Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-g8jcs Total loading time: 0 Render date: 2024-12-04T19:29:40.601Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  05 May 2014

Reeve Parker
Affiliation:
Cornell University, New York
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Romantic Tragedies
The Dark Employments of Wordsworth, Coleridge, and Shelley
, pp. 286 - 295
Publisher: Cambridge University Press
Print publication year: 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Année Litteraire. vol. 7: Paris: Chez Merigot, 1788.
Arasse, Daniel. The Guillotine and the Terror. Trans. Christopher, Miller. Harmondsworth: Allen Lane, 1991.Google Scholar
Baczko, Bronislaw. Ending the Terror: The French Revolution after Robespierre Trans. Michel, Petheram. Cambridge and New York: Cambridge University Press, 1994.Google Scholar
Ball, Patricia M.“The Waking Dream: Coleridge and the Drama.” In The Morality of Art, ed. Jefferson, D. W.. New York: Barnes and Noble, 1969.Google Scholar
Bate, Jonathan. Shakespeare and the Romantic Imagination. Oxford: Clarendon Press, 1986.Google Scholar
Bate, Walter Jackson. Coleridge. New York: Macmillan, 1968.Google Scholar
Behrendt, Stephen. Shelley and His Audiences. Lincoln: University of Nebraska Press, 1989.Google Scholar
Bersani, Leo. A Future for Astyanax: Character and Desire in Literature. Boston: Little, Brown, 1976.Google Scholar
Bieri, James. Percy Bysshe Shelley, a Biography: Exile of Unfulfilled Renown, 1816–1822. Newark: University of Delaware Press, 2005.Google Scholar
Biggs, Murray. “Staging The Borderers: Dragging Romantic Drama out of the Closet.”Studies in Romanticism 27.3 (Fall 1988), pp. 411–17.CrossRefGoogle Scholar
Blank, G. Kim. Wordsworth's Influence on Shelley: A Study of Poetic Authority. Basingstoke and London: Macmillan Press, 1988.CrossRefGoogle Scholar
Blanshard, Frances. Portraits of Wordsworth. Ithaca, N.Y.: Cornell University Press, 1989.Google Scholar
Booth, Stephen. King Lear, Macbeth, Indefinition, and Tragedy. New Haven: Yale University Press, 1983.Google Scholar
Bratton, Jacky. “Romantic Melodrama.” In The Cambridge Companion to British Theatre 1730–1830. Ed. Jane, Moody and Daniel, O'Quinn. Cambridge: Cambridge University Press, 2007, pp. 115–27.CrossRefGoogle Scholar
Brooks, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. New Haven: Yale University Press, 1976.Google Scholar
Brown, Frederick. Theater and Revolution: The Culture of the French Stage. New York: Random House, 1989.Google Scholar
Brown, Paul. “‘This thing of darkness I acknowledge mine’: The Tempest and the Discourse of Colonialism.” In Political Shakespeare: Essays in Cultural Materialism, ed. Jonathan, Dollimore and Alan, Sinfield. Ithaca, N.Y.: Cornell University Press, 1985, pp. 48–71.Google Scholar
Burroughs, Catherine. “Joanna Baillie's Prefaces to Plays on the Passions.” In Re-visioning Romanticism: British Women Writers, 1776–1837, ed. Carol, Shiner Wilson and Joel, Haefner. Philadelphia: University of Pennsylvania Press, 1994, pp. 274–96.Google Scholar
Burroughs, CatherineCloset Stages: Joanna Baillie and the Theatre Theory of British Romantic Women Writers. Philadelphia: University of Pennsylvania Press, 1997.CrossRefGoogle Scholar
Burroughs, Catherine ed. Women in British Romantic Theatre: Drama, Performance, and Society, 1790–1840. Cambridge: Cambridge University Press, 2000.
