Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-25T14:56:49.527Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  07 August 2019

Adam Abraham
Affiliation:
Virginia Commonwealth University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Plagiarizing the Victorian Novel
Imitation, Parody, Aftertext
, pp. 243 - 274
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Beckett, À, Gilbert, A. Oliver Twist. A Burletta. 1838. [Plays from the Lord Chamberlain’s Office. British Museum Additional MS 42945.]Google Scholar
An Act to Amend the Laws Relating to Dramatic Literary Property.” Athenaeum: Journal of English and Foreign Literature, Science, and the Fine Arts, no. 295 (22 June 1833): 405.Google Scholar
Advertisement. Athenaeum: Journal of English and Foreign Literature, Science, and the Fine Arts, no. 439 (26 March 1836): 232.Google Scholar
Advertisement. Bristol Mercury, 7 July 1838, n.p.Google Scholar
Advertisement. Examiner, 22 October 1859, 687.Google Scholar
Advertisement. Examiner, 19 November 1859, 751.Google Scholar
Advertisement. Morning Post, 10 April 1839, 1.Google Scholar
Advertisement. Northern Star, and Leeds General Advertiser, 4 August 1838, 1.Google Scholar
Advertisement. Times, 15 December 1842, 2.Google Scholar
Advertisement. Times, 29 October, 1859, 13.Google Scholar
Advertisement. Times, 11 November 1859, 11.Google Scholar
Advertisement. Times, 19 November 1859, 13.Google Scholar
[Allen, Samuel Adams]. My Own Home and Fireside: Being Illustrative of the Speculations of Martin Chuzzlewit and Co., among the “Wenom of the Walley of Eden.” By SYR. Philadelphia: John W. Moore; London: Wiley and Putnam, 1846.Google Scholar
Almar, George. Oliver Twist. A Serio-Comic Burletta. London: Sherwood, Gilbert, and Piper, [1840]. Leipsic: Herm. Hartung, 1842.Google Scholar
“Anti-Slavery Society Meeting.” Morning Chronicle, 22 July 1833, n.p.Google Scholar
[Archer, Thomas]. Richard of England; or, The Lion King. London: F. Hextall, n.d.Google Scholar
Aristotle. The “Art” of Rhetoric. Trans. John Henry Freese. London: William Heinemann; New York: G. P. Putnam’s Sons, 1926.Google Scholar
Aristotle Poetics. Trans. Stephen Halliwell. In Aristotle Poetics; Longinus on the Sublime; Demetrius on Style. Loeb Classical Library. 1995. Cambridge, ma: Harvard University Press, 1999.Google Scholar
Athenaeum and Literary Chronicle, no.91 (22 July 1829): 450451.Google Scholar
“Attleborough.” Nuneaton Observer and District Advertiser, 23 November 1877, n.p.Google Scholar
“The Authorship of Adam Bede.” Times, 6 June 1859, 19.Google Scholar
Autobiography of Edward Lytton Bulwer, Esq.” Fraser’s Magazine for Town and Country 3, no. 18 (July 1831): 713719.Google Scholar
Barnes, W[illiam]. “Plagiarism and Coincidence; or, Thought-Thievery and Thought-Likeness.” Macmillan’s Magazine 15, no. 85 (November 1866): 7380.Google Scholar
Barnett, Charles Zachary. A Christmas Carol; or, The Miser’s Warning! A Drama. London: John Duncombe, [1844].Google Scholar
Barnett, Charles Zachary Oliver Twist; or, The Parish Boy’s Progress. A Domestic Drama. London: J. Duncombe and Co., [1838?]Google Scholar
