Book contents
- Frontmatter
- ‘Othello’: A Retrospect, 1900–67
- The Two Parts of ‘Othello’
- ‘Othello’: A Tragedy Built on a Comic Structure
- ‘Othello’ and the Pattern of Shakespearian Tragedy
- ‘Othello’, ‘Lepanto’ and the Cyprus Wars
- Iago—Vice or Devil?
- Thomas Rymer and ‘Othello’
- Delacroix’s Tragedy of Desdemona
- Verdi’s ‘Otello’: A Shakespearian Masterpiece
- William Hervey and Shakespeare’s Sonnets
- Imagery and Irony in ‘Henry V’
- Shakespeare and the Actors: Notes towards Interpretations
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Index to Volume 21
- General Index to Volumes 11–20
- Plate Section
- Frontmatter
- ‘Othello’: A Retrospect, 1900–67
- The Two Parts of ‘Othello’
- ‘Othello’: A Tragedy Built on a Comic Structure
- ‘Othello’ and the Pattern of Shakespearian Tragedy
- ‘Othello’, ‘Lepanto’ and the Cyprus Wars
- Iago—Vice or Devil?
- Thomas Rymer and ‘Othello’
- Delacroix’s Tragedy of Desdemona
- Verdi’s ‘Otello’: A Shakespearian Masterpiece
- William Hervey and Shakespeare’s Sonnets
- Imagery and Irony in ‘Henry V’
- Shakespeare and the Actors: Notes towards Interpretations
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Index to Volume 21
- General Index to Volumes 11–20
- Plate Section
Summary
- Type
- Chapter
- Information
- Publisher: Cambridge University PressPrint publication year: 1969