Burwick, Frederick. Illusion and the Drama: Critical Theory of the Enlightenment and Romantic Era. University Park: Pennsylvania State University Press, 1991.Google Scholar
Byron, George Gordon. Byron's Letters and Journals. Ed. Leslie, A. Marchand. 13 vols. London: J. Murray, 1973–94.Google Scholar
Canuel, Mark. Religion, Toleration, and British Writing, 1790–1830. Cambridge: Cambridge University Press, 2002.CrossRefGoogle Scholar
Carlson, Julie A.England's First Family of Writers: Mary Wollstonecraft, William Godwin, Mary Shelley. Baltimore: Johns Hopkins University Press, 2007.Google Scholar
Carlson, Julie A.In the Theatre of Romanticism: Coleridge, Nationalism, Women. Cambridge: Cambridge University Press, 1994.CrossRefGoogle Scholar
Carlson, Julie A.“Remaking Love: Remorse in the Theatre of Baillie and Inchbald.” In Women in British Romantic Theatre: Drama, Performance, and Society, 1790–1840. Ed. Catherine, Burroughs. Cambridge: Cambridge University Press, 2000, pp. 285–310.Google Scholar
Carlson, Marvin. The Theatre of the French Revolution. Ithaca, N.Y.: Cornell University Press, 1967.Google Scholar
Cave, Terence. Recognitions: A Study in Poetics. Oxford: Clarendon Press, 1988.Google Scholar
Cavell, Stanley. Disowning Knowledge in Six Plays by Shakespeare. Cambridge: Cambridge University Press, 1987.Google Scholar
Chandler, James. Wordsworth's Second Nature. Chicago: University of Chicago Press, 1984.Google Scholar
Chevalley, Sylvie. “Ducis, Shakespeare, et les Comédiens français: II: Du Roi Léar (1783) à Othello (1792).”Revue de la Société d'Histoire du Théâtre 16.1 (1965), pp. 5–37.Google Scholar
Clark, David Lee. Shelley's Prose. London: Fourth Estate, 1988.Google Scholar
Coleridge, Samuel Taylor. Biographia Literaria. Ed. James, Engell and Jackson Bate, W.. 2 vols. Princeton: Princeton University Press, 1983.Google Scholar
Coleridge, Samuel TaylorColeridge's Miscellaneous Criticism. Ed. T. M. Raysor. London: Constable, 1936.Google Scholar
Coleridge, Samuel TaylorColeridge's Verse: A Selection. Ed. William, Empson and David, Pirie. New York: Schocken Books, 1973.Google Scholar
Coleridge, Samuel TaylorCollected Letters of Samuel Taylor Coleridge. Ed. Griggs, E. L.. 6 vols. Oxford: Clarendon Press, 1956.Google Scholar
Coleridge, Samuel TaylorEssays on His Times in the “Morning Post” and “The Courier.” Ed. David, V. Erdman. 3 vols. Princeton: Princeton University Press, 1978.Google Scholar
Coleridge, Samuel TaylorThe Friend. Ed. Barbara, E. Rooke. 2 vols. Princeton: Princeton University Press, 1969.Google Scholar
Coleridge, Samuel TaylorLectures 1808–1819 on Literature. Ed. Foakes, R. A.. 2 vols. Princeton: Princeton University Press, 1987.Google Scholar
Coleridge, Samuel TaylorThe Notebooks of Samuel Taylor Coleridge, 1794–1826. Ed. Kathleen, Coburn. 4 double vols. Bollingen Series. Princeton: Princeton University Press, 1957–1990.Google Scholar
Coleridge, Samuel TaylorShakespeare Criticism. Ed. Raysor, T. M.. 2 vols. London: J. M. Dent and Sons, 1960.Google Scholar
Coleridge, Samuel TaylorSpecimens of the Table Talk of the Late Samuel Taylor Coleridge's Shakespeare Criticism. Ed. T. M. Raysor. 2 vols. Cambridge, Mass.: Harvard University Press.
Coleridge, Samuel TaylorPoetical Works, vol. iii: Plays, Parts 1 and 2. Ed. Mays, J. C. C.. 3 vols. Princeton: Princeton University Press, 2001. Vol. iii, Plays, Parts 1 and 2.Google Scholar
Colley, Linda. Britons: The Forging of a Nation. New Haven: Yale University Press, 1994.Google Scholar
Collins, H. F.Talma: A Biography of an Actor. London: Faber and Faber, 1964.Google Scholar
Copin, Alfred. Talma et la Révolution. 2nd edn. Paris: Didier, 1888.Google Scholar
Cox, Jeffrey N.In the Shadows of Romance: Tragic Drama in Germany, England, and France. Athens: Ohio University Press, 1987.Google Scholar
Cox, Jeffrey N. ed. Seven Gothic Dramas. Athens: Ohio University Press, 1993.