The Beauties of Pickwick. Collected and Arranged by Sam Weller. 1838. In On the Origin of Sam Weller, and the Real Cause of the Success of the Posthumous Papers of the Pickwick Club, by a Lover of Charles Dickens’s Works. London: J. W. Jarvis and Son, 1883.Google Scholar
Bede, Adam. The Natural History of Puseyism: With a Short Account of the Sunday Opera at St. Paul’s, Brighton. Brighton: G. Smart, [1859].Google Scholar
Beecher, Anna Clay. Gwendolen; or, Reclaimed. A Sequel to Daniel Deronda. By George Eliot. Boston: William F. Gill and Co., 1878.Google Scholar
Birrell, Augustine. Seven Lectures on the Law and History of Copyright in Books. London: Cassell and Company; New York: G. P. Putnam’s Sons, 1899.Google Scholar
[Blackwood, John]. “The Death of Lord Lytton.” Blackwood’s Edinburgh Magazine 113, no. 688 (February 1873): 255258.Google Scholar
Browning, Robert. The Complete Works of Robert Browning. Ed. King, Roma A. Jr., et al. 17 vols. Athens: Ohio University Press; Waco, tx: Baylor University, 1969–2011.Google Scholar
Buckstone, John Baldwin. The Christening. A Farce. London: William Strange, 1834.Google Scholar
The Bulwer Lytton Birthday Book. N.p.: George Routledge and Sons, [1884?]Google Scholar
Calverley, C. S.An Examination Paper. ‘The Posthumous Papers of the Pickwick Club.’” 1857. In Fly Leaves. Rev. ed. New York: Thomas Y. Crowell and Co., 1872.Google Scholar
Carlyle, Thomas. On Heroes, Hero-Worship, and the Heroic in History. Six Lectures. Reported, with Emendations and Additions. London: James Fraser, 1841.Google Scholar
Carlyle, Thomas Sartor Resartus. 1833–34. Ed. McSweeney, Kerry and Sabor, Peter. Oxford: Oxford University Press, 2008.Google Scholar
Chamerovzow, L. A. The Yule Log, for Everybody’s Christmas Hearth; Showing Where It Grew; How It Was Cut and Brought Home; and How It Was Burnt. London: T. C. Newby, 1847.Google Scholar
Charles Dickens and His Works.” Fraser’s Magazine for Town and Country 21, no. 124 (April 1840): 381400.Google Scholar
Cheveley’s Donkey; or, The Man in the Ass’s Hide. A Romantic Fable. London: James Pattie, 1839.Google Scholar
The Christmas Log. A Tale of a Fireside That Had a Good Genius and a Bad One. London: E. Lloyd, [1846].Google Scholar
[Cole, Alfred Whaley]. “The Martyrs of Chancery.” Household Words 2, no. 37 (7 December 1850): 250252.Google Scholar
The Comic Magazine [aka The Penny Comic Magazine]. London: W. Marshall, n.d.Google Scholar
Cooper, Frederic Fox. Master Humphrey’s Clock. A Domestic Drama. London: J. Duncombe and Co., [1840?]Google Scholar
Cooper, Thompson. Lord Lytton: A Biography. London: George Routledge and Sons, 1873.Google Scholar
“Corn Law Repeal Humbug.” Northern Liberator, 9 March 1839, n.p.Google Scholar
“Coroner’s Inquest.” Times, 22 April 1836, 7.Google Scholar
Coyne, Joseph Stirling. Oliver Twist. 1839. [Plays from the Lord Chamberlain’s Office. British Museum Additional MS 42950.]Google Scholar
Crowquill, Alfred [Alfred Forrester]. The Pickwickians. London: Ackermann and Co., 1837.Google Scholar
Crowquill, Alfred Seymour’s Sketches, Illustrated in Prose and Verse. London: Published for the Proprietor, by Joshua Thompson, 1838–39.Google Scholar
The Cry of Plagiarism.” Spectator 66, no. 3270 (28 February 1891): 305306.Google Scholar
[Dallas, E. S.] Review of Adam Bede. Times, 12 April 1859, 5.Google Scholar
