Singing for Schools and Congregations A Grammar of Vocal Music, with a Course of Lessons and Exercises Founded on the Tonic Solfa Method, and a Full Introduction to the Art of Singing at Sight from the Old Notation ...
Book contents
- Frontmatter
- Contents
- Index to the Tunes and Songs
- INTRODUCTION
- SECTION I OF MUSICAL SOUNDS AND THE MANAGEMENT OF THE VOICE
- SECTION II OF REPLICATES.–THE GOVERNING OR KEY NOTE, AND THE COMMON MODE OR SCALE
- SECTION III OF ACCENT, RHYTHM, AND MEASURE
- SECTION IV OF THE STANDARD SCALE, THE METRONOME, AND THE SMALL-LETTER SOLFA NOTATION
- SECTION V OF THE CHARACTER AND MENTAL EFFECT OF NOTES IN KEY, ESPECIALLY OF DOH, ME, AND SOH.–DIRECTIONS FOR USING THE EXERCISES
- SECTION VI OF THE CHARACTER AND PROPER MENTAL EFFECT OF THE NOTES FAH AND LAH, THE FOURTH AND SIXTH OF THE COMMON MODE
- SECTION VII OF THE CHARACTER AND PROPER MENTAL EFFECT OF THE NOTES RAY AND TE, THE SECOND AND SEVENTH OF THE COMMON MODE
- SECTION VIII OF TRANSITION AND THE NOTES TU AND FI, AND OF CHROMATIC NOTES
- SECTION IX OF MINOR TUNES AND THE NOTES NE, BAH, NI, AND NU
- SECTION X OF MELODY, ITS NATURE, ITS STYLES, ITS STRUCTURE.–OF COPYING BY EAR, AND OF COMPOSITION
- SECTION XI OF THE DIFFERENT KINDS OF VOICES: OF SINGING IN PARTS; AND OF ENUNCIATION
- SECTION XII OF HARMONY AND COUNTERPOINT
- SECTION XIII OF THE CHANT AND THE PRACTICE OF CHANTING
- SECTION XIV OF THE ANTHEM AND THE HYMN TUNE, AND OF CONGREGATIONAL SINGING
- APPENDIX TO SECTION II
- APPENDIX TO SECTION III
- APPENDIX TO SECTION IV
- APPENDIX TO SECTIONS V, VI, VII
- APPENDIX TO SECTIONS VIII AND IX
SECTION X - OF MELODY, ITS NATURE, ITS STYLES, ITS STRUCTURE.–OF COPYING BY EAR, AND OF COMPOSITION
Published online by Cambridge University Press: 05 October 2014
Book contents
- Frontmatter
- Contents
- Index to the Tunes and Songs
- INTRODUCTION
- SECTION I OF MUSICAL SOUNDS AND THE MANAGEMENT OF THE VOICE
- SECTION II OF REPLICATES.–THE GOVERNING OR KEY NOTE, AND THE COMMON MODE OR SCALE
- SECTION III OF ACCENT, RHYTHM, AND MEASURE
- SECTION IV OF THE STANDARD SCALE, THE METRONOME, AND THE SMALL-LETTER SOLFA NOTATION
- SECTION V OF THE CHARACTER AND MENTAL EFFECT OF NOTES IN KEY, ESPECIALLY OF DOH, ME, AND SOH.–DIRECTIONS FOR USING THE EXERCISES
- SECTION VI OF THE CHARACTER AND PROPER MENTAL EFFECT OF THE NOTES FAH AND LAH, THE FOURTH AND SIXTH OF THE COMMON MODE
- SECTION VII OF THE CHARACTER AND PROPER MENTAL EFFECT OF THE NOTES RAY AND TE, THE SECOND AND SEVENTH OF THE COMMON MODE
- SECTION VIII OF TRANSITION AND THE NOTES TU AND FI, AND OF CHROMATIC NOTES
- SECTION IX OF MINOR TUNES AND THE NOTES NE, BAH, NI, AND NU
- SECTION X OF MELODY, ITS NATURE, ITS STYLES, ITS STRUCTURE.–OF COPYING BY EAR, AND OF COMPOSITION
- SECTION XI OF THE DIFFERENT KINDS OF VOICES: OF SINGING IN PARTS; AND OF ENUNCIATION
- SECTION XII OF HARMONY AND COUNTERPOINT
- SECTION XIII OF THE CHANT AND THE PRACTICE OF CHANTING
- SECTION XIV OF THE ANTHEM AND THE HYMN TUNE, AND OF CONGREGATIONAL SINGING
- APPENDIX TO SECTION II
- APPENDIX TO SECTION III
- APPENDIX TO SECTION IV
- APPENDIX TO SECTIONS V, VI, VII
- APPENDIX TO SECTIONS VIII AND IX
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- Singing for Schools and CongregationsA Grammar of Vocal Music, with a Course of Lessons and Exercises Founded on the Tonic Solfa Method, and a Full Introduction to the Art of Singing at Sight from the Old Notation ..., pp. 73 - 85Publisher: Cambridge University PressPrint publication year: 2013