Cox, Jeffrey, and Michael, Gamer. The Broadview Anthology of Romantic Drama. Peterborough, Ont.: Broadview Press, 2003.Google Scholar
Curran, Stuart. “Shelley and the End(s) of Ideology.”Shelley's Poetry and Prose. Ed. Donald, H. Reiman and Neil, Fraistat. 2nd edn. New York: Norton, 2002.Google Scholar
Curran, StuartShelley's Cenci: Scorpions Ringed with Fire. Princeton: Princeton University Press, 1970.Google Scholar
Darlington, Beth, ed. The Love Letters of William and Mary Wordsworth. Ithaca, N.Y.: Cornell University Press, 1981.
Darnton, Robert. Literary Underground of the Old Regime. Cambridge, Mass.: Harvard University Press, 1985.Google Scholar
Dart, Gregory. Rousseau, Robespierre and English Romanticism. Cambridge: Cambridge University Press, 1999.CrossRefGoogle Scholar
Man, Paul. Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. 2nd edn. Minneapolis: University of Minnesota Press, 1983.Google Scholar
Diderot, Denis. “Entretiens sur le Fils naturel.” Œuvres, Bibliothèque de la Pléiade 25. Bruges: Editions Gallimard, 1985, pp. 1201–73.Google Scholar
Diderot, DenisThe Paradox of Acting [translated by Walter Herries Pollock] and Masks or Faces? by William Archer. Introd. by Lee, Strasberg. New York: Hill and Wang, 1957.Google Scholar
Diderot, DenisLettre sur les sourds et muets. Ed. Meyer, Paul Hugo. Diderot Studies 7. Geneva: Librairie Droz, 1965.Google Scholar
Donkin, Ellen. Getting into the Act: Women Playwrights in London, 1660–1800. London and New York: Routledge, 1995.Google Scholar
Donohue, Joseph W.Dramatic Character in the Romantic Age. Princeton: Princeton University Press, 1970.Google Scholar
Ducis, Jean-François. Lettres de Jean-François Ducis. Ed. Paul, Albert. Paris: G. Jousset, 1879.Google Scholar
Ducis, Jean-François. Macbeth, Tragédie, en vers et en cinq actes. Paris: P. F. Gueffier, 1790.Google Scholar
Ducis, Jean-François. Œuvres de J. F. Ducis. Ed. Campenon, M.. 3 vols. Paris: A. Nepveu, 1826.Google Scholar
Eggli, Edmond. Schiller et le Romantisme français. 2 vols. Paris: Librairie Universitaire, 1927.Google Scholar
Erdman, David V.Commerce des Lumières: John Oswald and the British in Paris, 1790–1793. Columbia: University of Missouri Press, 1986.Google Scholar
Erdman, David V.. “Wordsworth as Heartsworth or Was Regicide the Prophetic Ground of Those ‘Moral Questions’?” In The Evidence of the Imagination, ed. Donald, Reimanet al. New York: New York University Press, 1978, pp. 12–41.Google Scholar
Erving, George. “Coleridge as Playwright.” In The Oxford Handbook of Samuel Taylor Coleridge. Ed. Frederick, Burwick. Oxford: Oxford University Press, 2009, pp. 397–402.Google Scholar
Escher, M. C. “Drawing Hands.” www.mcescher.com/Gallery/back-bmp/LW355.jpg.