Defoe, Daniel. An Essay on the Regulation of the Press. London: n.p., 1704.Google Scholar
Defoe, DanielMiscellanea.” A Review of the State of the British Nation 6, no. 129 (2 February 1710): 515516.Google Scholar
Demetrius. Demetrius on Style: The Greek Text of the Demetrius De Elocutione Edited After the Paris Manuscript with Introduction, Translation, Facsimiles, Etc. Trans. W. Rhys Roberts. Cambridge: At the University Press, 1902.Google Scholar
[De Quincey, Thomas]. “Samuel Taylor Coleridge.” By the English Opium-Eater. Tait’s Edinburgh Magazine 1, no. 8 (September 1834): 509520.Google Scholar
[De Quincey, Thomas, trans.] Walladmor: “Freely Translated into German from the English of Sir Walter Scott.” And Now Freely Translated from the German into English. 2 vols. London: Printed for Taylor and Hessey, 1825.Google Scholar
Devey, Louisa. Life of Rosina, Lady Lytton, with Numerous Extracts from Her MS. Autobiography and Other Original Documents, Published in Vindication of Her Memory. 2nd ed. London: Swan Sonnenschein, Lowrey and Co., 1887.Google Scholar
Dickens, Charles. American Notes. 1842. Ed. Ingham, Patricia. London: Penguin Books, 2004.Google Scholar
Dickens, Charles Bleak House. 1852–53. Ed. Bradbury, Nicola. London: Penguin Books, 2003.Google Scholar
Dickens, Charles A Christmas Carol. In Prose. Being a Ghost Story of Christmas. London: Chapman and Hall, 1843.Google Scholar
Dickens, Charles David Copperfield. 1849–50. Ed. Burgis, Nina. Oxford: Oxford University Press, 1997.Google Scholar
Dickens, Charles Dombey and Son. 1844–46. Ed. Fairclough, Peter. London: Penguin Books, 1985.Google Scholar
Dickens, Charles Great Expectations. 1860–61. Ed. Rosenberg, Edgar. New York: W. W. Norton and Company, 1999.Google Scholar
Dickens, Charles The Letters of Charles Dickens. Ed. House, Madeline, Storey, Graham, and Tillotson, Kathleen. 12 vols. Oxford: Clarendon Press, 1965–2002.Google Scholar
Dickens, Charles The Life and Adventures of Martin Chuzzlewit. Edited by Boz, . London: Chapman and Hall, 1843–44.Google Scholar
Dickens, Charles The Life and Adventures of Nicholas Nickleby. Edited by “Boz, .” London: Chapman and Hall, 1838–39.Google Scholar
Dickens, Charles Master Humphrey’s Clock. By “Boz, .” London: Chapman and Hall, 1840–41.Google Scholar
Dickens, Charles Nicholas Nickleby. 1838–39. Ed. Ford, Mark. London: Penguin Books, 1999.Google Scholar
Dickens, Charles The Old Curiosity Shop. 1840–41. Ed. Brennan, Elizabeth M.. Oxford: Oxford University Press, 1999.Google Scholar
Dickens, CharlesThe Old Curiosity Shop. In Master Humphrey’s Clock. By “Boz.” London: Chapman and Hall, 1840–41.Google Scholar
Dickens, CharlesOliver Twist; or, The Parish Boy’s Progress. Parts 1–24. Bentley’s Miscellany, nos. 2–28 (1 February 1837–1 April 1839).Google Scholar
Dickens, Charles“Passages in the Life of Mr. Watkins Tottle.” Parts 1–2. Monthly Magazine, January 1835, 15–24; February 1835, 121137.Google Scholar
Dickens, Charles The Posthumous Papers of the Pickwick Club. Edited by “Boz.” London: Chapman and Hall, 1836–37.Google Scholar
Dickens, Charles The Posthumous Papers of the Pickwick Club. 1836–37. Ed. Patten, Robert L.. London: Penguin Books, 1986.Google Scholar
Dickens, Charles Charles Dickens: The Public Readings. Ed. Collins, Philip. Oxford: Clarendon Press, 1975.Google Scholar
