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Introduction

Shakespeare, Spectatorship and the Technologies of Performance

Published online by Cambridge University Press:  10 April 2020

Pascale Aebischer
Affiliation:
University of Exeter
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Summary

To mark the quatercentenary of Shakespeare’s death in 2016, the summer season at Shakespeare’s Globe was billed as the ‘Wonder Season’. Emma Rice, the theatre’s first female artistic director, promised to kick-start a ‘new era’ of gender parity and performer and audience diversity – and of artificial lighting, amplified sound and livestreaming of productions that would reach new audiences free of charge. By the autumn, however, Lyn Gardner’s hopeful prediction of ‘the start of a great love affair’ under Rice’s leadership was headed towards a bitter divorce. At stake was what Kevin Quarmby describes as the ‘insidious political fundamentalism that infects Shakespeare theater productions worldwide’, which decried how ‘Rice’s installation of heavy duty sound and lighting ha[d] destroyed the shared space previously enjoyed by actors and audiences and the unique complicity between the groundlings and great actors’.

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Publisher: Cambridge University Press
Print publication year: 2020

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  • Introduction
  • Pascale Aebischer, University of Exeter
  • Book: Shakespeare, Spectatorship and the Technologies of Performance
  • Online publication: 10 April 2020
  • Chapter DOI: https://doi.org/10.1017/9781108339001.001
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  • Introduction
  • Pascale Aebischer, University of Exeter
  • Book: Shakespeare, Spectatorship and the Technologies of Performance
  • Online publication: 10 April 2020
  • Chapter DOI: https://doi.org/10.1017/9781108339001.001
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • Pascale Aebischer, University of Exeter
  • Book: Shakespeare, Spectatorship and the Technologies of Performance
  • Online publication: 10 April 2020
  • Chapter DOI: https://doi.org/10.1017/9781108339001.001
Available formats
×