Etienne, C. G. and Martainville, B.. Histoire du théâtre français. Paris: Barba, 1802.Google Scholar
Farge, Arlette. La vie fragile: Violence, pouvoirs et solidarités à Paris au XVIIIe siècle. Paris: Hachette, 1986.Google Scholar
Furet, François. Interpreting the French Revolution. Trans. Elborg, Forster. Cambridge: Cambridge University Press 1981.Google Scholar
Gelpi, Barbara Charlesworth. Shelley's Goddess: Maternity, Language, Subjectivity. New York: Oxford University Press, 1992.Google Scholar
Gibbon, Edward, The Decline and Fall of the Roman Empire. London: Electric Book Co., c. 2001. http://site.ebrary.com/lib/cornell/docDetail.action?docD=10041361.Google Scholar
Gilman, Ernest. “‘All eyes’: Prospero's Inverted Masque.”Renaissance Quarterly 33 (1980), pp. 214–30.CrossRefGoogle Scholar
Gilman, Margaret. Othello in French. Paris: Editions Champion, 1925.Google Scholar
Godwin, William. Caleb Williams, ed. David, McCracken. Oxford: Oxford University Press, 1977.Google Scholar
Golder, John. Shakespeare for the Age of Reason: The Earliest Stage Adaptations of Jean-François Ducis, 1769–1792. Oxford: Voltaire Foundation, 1992.Google Scholar
Golder, John“Mon sans-culotte africain: A French revolutionary Stage Othello,”Shakespeare World Views, ed. Heather, Kerr, Robin, Eaden, and Madge, Mitten. Newark: University of Delaware Press; London: Associated Universities Press, 1996, pp. 146–55.Google Scholar
Goodden, Angelica. ‘Actio’ and Persuasion. Oxford: Oxford University Press, 1986.Google Scholar
Hedgcock, Frank A., A Cosmopolitan Actor: David Garrick and his French Friends. London: Stanley Paul and Co., 1912.Google Scholar
Hertz, Neil. “Medusa's Head: Male Hysteria under Political Pressure.”Representations 4.1 (Fall 1983), pp. 27–54.CrossRefGoogle Scholar
Hobsbawm, E. J.Primitive Rebels: Studies in the Archaic Forms of Social Movement in the 19th and 20th Centuries. Manchester: Manchester University Press, 1959.Google Scholar
Hodgson, John. “Tidings: Revolution in The Prelude.”Studies in Romanticism 31 (Spring 1992), pp. 45–70.CrossRefGoogle Scholar
Hogle, Jerrold E.Shelley's Process: Radical Transference and the Development of His Major Works. Oxford: Oxford University Press, 1988.Google Scholar
Holmes, Richard. Coleridge: Darker Reflections, 1804–1834. New York: Pantheon, 2003.Google Scholar
Huber, L. F.Das heimliche Gericht. Trans. Bock, J. N. E.. Le Tribunal secret. London: Metz, 1791.Google Scholar
Hunt, Leigh. Review of “The Revolt of Islam,” by Percy, Bysshe Shelley. The Examiner. February 1, 1818, no. 527, pp. 75–76; February 22, no. 530, pp. 121–22; March 1, 1818, no. 531, pp. 139–41. Reprinted in The Romantics Reviewed. Ed. Donald H. Reiman. New York: Garland, 1972. Part C, vol. i, pp. 433–37.Google Scholar
Hunt, Lynn. Family Romance and the French Revolution. Berkeley: University of California Press, 1993.Google Scholar
Hunt, Lynn“Hercules and the Radical Image in the French Revolution.”Representations 2 (Spring 1983), pp. 95–117.CrossRefGoogle Scholar
Hunt, LynnPolitics, Culture, and Class in the French Revolution. Berkeley: University of California Press, 1984.Google Scholar
Hutchinson, Sara. The Letters of Sara Hutchinson, 1800–1835. Ed. Coburn, Kathleen. Toronto: University of Toronto Press, 1954.Google Scholar
Jacobs, Carol. “On Looking at Shelley's Medusa.” In Uncontainable Romanticism: Shelley, Bronte, Kleist. Baltimore: Johns Hopkins Press, 1989, pp. 2–18.Google Scholar
Jacobus, Mary. “‘That Great Stage Where Senators Perform’: Macbeth and the Politics of Romantic Theater.”Studies in Romanticism 22 (1983), pp. 353–87.CrossRefGoogle Scholar
Jewett, William. Fatal Autonomy: Romantic Drama and the Rhetoric of Agency. Ithaca, N.Y.: Cornell University Press, 1997.Google Scholar
Johnson, R. Brimley, ed. Shelley-Leigh Hunt: How Friendship Made History. London: Ingpen and Grant, 1928.
Johnston, Kenneth R.The Hidden Wordsworth. New York: W. W. Norton and Co, 2000.Google Scholar
Jordan, David. The King's Trial: Louis XVI vs. the French Revolution. Berkeley: University of California Press, 1981.Google Scholar
Judson, Barbara. “The Politics of Medusa: Shelley's Physiognomy of Revolution.”English Literary History 68 (2001), pp. 135–54.CrossRefGoogle Scholar
Journal générale de la Cour et de la Ville (March 22, 1792), pp. 175–76.
Kates, Gary. The Cercle Social, the Girondins, and the French Revolution. Princeton: Princeton University Press, 1985.CrossRefGoogle Scholar
Keach, William, Shelley's Style. New York: Methuen, 1985.Google Scholar
Kelley, Theresa M.Wordsworth's Revolutionary Aesthetics. Cambridge: Cambridge University Press, 1988.Google Scholar
Kennedy, Emmet, Netter, Marie-Laurence, McGregar, James P., and Olsen, Mark V., Theatre, Opera and Audiences in Revolutionary Paris: Analysis and Repertory. Westport, Conn.: Greenwood Press, 1996.Google Scholar
Knight, William, ed. Wordsworthiana: A Selection from Papers Read to The Wordsworth Society. London: Macmillan, 1889.
