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6 - Experiences of Popular Theatre

Published online by Cambridge University Press:  09 December 2021

David Charlton
Affiliation:
Royal Holloway, University of London (Emeritus)
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Summary

Chapter 6 brings together evidence of all kinds from the whole period to create a vivid picture of popular opera and its audience in the theatre. ‘Theatre Size and Ambience’ correlates detailed historical information to produce a systematic overview of many theatre buildings, together with interior details and size of musical ensembles. Ticket admission prices at the Opéra, Comédie-Italienne and the Fair theatres are compared and assessed. Descriptions by a number of eyewitnesses (French, Italian, English, Irish and German observers) combine to give an impression of activity in popular theatre seen from the audience’s point of view. In a survey of staging, the evidence is both visual and textual: engraved and painted illustrations are analysed and ‘corrected’ so that the proportions of stage sets can be understood. Then a synopsis of stage directions suggests the material range of experience in popular opera. A survey of lighting effects is discussed in relation to stage context, showing how some comedies combined lighting effects with music.

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Chapter
Information
Popular Opera in Eighteenth-Century France
Music and Entertainment before the Revolution
, pp. 134 - 155
Publisher: Cambridge University Press
Print publication year: 2021

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