Book contents
- Frontmatter
- Contents
- List of Illustrations
- Editor’s Introduction: A World within Worlds? Reassessing the Global Turn in Medieval Art History
- A Camel’s Pace: A Cautionary Global
- The Fatimid Holy City: Rebuilding Jerusalem in the Eleventh Century
- Worldliness in Byzantium and Beyond: Reassessing the Visual Networks of Barlaam and Ioasaph
- Exchange of Sacrifices: West Africa in the Medieval World of Goods
- The Beryozovo Cup: A Byzantine Object at the Crossroads of TwelfthCentury Eurasia
- Mobile Meanings: A Global Approach to a Dagger from Greater Syria
- Global Medieval at the “End of the Silk Road,” circa 756 CE: The Shōsō-in Collection in Japan
- Response: Medievalists and Early Modernists—A World Divided?
- Index
Contents
Published online by Cambridge University Press: 23 January 2021
- Frontmatter
- Contents
- List of Illustrations
- Editor’s Introduction: A World within Worlds? Reassessing the Global Turn in Medieval Art History
- A Camel’s Pace: A Cautionary Global
- The Fatimid Holy City: Rebuilding Jerusalem in the Eleventh Century
- Worldliness in Byzantium and Beyond: Reassessing the Visual Networks of Barlaam and Ioasaph
- Exchange of Sacrifices: West Africa in the Medieval World of Goods
- The Beryozovo Cup: A Byzantine Object at the Crossroads of TwelfthCentury Eurasia
- Mobile Meanings: A Global Approach to a Dagger from Greater Syria
- Global Medieval at the “End of the Silk Road,” circa 756 CE: The Shōsō-in Collection in Japan
- Response: Medievalists and Early Modernists—A World Divided?
- Index
Summary
- Type
- Chapter
- Information
- Re-Assessing the Global Turn in Medieval Art History , pp. v - viPublisher: Amsterdam University PressPrint publication year: 2018