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One - Performing the Passion at the Certosa del Galluzzo

Published online by Cambridge University Press:  12 January 2022

Jessica A. Maratsos
Jessica A. Maratsos
Affiliation:
Pembroke College, Cambridge
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Summary

This chapter demonstrates that Pontormo looked for expressive models in contemporary performance to capture the urgency and accessibility demanded by the commission. Motifs of arrival, interruption, and departure that characterize the frescoes foreground the beholder’s ambulatory experience of the images, which are analyzed in relation to Michel de Certeau’s theoretical definitions of space versus place, as well as the viewing conditions at the sacro monte of San Vivaldo and of Florentine sacre rappresentazioni.

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Pontormo and the Art of Devotion in Renaissance Italy , pp. 29 - 72
Publisher: Cambridge University Press
Print publication year: 2021

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