Shane Meadows: Critical Essays

Shane Meadows

Critical Essays

- Get access
  
  Check if you have access via personal or institutional login
  
  Log in Register

Edited by Martin Fradley, Freelance film scholar

Publisher:: Edinburgh University Press
Online publication date:: October 2013
Print publication year:: 2013
Online ISBN:: 9780748676408

Subjects:: Film, Film, Media, Mass Communication, Media, Mass Communication

Export citation

Information

Contents

Metrics

From his breakthrough short films in the early 1990s and feature debut TwentyFourSeven (1997) through to the BAFTA-winning This Is England (2007) and hit television spin-off, director Shane Meadows has emerged as one of the most distinctive and influential voices in contemporary British cinema. Danny Perkins, CEO of StudioCanal UK, credits Meadows as the key figure in British film’s contemporary renaissance, with This Is England 'doing more than any other [film] to change British audiences' attitudes' to home-grown cinema. This book will explore the full range of Meadows’ work, from its origins in local D.I.Y. media through to international festival acclaim. Over the course of its 15 chapters, it will present a comprehensive analysis of Meadows’ oeuvre to date, situating it in the context of British cinema history as well as wider cultural changes from the nineties to now.

- Aa Reduce text
- Aa Enlarge text

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to .

To save content items to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Metrics

Altmetric attention score

Total number of HTML views: 0

Total number of PDF views: 0 *

Loading metrics...

Total views: 0 *

Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.

Shane Meadows

Critical Essays

Book description

Refine List

Actions for selected content:

Contents

Frontmatter
pp i-ii

Contents
pp iii-iv

Acknowledgements
pp v-v

Notes on the Contributors
pp vi-viii

1 - Introduction: Shane's World
pp 1-20

2 - Structure and Agency: Shane Meadows and the New Regional Production Sectors
pp 21-34

3 - Twenty-first-Century Social Realism: Shane Meadows and New British Realism
pp 35-49

4 - ‘Al fresco? That's up yer anus, innit?’ Shane Meadows and the Politics of Abjection
pp 50-67

5 - No More Heroes: The Politics of Marginality and Disenchantment in TwentyFourSeven and This is England
pp 68-82

6 - ‘Now I'm the monster’: Remembering, Repeating and Working Through in Dead Man's Shoes and TwentyFourSeven
pp 83-94

7 - ‘An object of indecipherable bastardry – a true monster’: Homosociality, Homoeroticism and Generic Hybridity in Dead Man's Shoes
pp 95-110

8 - A Message to You, Maggie: 1980s Skinhead Subculture and Music in This is England
pp 111-126

9 - Changing Spaces of ‘Englishness’: Psychogeography and Spatial Practices in This is England and Somers Town
pp 127-141

10 - ‘Shane, don't film this bit’: Comedy and Performance in Le Donk and Scor-zay-zee
pp 142-154

11 - ‘Them over there’: Motherhood and Marginality in Shane Meadows' Films
pp 155-170

12 - ‘What do you think makes a bad dad?’ Shane Meadows and Fatherhood
pp 171-185

13 - Is This England '86 and '88? Memory, Haunting and Return through Television Seriality
pp 186-202

14 - After Laughter Comes Tears: Passion and Redemption in This is England '88
pp 203-209

Index
pp 210-216

Metrics

Altmetric attention score

Full text views

Book summary page views

Shane Meadows

Critical Essays

Book description

Refine List

Actions for selected content:

Save Search

Contents

Metrics

Altmetric attention score

Full text views

Book summary page views