Dickens, Charles Sketches by Boz and Other Early Papers, 1833–39. Ed. Slater, Michael. Columbus: Ohio State University Press, 1994.Google Scholar
Dickens, Charles Sketches of Young Gentlemen and Young Couples. With Sketches of Young Ladies, by Edward Caswall. Oxford: Oxford University Press, 2012.Google Scholar
Dickens v. Lee.Jurist (London) 8, no. 1 (1845): 183186.Google Scholar
D’Israeli, I[saac]. A Second Series of Curiosities of Literature: Consisting of Researches in Literary, Biographical, and Political History; of Critical and Philosophical Inquiries; and of Secret History. 3 vols. London: John Murray, 1823.Google Scholar
The Dominie’s Legacy.” Fraser’s Magazine for Town and Country 1, no. 3 (April 1830): 318335.Google Scholar
Droll Discussions and Queer Proceedings of the Magnum-Fundum Club. Accurately Reported by “Quiz.” N.p., [1838].Google Scholar
Effingham Hazard, the Adventurer. London: Edward Ravenscroft; Foster and Hextall; John Foster, 1838–39.Google Scholar
Egan, Pierce. The Finish to the Adventures of Tom, Jerry, and Logic, in Their Pursuits through Life in and out of London. 1828. London: Reeves and Turner, 1887.Google Scholar
Eliot, George [née Mary Anne Evans]. Adam Bede. 1859. Ed. Martin, Carol A.. Oxford: Clarendon Press, 2001.Google Scholar
Eliot, George Daniel Deronda. 1876. Ed. Handley, Graham. Oxford: Clarendon Press, 1984.Google Scholar
Eliot, George Essays of George Eliot. Ed. Pinney, Thomas. 1963. New York: Columbia University Press, 1967.Google Scholar
Eliot, George The George Eliot Letters. Ed. Haight, Gordon S.. 7 vols. London: Oxford University Press; New Haven, ct: Yale University Press, 1954–56.Google Scholar
Eliot, George The George Eliot Letters. Ed. Haight, Gordon S.. Vols. 8 and 9. New Haven, ct: Yale University Press, 1978.Google Scholar
Eliot, George Impressions of Theophrastus Such. Edinburgh: William Blackwood and Sons, 1879.Google Scholar
Eliot, George The Lifted Veil and Brother Jacob. Ed. Small, Helen. Oxford: Oxford University Press, 2009.CrossRefGoogle Scholar
Eliot, George Middlemarch. 1871–72. Ed. Carroll, David. Oxford: Clarendon Press, 1986.Google Scholar
Eliot, George The Mill on the Floss. 1860. Ed. Haight, Gordon S.. Oxford: Clarendon Press, 1980.Google Scholar
Eliot, George Scenes of Clerical Life. 1857. Ed. Noble, Thomas A. Oxford: Clarendon Press, 1985.Google Scholar
Eliot, George Silas Marner. 1861. Mahwah, nj: Watermill Press, 1983.Google Scholar
Elizabeth Brownrigge.” Parts 1–2. Fraser’s Magazine for Town and Country 6, no. 31 (August 1832): 6788; no. 32 (September 1832): 131148.Google Scholar
Emerson, Ralph Waldo. “Quotation and Originality.” In Ralph Waldo Emerson. Ed. Poirier, Richard. Oxford: Oxford University Press, 1990.Google Scholar
Enfield, William. Observations on Literary Property. London: Printed for Joseph Johnson, 1774.Google Scholar
Epistles to the Literati. No. I. To E. L. Bulwer.” Fraser’s Magazine for Town and Country 4, no. 23 (December 1831): 520526.Google Scholar
Fitzgerald, Percy. Bozland: Dickens’ Places and People. London: Downey and Co., 1895.Google Scholar
Fitzgerald, Percy The History of Pickwick: An Account of Its Characters, Localities, Allusions, and Illustrations. London: Chapman and Hall, 1891.Google Scholar
