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Part IV - Susan Glaspell, Women Artists, and Feminist History and Criticism

Published online by Cambridge University Press:  13 July 2023

Edited by
J. Ellen Gainor
J. Ellen Gainor
Affiliation:
Cornell University, New York
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Susan Glaspell in Context , pp. 169 - 208
Publisher: Cambridge University Press
Print publication year: 2023

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References

Suggestions for Further Reading

Avrich, Paul. Anarchist Voices: An Oral History of Anarchism in America. Princeton: Princeton University Press, 1995.Google Scholar
Barlow, Judith E. Women Writers of the Provincetown Players. Albany: State University of New York Press, 2009.Google Scholar
Ben-Zvi, Linda, ed. Susan Glaspell: Essays on Her Theater and Fiction. Ann Arbor: University of Michigan Press, 1995.CrossRefGoogle Scholar
Carpentier, Martha, ed. Susan Glaspell: New Directions in Critical Inquiry. Newcastle: Cambridge Scholars Publishing, 2006.Google Scholar
Fishbein, Leslie. Rebels in Bohemia: The Radicals of The Masses, 1911–1917. Chapel Hill: University of North Carolina Press, 1982.Google Scholar
Heller, Adele and Rudnick, Lois, eds. 1915 The Cultural Moment: the New Politics, the New Woman, the New Psychology, the New Art, and the New Theatre in America. New Brunswick: Rutgers University Press, 1991.Google Scholar
Hernando-Real, Noelia. Self and Space in the Theater of Susan Glaspell. Jefferson, NC: McFarland & Co., Inc., 2011.Google Scholar
Jouve, Emeline. Susan Glaspell’s Poetics and Politics of Rebellion. Iowa City: University of Iowa Press, 2017.Google Scholar
Larabee, Ann E. “First Wave Feminist Theatre, 1890–1930.” PhD Diss. Binghamton University, 1988.Google Scholar
Ozieblo, Barbara. Susan Glaspell: A Critical Biography. Chapel Hill: University of North Carolina Press.Google Scholar

Suggestions for Further Reading

Carpentier, Martha C. The Major Novels of Susan Glaspell. Gainesville: University Press of Florida. 2001.Google Scholar
Makowsky, Veronica. Susan Glaspell’s Century of American Women: A Critical Interpretation of Her Work. Oxford: Oxford University Press. 1993.CrossRefGoogle Scholar

Suggestions for Further Reading

Hernando-Real, Noelia. “Alison’s House: A Play in Three Acts”. The Literary Encyclopedia. 2007. www.litencyc.com/php/sworks.php?rec=true&UID=16008. Accessed 25 March 2022.Google Scholar
Hinz-Bode, Kristina. Susan Glaspell and the Anxiety of Expression: Language and Isolation in the Plays. Jefferson, NC: McFarland, 2006.Google Scholar
Kohler, Michelle, ed. The New Emily Dickinson Studies. Cambridge: Cambridge University Press, 2019.CrossRefGoogle Scholar
Martin, Wendy, ed. Cambridge Companion to Emily Dickinson. Cambridge: Cambridge University Press, 2002.Google Scholar
Wagner-Martin, Linda. Emily Dickinson. A Literary Life. Basingstoke: Palgrave Macmillan, 2013.CrossRefGoogle Scholar

Suggestions for Further Reading

Papke, Mary E. Susan Glaspell: A Research and Production Sourcebook. Westport, CT: Greenwood Press, 1993.Google Scholar
The International Susan Glaspell Society publications list available at http://blogs.shu.edu/glaspellsociety/category/publications/.Google Scholar

Suggestions for Further Reading

Bissell, John W., “Comments on Jury Nullification.” Cornell Journal of Law and Policy 7.1 (1997), pp. 51–56.Google Scholar
Weinstein, J. B. “Considering Jury Nullification: When May and Should a Jury Reject the Law to Do Justice.” American Criminal Law Review 30.2 (1993), pp. 239–254.Google Scholar
Woicik, Mark E. “Extending Batson to Peremptory Challenges of Jurors Based on Sexual Orientation and Gender Identity.” Northern Illinois University Law Review 40.1 (2019), pp. 1–43.Google Scholar

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