangling Blackness in Greek Antiquity , pp. 29 - 65Publisher: Cambridge University PressPrint publication year: 2022