The Cambridge Companion to Music and Romanticism

doi:10.1017/9781108647342

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Malkmus, Bernhard 2023. Romantische Ökologien. Vol. 4, Issue. , p. 83.

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Veres, Bálint 2023. The Palgrave Handbook of Intermediality. p. 1.

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Veres, Bálint 2024. The Palgrave Handbook of Intermediality. p. 693.

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Edited by Benedict Taylor, University of Edinburgh

Publisher:: Cambridge University Press
Online publication date:: August 2021
Print publication year:: 2021
Online ISBN:: 9781108647342
DOI:: https://doi.org/10.1017/9781108647342

Subjects:: Twentieth-Century and Contemporary Music, Music, Music: General Interest, Nineteenth-Century Music
Collection:: The Cambridge Companions to Music
Series:: Cambridge Companions to Music

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This Companion presents a new understanding of the relationship between music and culture in and around the nineteenth century, and encourages readers to explore what Romanticism in music might mean today. Challenging the view that musical 'romanticism' is confined to a particular style or period, it reveals instead the multiple intersections between the phenomenon of Romanticism and music. Drawing on a variety of disciplinary approaches, and reflecting current scholarly debates across the humanities, it places music at the heart of a nexus of Romantic themes and concerns. Written by a dynamic team of leading younger scholars and established authorities, it gives a state-of-the-art yet accessible overview of current thinking on this popular topic.

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The Cambridge Companion to Music and Romanticism

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

The Cambridge Companion to Music and Romanticism
pp i-i

Cambridge Companions to Music - Series page
pp ii-vi

The Cambridge Companion to Music and Romanticism - Title page
pp vii-vii

Copyright page
pp viii-viii

Contents
pp ix-x

Figures
pp xi-xi

Tables
pp xii-xii

Musical Examples
pp xiii-xiv

Contributors
pp xv-xxii

Preface
pp xxiii-xxiv

Chronology
pp xxv-xxxii

Part I - Horizons
pp 1-34

1 - Defining the Indefinable: Romanticism and Music
pp 3-16

2 - The Emergence of Musical Romanticism
pp 17-34

Part II - Worlds
pp 35-162

3 - Music and Romantic Literature
pp 37-55

4 - Music, Romantic Landscape, and the Visual
pp 56-73

5 - Romanticism, the Folk, and Musical Nationalisms
pp 74-91

6 - Music, Romanticism, and Politics
pp 92-109

7 - Music and Technology
pp 110-126

8 - Music, Magic, and the Supernatural
pp 127-145

9 - A Kingdom Not of This World: Music, Religion, Art-Religion
pp 146-162

Part III - Aesthetics
pp 163-228

10 - Music in Early German Romantic Philosophy
pp 165-182

11 - Meaning and Value in Romantic Musical Aesthetics
pp 183-198

12 - Music and Romantic Interiority
pp 199-213

13 - Music, Expression, and the Aesthetics of Authenticity
pp 214-228

Part IV - Practices
pp 229-324

14 - Romantic Languages
pp 231-257

15 - Romantic Forms
pp 258-276

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The Cambridge Companion to Music and Romanticism

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