Book contents
- Reclaiming John Steinbeck
- Reclaiming John Steinbeck
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgments
- Introduction Loving and Hating Steinbeck
- Chapter 1 Short Stories in School and Lab: “Tularecito” and “The Snake”
- Chapter 2 Drought, Climate, and Race in the West: To a God Unknown
- Chapter 3 Race and Revision: “The Vigilante” and “Johnny Bear”
- Chapter 4 Becoming Animal: Theories of Mind in The Red Pony
- Chapter 5 What Is It Like to Be a Plant? “The Chrysanthemums” and “The White Quail”
- Chapter 6 On Not Being a Modernist: Disability and Performance in Of Mice and Men
- Chapter 7 Emergence and Failure: The Middleness of The Grapes of Wrath
- Chapter 8 Borderlands: Extinction and the New World Outlook in Sea of Cortez
- Chapter 9 Mexican Revolutions: The Forgotten Village, The Pearl, and the Global South
- Epilogue The Aftertaste of Cannery Row
- Notes
- Index
Introduction - Loving and Hating Steinbeck
Published online by Cambridge University Press: 02 July 2021
- Reclaiming John Steinbeck
- Reclaiming John Steinbeck
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgments
- Introduction Loving and Hating Steinbeck
- Chapter 1 Short Stories in School and Lab: “Tularecito” and “The Snake”
- Chapter 2 Drought, Climate, and Race in the West: To a God Unknown
- Chapter 3 Race and Revision: “The Vigilante” and “Johnny Bear”
- Chapter 4 Becoming Animal: Theories of Mind in The Red Pony
- Chapter 5 What Is It Like to Be a Plant? “The Chrysanthemums” and “The White Quail”
- Chapter 6 On Not Being a Modernist: Disability and Performance in Of Mice and Men
- Chapter 7 Emergence and Failure: The Middleness of The Grapes of Wrath
- Chapter 8 Borderlands: Extinction and the New World Outlook in Sea of Cortez
- Chapter 9 Mexican Revolutions: The Forgotten Village, The Pearl, and the Global South
- Epilogue The Aftertaste of Cannery Row
- Notes
- Index
Summary
An overview of Steinbeck’s critical reputation that reasseses negative claims that Steinbeck is a middlebrow writer whose work is marked by unself-conscious nostalgia and sentimentalism. Turning to examples from The Grapes of Wrath and The Long Valley, the introduction argues that Steinbeck is a complex, varied, and experimental writer whose work is marked by metafiction and provocative contradiction that make it capable of unpacking and critically reexamining the very “faults” of which it is accused. Against claims that Steinbeck’s value lies in the past, I outline the many ways that his work is of urgent relevance today.
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- Information
- Reclaiming John SteinbeckWriting for the Future of Humanity, pp. 1 - 17Publisher: Cambridge University PressPrint publication year: 2021