Book contents
- Frontmatter
- Studies in Medievalism
- Acknowledgments
- Contents
- List of Illustrations
- Preface
- I Essays on Politics and Medievalism (Studies)
- Historical Malapropism and the Medieval Blood Libel in American Politics
- Putin’s Medieval Weapons in the War against Ukraine
- The Battle of Tours and the US Southern Border
- Medievalism, Brexit, and the Myth of Nations
- An Arthur for the Brexit Era: Joe Cornish’s The Kid Who Would be King
- II Other Responses to Medievalism
- Angle-ing for Arthur: Erasing the Welsh in Guy Ritchie’s King Arthur: Legend of the Sword
- Chasing Freyja: Rape, Immigration, and the Medieval in Alt-Right Discourse
- “Things painted on the coarse canvas”: Political Polemic in Jean-Paul Laurens’s Portrait of the Child Emperor Honorius
- Longfellow and Old English
- Archaeology and Medievalism at Julian of Norwich’s Anchorite Cell
- A Revelation of Love: Christianity, Julian of Norwich, and Medieval Pity in the Harry Potter Series
- In the Beginning Was the Word: How Medieval Text Became Fantasy Maps
- Objectivity, Impossibility, and Laughter in Doctor Who’s “Robot of Sherwood”
- Sonic Medievalism, World Building, and Cultural Identity in Fantasy Video Games
- Contributors
- Miscellaneous Endmatter
The Battle of Tours and the US Southern Border
Published online by Cambridge University Press: 19 August 2020
- Frontmatter
- Studies in Medievalism
- Acknowledgments
- Contents
- List of Illustrations
- Preface
- I Essays on Politics and Medievalism (Studies)
- Historical Malapropism and the Medieval Blood Libel in American Politics
- Putin’s Medieval Weapons in the War against Ukraine
- The Battle of Tours and the US Southern Border
- Medievalism, Brexit, and the Myth of Nations
- An Arthur for the Brexit Era: Joe Cornish’s The Kid Who Would be King
- II Other Responses to Medievalism
- Angle-ing for Arthur: Erasing the Welsh in Guy Ritchie’s King Arthur: Legend of the Sword
- Chasing Freyja: Rape, Immigration, and the Medieval in Alt-Right Discourse
- “Things painted on the coarse canvas”: Political Polemic in Jean-Paul Laurens’s Portrait of the Child Emperor Honorius
- Longfellow and Old English
- Archaeology and Medievalism at Julian of Norwich’s Anchorite Cell
- A Revelation of Love: Christianity, Julian of Norwich, and Medieval Pity in the Harry Potter Series
- In the Beginning Was the Word: How Medieval Text Became Fantasy Maps
- Objectivity, Impossibility, and Laughter in Doctor Who’s “Robot of Sherwood”
- Sonic Medievalism, World Building, and Cultural Identity in Fantasy Video Games
- Contributors
- Miscellaneous Endmatter
Summary
When I wrote about the political weaponizing of the medieval, I meant for the concept to be a colorful metaphor. But in March 2019, the Middle Ages were quite literally weaponized by the white supremacist Australian terrorist who murdered fifty-one civilians in horrifying attacks on two mosques in Christchurch, New Zealand. Scrawled across his rifles were words of hate scribbled alongside numerous references to the Middle Ages: to battles between Christian and Muslim forces across medieval and early modern centuries and to medieval European military leaders who are lionized by the far right for their “defense” of Europe against Islamic enemies. The scrawled notes on these rifles will surely outrage and disgust every medievalist scholar. Yet what makes the revelations of these scribblings on weapons of terror so frightening is that they are hardly unexpected. We have been here before.
On his rifle were the words “Tours 732.” This phrase is a reference to the Battle of Tours (also known as the Battle of Poitiers) which has a long history of being cheered, in the West, as a decisive historical event that “saved” Europe and Christendom from destruction by Muslim invaders. Since the eighteenth century, some historians and poets have celebrated Tours. The battle and 732 are commonly mustered as crucial pivot points for European and Christian identity and have taken hold among the far right in North America, Europe, and Australia as memes and models. Despite the reservations and doubts a number of contemporary historians hold about the degree to which Tours had an effect on religious and political affairs beyond Francia, the notion of the single world-changing battle – the idea of Tours as a decisive, world-changing showdown between Christianity and Islam – proliferates in both mainstream right-wing thought and on its farther reaches. The Battle of Tours is regularly deployed as an example of how Muslims must be confronted in the West today and what the fallout would be should they be permitted to settle and thrive in majority-Christian regions. For some on the right, often but not always on its far fringes, Tours reveals the underpinnings of a timeless and insatiable desire for Islamic missionizing expansionism, and Tours continues to serve, whether as exemplar or meme, as a model for an appropriate and necessary militaristic response to Islam.
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- Studies in Medievalism XXIXPolitics and Medievalism (Studies), pp. 21 - 30Publisher: Boydell & BrewerPrint publication year: 2020