LaMartelière, Jean Henri Ferdinand. Robert chef de brigands, drame en cinq actes, en prose, imité de l'allemand. Paris: Maradan and Barba, 1793.Google Scholar
Leask, Nigel. “Shelley's ‘Magnetic Ladies’: Romantic Mesmerism and the Politics of the Body.” In Beyond Romanticism: New Approaches to Text and Context, 1780–1832, ed. Stephen, Copley and John, Whale. London and New York: Routledge, 1992.Google Scholar
Lefebvre, Georges. The Great Fear of 1789: Rural Panic in Revolutionary France. Trans. White, J.. New York: Pantheon, 1973.Google Scholar
Lefebvre, Georges“Foules révolutionnaires”: Etudes sur la Révolution Française. 2nd edn. Paris: A. Colin, 1932.Google Scholar
Ledbury, Mark. “Visions of Tragedy: Jean-François Ducis and Jacques-Louis David.”Eighteenth-Century Studies. 37.4 (2004), pp. 553–80.CrossRefGoogle Scholar
Lelièvre, Renée. “Le Théâtre allemand en France (1750–1789).”Revue de littérature comparée 48 (1974), pp. 257–92.Google Scholar
Liu, Alan. Wordsworth: The Sense of History. Stanford: Stanford University Press: 1989.Google Scholar
Liu, Alan“‘Shapeless Eagerness’: The Genre of Revolution in Books 9–10 of The Prelude.”Modern Language Quarterly 43 (1982), pp. 3–28.CrossRefGoogle Scholar
Lowes, John Livingstone. The Road to Xanadu: A Study in the Ways of the Imagination. Boston: Houghton Mifflin, 1930.Google Scholar
Lumière, Henri. Le Théâtre-Français pendant la révolution, 1789–1799. Paris: E. Dentu, 1894.Google Scholar
Mackenzie, Henry. “Account of the German Theatre.”Transactions of the Royal Society of Edinburgh (Edinburgh, 1790), pp. 154–92.CrossRefGoogle Scholar
Magnuson, Paul. Coleridge and Wordsworth: A Lyrical Dialogue. Princeton: Princeton University Press, 1988.CrossRefGoogle Scholar
Manning, Peter. “Reading Wordsworth's Revisions: Othello and the Drowned Man.”Studies in Romanticism. 22.2. (April 1983), pp. 3–28.CrossRefGoogle Scholar
Marshall, David. The Figure of Theater: Shaftesbury, Defoe, Adam Smith, and George Eliot. New York: Columbia University Press, 1986.Google Scholar
Marshall, David“The Eye-Witnesses of The Borderers.”Studies in Romanticism 27 (Fall 1988), pp. 391–98.CrossRefGoogle Scholar
Matthews, G. M.“A Volcano's Voice in Shelley.”English Literary History 24 (1957), pp. 191–228.CrossRefGoogle Scholar
Matus, Jill L.“Saint Teresa, Hysteria and Middlemarch.”Journal of the History of Sexuality 1:2 (1990), pp. 215–40.Google Scholar
McGann, Jerome. “The Beauty of the Medusa.”Studies in Romanticism. 11 (1972), pp. 8–10.Google Scholar
Meisel, Martin. Realizations: Narrative, Pictorial, and Theatrical Arts of Nineteenth-Century England. Princeton: Princeton University Press, 1983.Google Scholar
McWhir, Anne. “The Light and the Knife: Ab/Using Language in The Cenci.”Keats-Shelley Journal 38 (1989), pp. 145–61.Google Scholar
Michelet, Jules. Histoire de la révolution française. Paris: Editions Gallimard, 1952.Google Scholar
Millburn, Douglas“The First English Translation of Die Räuber: French Bards and Scottish Translators.”Monatshefte 59 (1967), pp. 41–53.Google Scholar
Miller, J. Hill. Fiction and Repetition: Seven English Novels. Cambridge, Mass.: Harvard University Press, 1982.Google Scholar
Mitchell, W. J. T. “Ekphrasis and the Other.” Romantic Circles: Electronic Editions on the Medusa of Leonardo da Vinci. www.rc.umd.edu/editions/shelley/medusa/index.html.
