Book contents
- Frontmatter
- NOTE TO THE ENGLISH EDITION
- Contents
- I VENICE
- II ITALY REVISITED
- III OCCASIONAL PARIS
- IV RHEIMS AND LAON: A LITTLE TOUR
- V CHARTRES
- VI ROUEN
- VII ETRETAT
- VIII FROM NORMANDY TO THE PYRENEES
- IX AN ENGLISH EASTER
- X LONDON AT MIDSUMMER
- XI TWO EXCURSIONS
- XII IN WARWICKSHIRE
- XIII ABBEYS AND CASTLES
- XIV ENGLISH VIGNETTES
- XV AN ENGLISH NEW YEAR
- XVI AN ENGLISH WINTER WATERING-PLACE
- XVII SARATOGA
- XVIII NEWPORT
- XIX QUEBEC
- XX NIAGARA
XIII - ABBEYS AND CASTLES
Published online by Cambridge University Press: 29 August 2010
- Frontmatter
- NOTE TO THE ENGLISH EDITION
- Contents
- I VENICE
- II ITALY REVISITED
- III OCCASIONAL PARIS
- IV RHEIMS AND LAON: A LITTLE TOUR
- V CHARTRES
- VI ROUEN
- VII ETRETAT
- VIII FROM NORMANDY TO THE PYRENEES
- IX AN ENGLISH EASTER
- X LONDON AT MIDSUMMER
- XI TWO EXCURSIONS
- XII IN WARWICKSHIRE
- XIII ABBEYS AND CASTLES
- XIV ENGLISH VIGNETTES
- XV AN ENGLISH NEW YEAR
- XVI AN ENGLISH WINTER WATERING-PLACE
- XVII SARATOGA
- XVIII NEWPORT
- XIX QUEBEC
- XX NIAGARA
Summary
It is a frequent reflection with the stranger in England that the beauty and interest of the country are private property, and that to get access to them a key is always needed. The key may be large or it may be small, but it must be something that will turn a lock. Of the things that contribute to the happiness of an American observer in the country of parks and castles, I can think of very few that do not come under this definition of private property. When I have mentioned the hedgerows and the churches I have almost exhausted the list. You can enjoy a hedgerow from the public road, and I suppose that even if you are a Dissenter you may enjoy a Norman abbey from the street. If, therefore, one talk of anything beautiful in England, the presumption will be that it is private; and indeed such is my admiration of this delightful country that I feel inclined to say that if one talk of anything private the presumption will be that it is beautiful. This is something of a dilemma. If the observer permit himself to commemorate charming impressions, he is in danger of giving to the world the fruits of friendship and hospitality. If, on the other hand, he withhold his impression, he lets something admirable slip away without having marked its passage, without having done it proper honour.
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- Portraits of Places , pp. 270 - 286Publisher: Cambridge University PressPrint publication year: 2009First published in: 1883