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Chapter 34 - Evoking the Past, Inspiring the Future

from Part VI - Reception and Legacy

Published online by Cambridge University Press:  03 December 2020

By
Lynne Rogers
Edited by
Graham Griffiths
Graham Griffiths
Affiliation:
City, University of London
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Summary

From the time he wrote The Firebird (1909–10), Igor Stravinsky’s music achieved feats of compositional magic by combining musical recollection with innovation in a way that left each recognisable, yet inseparable from the other.1 Stravinsky’s works looked to the past by evoking established musical repertories and their conventions. In these same works, his frequently radical inventions created a groundbreaking musical present that motivated his own future and that of music more generally.

Keywords

legacyoctatonicismErnst Krenek (1900-91)Russian folk songThe Rite of Spring
Type
Chapter
Information
Stravinsky in Context , pp. 304 - 312
Publisher: Cambridge University Press
Print publication year: 2020

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