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Exhibit 2 - The Minotaur and Other Hybrids in Ancient Greece

from Exhibits

Published online by Cambridge University Press:  16 November 2018

Nick Hopwood
Affiliation:
University of Cambridge
Rebecca Flemming
Affiliation:
University of Cambridge
Lauren Kassell
Affiliation:
University of Cambridge
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Summary

These concluding reflections proceed by way of three broad, though selective themes. First, we consider the defining frameworks, reviewing the genesis and career of the old ‘generation’—the active making of humans and beasts, plants and even minerals—and of the modern ‘reproduction’—the more abstract process of perpetuating living organisms. The emphasis is on the different functions of these frameworks and how the stakes changed while the questions stayed much the same. Next we place the eighteenth-century emergence of population as an object of knowledge in relation to a longer history of multitudes and states and explore the uneven playing out of the modern logic of commensurability within supposedly closed groups. Then we reconstruct ideals and realities of control in the history of contraception and abortion, pregnancy and childbirth, asking how the politics changed as uncertainty gave way to risk. We conclude that the major changes add up to a long revolution that endorses the notion of a shift ‘from generation to reproduction’ and that exploring other themes, from the family and sexuality to inheritance and the law, would likely confirm as well as complicate this generalization. We end by pondering some general challenges and opportunities of long views.
Type
Chapter
Information
Reproduction
Antiquity to the Present Day
, pp. 672
Publisher: Cambridge University Press
Print publication year: 2018

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References

Further Reading

Aston, Emma, Mixanthrōpoi: Animal–Human Hybrid Deities in Greek Religion, Kernos, suppl. 25 (Liège, 2011).CrossRefGoogle Scholar
Lissarrague, François, La cité des satyres: Une anthropologie ludique (Athènes, VIe–Ve siècles avant J.-C.) (Paris, 2013).Google Scholar
Padgett, J. Michael, The Centaur's Smile: The Human Animal in Early Greek Art (New Haven, CT, 2003).Google Scholar

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