Monaco, Marion. Shakespeare on the French Stage in the Eighteenth Century. Paris: Didier, 1974.Google Scholar
Moore, John David. “Coleridge and the ‘Modern Jacobinical Drama’: Osorio, Remorse, and the Development of Coleridge's Critique of the Stage, 1797–1816.”Bulletin of Research in the Humanities 85 (1982), pp. 443–64.Google Scholar
Moore, John. A Journal During a Residence in France from the Beginning of August to the Middle of December 1792. London: G. G. J. and J. Robinsons, 1794.Google Scholar
Morley, Edith J., ed. Henry Crabb Robinson on Books and Their Writers. London: J. M. Dent, 1938.
Murray, E. B.“Shelley's Notes on Sculptures: The Provenance and Authority of the Text.”Keats-Shelley Journal 32 (1983), pp. 150–71.Google Scholar
Nuss, Melynda. “‘Look in My Face’: The Dramatic Ethics of The Borderers.”Studies in Romanticism 43 (Winter 2004), pp. 599–621.CrossRefGoogle Scholar
O'Quinn, Daniel. Staging Governance: Theatrical Imperialism in London, 1770–1800. Baltimore: Johns Hopkins University Press, 2005.Google Scholar
Orgel, Stephen. “Prospero's Wife.”Representations 8 (Fall 1984), pp. 1–13.CrossRefGoogle Scholar
Orgel, StephenThe Illusion of Power: Political Theater in the English Renaissance. Baltimore: Johns Hopkins University Press, 1975.Google Scholar
Osborn, Robert. “‘Meaningful Obscurity’: The Antecedents and Character of Rivers.” In Bicentenary Wordsworth Studies in Memory of John Alban Finch, ed. Jonathan, Wordsworth. Ithaca, N.Y.: Cornell University Press, 1970, pp. 393–424.Google Scholar
Otten, Terry. The Deserted Stage: The Search for Dramatic Form in Nineteenth-Century England. Athens: Ohio University Press, 1972.Google Scholar
Ozouf, Mona. Festivals and the French Revolution, trans. Sheridan, Alan. Cambridge, Mass.: Harvard University Press, 1988.Google Scholar
Ozouf, MonaLa Fête révolutionnaire 1789–1799. Paris: Editions Gallimard, 1976.CrossRefGoogle Scholar
Parker, Reeve. “‘In some Sort Seeing with My Proper Eyes’: Wordsworth and the Spectacles of Paris.”Studies in Romanticism 27.3 (1988), pp. 369–90.CrossRefGoogle Scholar
Parker, Reeve“Reading Wordsworth's Power: Narrative and Usurpation in The Borderers,”English Literary History 54 (1987), pp. 299–331.CrossRefGoogle Scholar
Parker, Reeve“Osorio's Dark Employments: Tricking Out Coleridgean Tragedy. Studies in Romanticism 33.1 (1994), pp. 119–60.CrossRefGoogle Scholar
Parrish, Stephen M.The Art of the Lyrical Ballads. Cambridge, Mass.: Harvard University Press, 1973.Google Scholar
Patrick, Julian. “‘The Tempest’ as Supplement.” In Centre and Labyrinth: Essays in Honour of Northrop Frye, ed. Eleanor, Cook. Toronto: University of Toronto Press, 1983, pp. 162–80.Google Scholar
Paulson, Ronald. Representations of Revolution (1789–1820). New Haven: Yale University Press, 1983.Google Scholar
Peacock, Thomas Love.The Letters of Thomas Love Peacock. Ed. Joukovsky, Nicholas A.. 2 vols. Oxford: Clarendon Press, 2001.Google Scholar
Pick, R. Schiller in England 1787–1960: A Bibliography. London: Goethe Society, 1961.Google Scholar
Pye, Henry James. A Commentary Illustrating the Poetic of Aristotle by Examples Taken Chiefly from the Modern Poets. London: John Stockdale, 1791.Google Scholar
Redfield, Marc. The Politics of Aesthetics. Stanford: Stanford University Press, 2003.Google Scholar
Reed, Mark. Wordsworth: The Chronology of the Early Years, 1770–1799. Cambridge, Mass.: Harvard University Press, 1967.CrossRefGoogle Scholar
Reiman, Donald. “Shelley as Agrarian Reactionary.”Shelley's Poetry and Prose. Ed. Donald, H. Reiman and Neil, Fraistat. 2nd edn. New York: Norton, 2002.Google Scholar
Reiman, Donald ed. Romantics Reviewed: Contemporary Reviews of British Romantic Writers, part C, vols. i and ii. New York: Garland, 1972.
