Book contents
- Frontmatter
- Dedication
- Contents
- Preface
- Textual Note
- Introduction
- 1 Doris, or the Shepherd’s Complaint
- 2 To Anna R.[oemers]
- 3 [From] Batava Tempe: That Is the Lime-avenue of The Hague
- 4 The Exiled Shepherd: To the Lord Daniel Heinsius, Knight etc.
- 5 The Character of an Ambassador
- 6 Ship’s Talk, on the Death of Prince Maurits
- 7 To the Lady Tesselschade Crombalch with My Translations from the English Poems of Dr Donne
- 8 To Barlaeus
- 9 On the Death of Tesselschade’s Eldest Daughter, and on Her Husband Thereafter Bleeding to Death
- 10 The White Moon
- 11 The Mist Descending
- 12 The First Stone of the Marksmen’s School in The Hague, Laid by Prince William of Orange, on the Day of Public Prayer, 2 December 1636
- 13 To Stella, My Dearest Wife, Now Dead
- 14 [From] The Day’s Work: The Order of the House
- 15 In Her Snow-cold Arms
- 16 Prayer for the Holy Communion
- 17 The Lake
- 18 The Holy Communion
- 19 New Year
- 20 Good Friday
- 21 Pentecost
- 22 Christmas
- 23 Easter
- 24 To Tesselschade
- 25 On the Roses of the Most Eminent Painter, Daniel Seegers
- 26 To Tesselschade, Departing
- 27 To Albert Dürer on His Engraved Picture
- 28 On the Holy Communion
- 29 Again on the Holy Communion
- 30 [From] Hofwijk
- 31 Awakening
- 32 To the Lady Luchtenburgh, with My Poems Translated from the English of Donne
- 33 Again on Painting
- 34 On the Frontispiece of Korenbloemen
- 35 On the Grave of Jacob van Campen
- 36 The Vanity of Dreams
- 37 On an Engraved Glass
- 38 On My Birthday
- 39 Consolation of the Eyes, to the Lady of St Annaland
- 40 On the Holy Communion
- 41 Stillness and Snow after Storm and High Water
- 42 My Puppy’s Epitaph
- Appendix I A Selection of Huygens’ Poems in Modern European Languages
- Appendix II A Selection of Huygens’ Writings in English
- Appendix III Huygens and English Literature
- Appendix IV Additional Poems on Painting
- Bibliography
- Index of Titles and First Lines
- Amsterdam Studies in the Dutch Golden Age
Preface
Published online by Cambridge University Press: 09 February 2021
- Frontmatter
- Dedication
- Contents
- Preface
- Textual Note
- Introduction
- 1 Doris, or the Shepherd’s Complaint
- 2 To Anna R.[oemers]
- 3 [From] Batava Tempe: That Is the Lime-avenue of The Hague
- 4 The Exiled Shepherd: To the Lord Daniel Heinsius, Knight etc.
- 5 The Character of an Ambassador
- 6 Ship’s Talk, on the Death of Prince Maurits
- 7 To the Lady Tesselschade Crombalch with My Translations from the English Poems of Dr Donne
- 8 To Barlaeus
- 9 On the Death of Tesselschade’s Eldest Daughter, and on Her Husband Thereafter Bleeding to Death
- 10 The White Moon
- 11 The Mist Descending
- 12 The First Stone of the Marksmen’s School in The Hague, Laid by Prince William of Orange, on the Day of Public Prayer, 2 December 1636
- 13 To Stella, My Dearest Wife, Now Dead
- 14 [From] The Day’s Work: The Order of the House
- 15 In Her Snow-cold Arms
- 16 Prayer for the Holy Communion
- 17 The Lake
- 18 The Holy Communion
- 19 New Year
- 20 Good Friday
- 21 Pentecost
- 22 Christmas
- 23 Easter
- 24 To Tesselschade
- 25 On the Roses of the Most Eminent Painter, Daniel Seegers
- 26 To Tesselschade, Departing
- 27 To Albert Dürer on His Engraved Picture
- 28 On the Holy Communion
- 29 Again on the Holy Communion
- 30 [From] Hofwijk
- 31 Awakening
- 32 To the Lady Luchtenburgh, with My Poems Translated from the English of Donne
- 33 Again on Painting
- 34 On the Frontispiece of Korenbloemen
- 35 On the Grave of Jacob van Campen
- 36 The Vanity of Dreams
- 37 On an Engraved Glass
- 38 On My Birthday
- 39 Consolation of the Eyes, to the Lady of St Annaland
- 40 On the Holy Communion
- 41 Stillness and Snow after Storm and High Water
- 42 My Puppy’s Epitaph
- Appendix I A Selection of Huygens’ Poems in Modern European Languages
- Appendix II A Selection of Huygens’ Writings in English
- Appendix III Huygens and English Literature
- Appendix IV Additional Poems on Painting
- Bibliography
- Index of Titles and First Lines
- Amsterdam Studies in the Dutch Golden Age
Summary
It seems strange that, more than four hundred years after his birth, Constantijn Huygens, the Dutch polymath, poet, composer, statesman and translator, should need to be re-introduced to readers on both sides of the Narrow Seas. But this would appear to be the case: hardly any of his work is in print in the Netherlands, despite recent scholarly attention paid to it there, and his name is known only to a very few English-speaking readers as a historical figure, as the father of a more famous son, or as the friend and translator of John Donne. One poignant example of this neglect: Johannes Worp's monumental edition of Huygens’ poems appears to have slumbered undisturbed for the last thirty odd years in the University Library at Cambridge, ever since, if the reservation slip marking one of the Donne translations is to be believed, E.M. Forster last closed volume three at some point in the 1950s.
This act of re-introduction is the prime directive of this book: we feel that the range and diversity of The Cornflowers of the Lord of Zuilichem are overdue for reconsideration in an Europe increasingly interested in its international past. For the English-speaking reader, this book will, of necessity, be in the nature of a first introduction to an unfamiliar, if compelling, voice of late Renaissance Europe. In some respects, it also looks at the complexities of the culture out of which that voice speaks.
The visual culture of the seventeenth century in the United Provinces needs no introduction, but particularly for the English-speaking reader, this book offers a first insight into the complementary literary, architectural and musical continuum out of which the paintings came. There is no single figure better fitted to act as a representative of this culture than Constantijn Huygens: his long life as a writer spanned the crucial century of the consolidation of the Dutch Republic. This can be expressed in terms of the English culture with which he was much concerned throughout his life. His first visit to England was as a young man moving in the most cultivated and outward-looking circles of Jacobean England; he was knighted by James i, and he enjoyed the friendship of John Donne.
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- Selection of the Poems of Sir Constantijn Huygens (1596–1687)Revised, Second Edition, pp. 11 - 14Publisher: Amsterdam University PressPrint publication year: 2015