Book contents
- Rethinking the Secular Origins of the Novel
- Rethinking the Secular Origins of the Novel
- Copyright page
- Contents
- Figures
- Tables
- Appendixes
- Acknowledgments
- Introduction
- Part I Rethinking the Secular at the Origins of the English Novel
- Part II Versions of Biblical Authority
- Part III Uses of Scripture for Fiction
- Chapter 6 Traveling Papers: Pilgrim’s Progress and the Book
- Chapter 7 Surprised by Providence: Robinson Crusoe as Defoe’s Theory of Fiction
- Chapter 8 Resilient to Narrative: Clarissa after Reading
- Chapter 9 Breaking Down Shame: Narrating Trauma and Repair in Tristram Shandy
- Conclusion
- Appendices
- Notes
- Works Cited
- Index
Conclusion
from Part III - Uses of Scripture for Fiction
Published online by Cambridge University Press: 16 March 2021
- Rethinking the Secular Origins of the Novel
- Rethinking the Secular Origins of the Novel
- Copyright page
- Contents
- Figures
- Tables
- Appendixes
- Acknowledgments
- Introduction
- Part I Rethinking the Secular at the Origins of the English Novel
- Part II Versions of Biblical Authority
- Part III Uses of Scripture for Fiction
- Chapter 6 Traveling Papers: Pilgrim’s Progress and the Book
- Chapter 7 Surprised by Providence: Robinson Crusoe as Defoe’s Theory of Fiction
- Chapter 8 Resilient to Narrative: Clarissa after Reading
- Chapter 9 Breaking Down Shame: Narrating Trauma and Repair in Tristram Shandy
- Conclusion
- Appendices
- Notes
- Works Cited
- Index
Summary
I set out in this book to step away from two paths of thinking about the relationship between the religious and the secular. The first envisions the religious and the secular as perpetual rivals: always in competition, each claiming against the other a total comprehension of reality. Contenders for theology or science often argue with one another this way. C. S. Lewis did, for example, in an Oxford Socratic Club address entitled “Is Theology Poetry?” when he said, “Christian theology can fit in science, art, morality, and the sub-Christian religions. The scientific point of view cannot fit in any of these things, not even science itself. I believe in Christianity as I believe that the Sun has risen, not only because I see it, but because by it I see everything else” (Weight 141).
- Type
- Chapter
- Information
- Rethinking the Secular Origins of the NovelThe Bible in English Fiction 1678–1767, pp. 258 - 261Publisher: Cambridge University PressPrint publication year: 2021