Révolutions de Paris 145 (April 14–21, 1792) and 176 (November 17–24, 1792). Paris: Prudhomme, 1792.
Richardson, Alan. A Mental Theater: Poetic Drama and Consciousness in the Romantic Age. University Park: Penn State University Press, 1987.Google Scholar
Roach, Joseph. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press, 1966.Google Scholar
Roe, Nicholas. Wordsworth and Coleridge: The Radical Years. Oxford: Clarendon Press, 1988.Google Scholar
Roscoe, Thomas, ed. The German Novelists. London: Frederick Warne and Co., 1826.Google Scholar
Sadler, Thomas, ed. The Diary, Reminiscences, and Correspondence of Henry Crabb Robinson. 2 vols. in 1. New York: Hurd and Houghton, 1877.
Saglia, Diego. “Spanish Stages: British Romantic Tragedy and the Politics of Spain, 1808–1823.”European Romantic Review 19.1 (2008), pp. 19–32.CrossRefGoogle Scholar
Schiller, Friedrich. The Ghost-Seer, or the Apparitionist An interesting fragment, found among the papers of Count O*****. London: printed for Vernor and Hood; Binns, Leeds; and Rawson, Hull, 1795.Google Scholar
Schiller, FriedrichThe Robbers. Trans. Alexander, F. Tytler and Lord, Woodhouselee. London: G. G. J. and J. Robinsons, 1792.Google Scholar
Schiller, FriedrichDie Räuber: Ein Trauerspiel. Ed. Magill, C. P. and Willoughby, L. A.. Oxford: Blackwell, 1974.Google Scholar
Shakespeare, William. Pericles, Prince of Tyre. Ed. Philip, Edwards. Harmondsworth: Penguin, 1976.Google Scholar
Shakespeare, WilliamThe Tempest. Ed. Northrop, Frye. Harmondsworth: Pelican, 1970.Google Scholar
Sharrock, Roger. “The Borderers: Wordsworth on the Moral Frontier.”Durham University Journal n.s. 25 (1963–64), pp. 170–83.Google Scholar
Sheats, Paul D.The Making of Wordsworth's Poetry, 1785–1796. Cambridge, Mass.: Harvard University Press, 1973.CrossRefGoogle Scholar
Shelley, Mary Wollstonecraft. The Mary Shelley Reader: Containing Frankenstein, Mathilda, Tales and Stories, Essays and Reviews, and Letters. Ed. Betty, T. Bennett and Charles, E. Robinson. Oxford: Oxford University Press, 1990.Google Scholar
Shelley, Percy Bysshe. Bodleian Shelley Manuscripts, vol. x. Ed. Betty, T. Bennett. New York: Garland Publishing, 1992.Google Scholar
Shelley, Percy ByssheThe Letters of Percy Bysshe Shelley. Ed. Frederick, L. Jones. 2 vols. Oxford: Clarendon Press, 1964.CrossRefGoogle Scholar
Shelley, Percy ByssheThe Poetical Works of Percy Bysshe Shelley. Ed. Formar, Harry Buxton. Reissue with the notes of Mary Wollstonecraft Shelley. London: Reeves and Turner, 1882.Google Scholar
Shelley, Percy ByssheShelley's Poetry and Prose: Authoritative Texts, Criticism. Ed. Donald, H. Reiman and Neil, Fraistat. New York: Norton and Co., 2002.Google Scholar
Shelley, Percy ByssheShelley's Prose, or, The Trumpet of a Prophecy. Ed. David, Lee Clark. Albuquerque: University of New Mexico Press, 1966.Google Scholar
Simpson, David. Wordsworth's Historical Imagination: The Poetry of Displacement. New York: Methuen, 1987.Google Scholar
Simpson, Michael. Closet Performances: Political Exhibition and Prohibition in the Dramas of Byron and Shelley. Stanford: Stanford University Press, 1998.Google Scholar
Starobinski, Jean. Rousseau. Chicago: University of Chicago Press, 1988.Google Scholar
Storch, R. F.“Wordsworth's The Borderers: The Poet as Anthropologist.”English Literary History 36 (1969), pp. 340–60.CrossRefGoogle Scholar
Swann, Karen. “Shelley's Pod People.” Romanticism and the Insistence of the Aesthetic. Romantic Circles Praxis Series. www.rc.umd.edu/praxis/aesthetic/index.html.
