Book contents
- Frontmatter
- Contents
- Renaissance Papers
- Post-Marian Piety in Edmund Spenser’s Faerie Queene: The Case of Belphoebe
- Confessions and Obfuscations: Just War and Henry V
- Unfinished Epics: Spenser's Faerie Queene, Shakespeare's Henriad, and the Mystic Plenum
- Translating and Fragmenting Nature in The Divine Weeks
- “The beautifullest Creature living”: Cross-dressing Knights in Mary Wroth's Urania and Margaret Tyler's Mirror of Princely Deeds
- “’Twas I that murder’d thee”: Heartbreak, Murder, and Justice in Early Modern Haunted Lovers’ Ballads
- “Love at First Sight”: The Narrator's Perspective in Marlowe's Hero and Leander
- Recentering the Forest in Early Modern England
- “The house received all ornaments to grace it”: Cavendish, Lanyer, and the Cavalier Ideal of Bonum Vitae
- A Gentleman of Syracuse: Claudio Mario D’Arezzo and Sicilian Nationalism in the Early Modern Mediterranean
- Make Your Mark: Signatures of Queens Regnant in England and Scotland during the 16th Century
Confessions and Obfuscations: Just War and Henry V
Published online by Cambridge University Press: 26 May 2022
- Frontmatter
- Contents
- Renaissance Papers
- Post-Marian Piety in Edmund Spenser’s Faerie Queene: The Case of Belphoebe
- Confessions and Obfuscations: Just War and Henry V
- Unfinished Epics: Spenser's Faerie Queene, Shakespeare's Henriad, and the Mystic Plenum
- Translating and Fragmenting Nature in The Divine Weeks
- “The beautifullest Creature living”: Cross-dressing Knights in Mary Wroth's Urania and Margaret Tyler's Mirror of Princely Deeds
- “’Twas I that murder’d thee”: Heartbreak, Murder, and Justice in Early Modern Haunted Lovers’ Ballads
- “Love at First Sight”: The Narrator's Perspective in Marlowe's Hero and Leander
- Recentering the Forest in Early Modern England
- “The house received all ornaments to grace it”: Cavendish, Lanyer, and the Cavalier Ideal of Bonum Vitae
- A Gentleman of Syracuse: Claudio Mario D’Arezzo and Sicilian Nationalism in the Early Modern Mediterranean
- Make Your Mark: Signatures of Queens Regnant in England and Scotland during the 16th Century
Summary
EARLY in Henry V, the King shows himself a master at the art of deferring responsibility as he maneuvers the Bishop of Ely and the Archbishop of Canterbury into taking all responsibility for the upcoming invasion of French territory:
My learned lord, we pray you to proceed
And justly and religiously unfold
Why the law Salic that they have in France
Or should or should not bar us in our claim.
And God forbid, my dear and faithful lord,
That you should fashion, wrest or bow your reading
Or nicely charge your understanding soul
With opening titles miscreate, whose right
Suits not in native colours with the truth.
For God doth know how many now in health
Shall drop their blood in approbation
Of what your reverence shall incite us to.
(1.2.9–20)The audience knows—and suspects that the King might as well— that the bishops have their own cash-flow reasons for wanting the war with France, but most impressive here is King Henry's deflection of responsibility onto the bishops for whatever comes next. In the course of the war, when he threatens rape on the people of Harfleur and when he executes prisoners in violation of the just conduct of war and of the code of chivalry that he inherits from kings before, all things, as far as this encounter is concerned, fall not on his head but on the bishops’.
Three acts later, Harfleur has fallen, and the King prepares for the seemingly doomed battle that we have learned to call Agincourt. In the darkness of the night before the battle, he moves unknown and unseen without the aura of ceremony among his soldiers. Shakespeare's campfire scene before Agincourt in act 4 of Henry V, almost certainly newly invented rather than derived from any historical source, does not have a single agenda but allows each character to interact and emerge in a drama of concealment rather than display. But in one conversation, Henry meets something unexpected, a connection between the sacrament of confession and the justice of waging war, a spectre of a practice that in the fourteenth century would have resonated as a live force resisting the wills of kings but in the late-sixteenth century barely a memory of a Catholic past.
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- Renaissance Papers 2020 , pp. 13 - 22Publisher: Boydell & BrewerPrint publication year: 2021