Book contents
- Frontmatter
- Contents
- Introduction
- 1 Narrating Values Describing a World
- 2 Shaaban Robert The Optimism of Writing
- 3 The Crisis of the Bildungsroman
- 4 Euphrase Kezilahabi An Initiatory Realism
- 5 The Political Novel
- 6 Mohamed Suleiman Mohamed Narrating a Dual Reality
- 7 The Criminals & the Corrupted
- 8 Investigations & Enigmas
- 9 Said Ahmed Mohamed The Dark Side of Images
- Conclusion
- Bibliography
- Index
1 - Narrating Values Describing a World
Published online by Cambridge University Press: 05 December 2013
- Frontmatter
- Contents
- Introduction
- 1 Narrating Values Describing a World
- 2 Shaaban Robert The Optimism of Writing
- 3 The Crisis of the Bildungsroman
- 4 Euphrase Kezilahabi An Initiatory Realism
- 5 The Political Novel
- 6 Mohamed Suleiman Mohamed Narrating a Dual Reality
- 7 The Criminals & the Corrupted
- 8 Investigations & Enigmas
- 9 Said Ahmed Mohamed The Dark Side of Images
- Conclusion
- Bibliography
- Index
Summary
In order to understand the background which gave birth to the ethnographic novel, one needs to go back to the first texts produced in the colonial context. The German African scholar Carl Velten published Desturi za Wasuaheli (Customs of the Swahili People) in 1903. The material for this text was taken from the work of Mtoro bin Mwanyi Bakari who had the aim of studying the customs of the Swahili people in order to make them accessible to a wider audience. More than half a century later, Lyndon Harries and then J.W.T. Allen translated this description of the customs of the Swahili people into English, during the great era of Anglo-Saxon research on the Swahili ‘civilization’. Noel Q. King's introduction to J.W.T. Allen's translation speaks for itself:
The Desturi za WaSwahili (Customs of the Swahili People) ranks among the world's great but little-known literary achievements. It records something of the life and traditions of a numerically small people, of a culture that has grown up over centuries to give birth to its own literature, philosophy of life, and values. Too many such civilizations – each a unique and irreplaceable gem of human achievement – have disappeared without a trace. Some have left a few place names, a few genes and games, a fell disease or two, while others are brought to mind only by the descriptions of outsiders. Some have managed to survive to the present, be it by sheer refusal to die, by military prowess or non-violent forms of resistance, or by the protection of the unhospitable nature of a xenophobic terrain. In the case of the Swahili we have a people few in number, inhabiting an open land that has no natural borders or defences, who have gone serenely and happily on, while their invaders – various waves of outsider Africans, Arabs, Iranians, Portuguese, Germans, and British – have disappeared, leaving behind their trace in ruins littering the countryside and in vestiges embedded in the Swahili language and culture.
(Allen, 1971: VII)- Type
- Chapter
- Information
- The Swahili NovelChallenging the Idea of 'Minor Literature', pp. 19 - 46Publisher: Boydell & BrewerPrint publication year: 2013