Taylor, George. The French Revolution and the British Stage 1789–1805. Cambridge: Cambridge University Press, 2000.Google Scholar
,Teresa of Avila, Saint. The Works of the Holy Mother St. Teresa of Jesus. Electronic reproduction. Ann Arbor: UMI, 1999. Digital version of Early English Books, 1641–1700, 1052.5.Google Scholar
Tissier, André. Les Spectacles à Paris Pendant la Revolution: Répertoire analytique, chronologique et bibliographique de la proclamation de la République à la fin de la Convention nationale. Geneva: Librairie Droz, 1992.Google Scholar
Virgil, , The Aeneid. Trans. Dryden, John, ed. Robert, Fitzgerald. New York: Macmillan, 1964.Google Scholar
Weinberg, Alan. Shelley's Italian Experience. New York: St. Martin's Press, 1991.CrossRefGoogle Scholar
Wilson, Frances. The Ballad of Dorothy Wordsworth. London: Faber and Faber, 2008.Google Scholar
Woodring, Carl. Politics in the Poetry of Coleridge. Madison: University of Wisconsin Press, 1961.Google Scholar
Woodring, Carl“Two Prompt Copies of Coleridge's Remorse.”Bulletin of the New York Public Library 65 (1961), pp. 229–35.Google Scholar
Wordsworth, William. Early Poems and Fragments, 1785–1797. Ed. Carol, Landon and Jared, Curtis. Ithaca, N.Y.: Cornell University Press, 1997.Google Scholar
Wordsworth, William. The Borderers. Ed. Robert, Osborn. Ithaca: Cornell University Press, 1982.Google Scholar
Wordsworth, William. The Excursion. Ed. Sally, Bushell, James, A. Butler, and Michael, C. Jaye. Ithaca: Cornell University Press, 2007.Google Scholar
Wordsworth, WilliamThe Prelude: 1799, 1805, 1850. Ed. Jonathan, Wordsworth, Abrams, M. H., and Stephen, Gill. New York: W. W. Norton and Co., 1979.Google Scholar
Wordsworth, WilliamThe Prose Works of William Wordsworth. Ed. Owen, W. J. B. and Smyser, J. W.. 3 Vols. Oxford: Clarendon Press, 1974.Google Scholar
Wordsworth, WilliamWilliam Wordsworth: The Major Works. Ed. Gill, Stephen. Oxford: Oxford University Press, 2000.Google Scholar
Wordsworth, William, and Dorothy, WordsworthThe Letters of William and Dorothy Wordsworth. Arranged and ed. Ernest, Selincourt. 2nd edn, revised by Mary Moorman and Alan G. Hill. 8 vols. Oxford: Clarendon Press, 1967–88.
Wordsworth, William, and , Wordsworth, The Love Letters of William and Mary Wordsworth. Ed. Beth, Darlington. Ithaca, N.Y.: Cornell University Press, 1981.Google Scholar
Worrall, David. Theatric Revolution: Drama, Censorship and Romantic period Subcultures 1773–1832. New York: Oxford University Press, 2006.CrossRefGoogle Scholar
Wu, Duncan. Wordsworth: An Inner Life. Oxford: Blackwell, 2004.Google Scholar
Wu, DuncanWordsworth's Reading, 1770–1799. Cambridge and New York: Cambridge University Press, 1993.CrossRefGoogle Scholar
Young-Ok, An.“Beatrice's Gaze Revisited: Anatomizing The Cenci,”Criticism 38 (Winter 1966), pp. 27–33.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Reeve Parker, Cornell University, New York
  • Book: Romantic Tragedies
  • Online publication: 05 May 2014
  • Chapter DOI: https://doi.org/10.1017/CBO9780511975011.010
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Reeve Parker, Cornell University, New York
  • Book: Romantic Tragedies
  • Online publication: 05 May 2014
  • Chapter DOI: https://doi.org/10.1017/CBO9780511975011.010
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Reeve Parker, Cornell University, New York
  • Book: Romantic Tragedies
  • Online publication: 05 May 2014
  • Chapter DOI: https://doi.org/10.1017/CBO9780511975011.010
Available formats
×