Book contents
- Frontmatter
- Contents
- List of Examples
- Acknowledgements
- Notes on Contributors
- Introduction
- Part I: Music and Noise
- 1 Musique concrète and the Aesthetic Regime of Art
- 2 ‘Rip it up and start again’: Reconfigurations of the Audible under the Aesthetic Regime of the Arts
- 3 A Lesson in Low Music
- Part II: Politics of History
- 4 Wandering with Rancière: Sound and Structure under the Aesthetic Regime
- 5 Staging Music in the Aesthetic Regime of Art: Rancière, Berlioz and the Bells of Harold en Italie
- 6 Rancière on Music, Rancière’s Non-music
- 7 Coloured Opera and the Violence of Dis-identification
- Part III: Politics of Interaction
- 8 Musical Politics in the Cuban Police Order
- 9 Rancière and Improvisation: Reading Contingency in Music and Politics
- 10 Rancière’s Affective Impropriety
- Part IV: Encounters and Challenges
- 11 Rancière, Resistance and the Problem of Commemorative Art: Music Displacing Violence Displacing Music
- 12 Stain
- 13 On Shoemakers and Related Matters: Rancière and Badiou on Richard Wagner
- 14 Roll Over the Musical Boundaries: A Few Milestones for the Implementation of an Equal Method in Musicology
- Afterword
- A Distant Sound
- Works Cited
- Index
Index
Published online by Cambridge University Press: 03 October 2020
- Frontmatter
- Contents
- List of Examples
- Acknowledgements
- Notes on Contributors
- Introduction
- Part I: Music and Noise
- 1 Musique concrète and the Aesthetic Regime of Art
- 2 ‘Rip it up and start again’: Reconfigurations of the Audible under the Aesthetic Regime of the Arts
- 3 A Lesson in Low Music
- Part II: Politics of History
- 4 Wandering with Rancière: Sound and Structure under the Aesthetic Regime
- 5 Staging Music in the Aesthetic Regime of Art: Rancière, Berlioz and the Bells of Harold en Italie
- 6 Rancière on Music, Rancière’s Non-music
- 7 Coloured Opera and the Violence of Dis-identification
- Part III: Politics of Interaction
- 8 Musical Politics in the Cuban Police Order
- 9 Rancière and Improvisation: Reading Contingency in Music and Politics
- 10 Rancière’s Affective Impropriety
- Part IV: Encounters and Challenges
- 11 Rancière, Resistance and the Problem of Commemorative Art: Music Displacing Violence Displacing Music
- 12 Stain
- 13 On Shoemakers and Related Matters: Rancière and Badiou on Richard Wagner
- 14 Roll Over the Musical Boundaries: A Few Milestones for the Implementation of an Equal Method in Musicology
- Afterword
- A Distant Sound
- Works Cited
- Index
Summary
- Type
- Chapter
- Information
- Ranciere and Music , pp. 390 - 396Publisher: Edinburgh University PressPrint publication year: 2020