Fitzgerald, Percy The Pickwickian Dictionary and Cyclopaedia. London: W. T. Spencer, [1900].Google Scholar
Fitzgerald, Percy Pickwickian Manners and Customs. London: Roxburghe Press, [1898].Google Scholar
Fitzgerald, Percy Pickwickian Studies. London: The New Century Press, 1899.Google Scholar
[Fitzpatrick, W. J.] Who Wrote the Waverley Novels? Being an Investigation into Certain Mysterious Circumstances Attending Their Production and an Inquiry into the Literary Aid which Sir Walter Scott May Have Received from Other Persons. London: Effingham Wilson; Edinburgh: John Menzies; Dublin: W. B. Kelly, 1856.Google Scholar
Forster, John. The Life of Charles Dickens. 3 vols. 1872–74. Cambridge: Cambridge University Press, 2011.Google Scholar
“From the London Gazette, Feb. 23.” Morning Post, 24 February 1844, 7.Google Scholar
Gaskell, Elizabeth. The Letters of Mrs Gaskell. Ed. Chapple, J. A. V. and Pollard, Arthur. Manchester: Manchester University Press, 1966.Google Scholar
A Good Tale Badly Told. By Mr. Edward Lytton Bulwer.” Fraser’s Magazine for Town and Country 5, no. 25 (February 1832): 107113.Google Scholar
Gould, Edward S.Review of the Writings of Bulwer.” Literary and Theological Review 1, no. 3 (September 1834): 412427.Google Scholar
Grant, James. Sketches in London. London: W. S. Orr and Co., 1838.Google Scholar
Grego, Joseph. Pictorial Pickwickiana: Charles Dickens and His Illustrators. 2 vols. London: Chapman and Hall, 1899.Google Scholar
Grub-Street Journal, no. 31 (6 August 1730): 14.Google Scholar
Hadden, J. Cuthbert. “Plagiarism and Coincidence.” Scottish Review 27 (April 1896): 336350.Google Scholar
Hall, Hammond. Mr. Pickwick’s Kent. Rochester: W. and J. Mackay, 1899.Google Scholar
Hall, S. C. Retrospect of a Long Life: From 1815 to 1883. 2 vols. London: Richard Bentley and Son, 1883.Google Scholar
Hamilton, Walter. Parodies of the Works of English and American Authors. 6 vols. 1884–89. New York: Johnson Reprint Corporation, 1967.Google Scholar
Harte, Bret. Condensed Novels and Other Papers. New York: G. W. Carleton and Co., 1867.Google Scholar
[Hewitt, Henry]. “A Christmas Ghost Story.” Parley’s Illuminated Library, no. 16 (6 January 1844): 241256.Google Scholar
“Hinckley, Monday, June 9.” Leicester Chronicle; or Commercial and Agricultural Advertiser, 14 June 1834, n.p.Google Scholar
Historical Romance. No. I. Sir Walter Scott and His Imitators.” Fraser’s Magazine for Town and Country 5, no. 25 (February 1832): 619.Google Scholar
[Hogg, James]. The Poetic Mirror; or, The Living Bards of Britain. London: Printed for Longman, Hurst, Rees, Orme, and Brown; and John Ballantyne, Edinburgh, 1816.Google Scholar
“Holborn Theatre.” Daily News, 3 June 1884, 6.Google Scholar
Homer’s Battle of the Frogs and Mice. With the Remarks of Zoilus. To Which Is Prefix’d, the Life of Said Zoilus. London: Printed for Bernard Lintot, 1707.Google Scholar
Horncastle, H. The Infant Phenomenon; or, A Rehearsal Rehearsed [aka The Savage and the Maiden; or, Crummles and His Daughter aka The Crummleses; or, A Rehearsal Rehearsed]. A Dramatic Piece. London: John Dicks, n.d.Google Scholar
Horne, R. H., ed. A New Spirit of the Age. 2 vols. London: Smith, Elder, and Co., 1844.Google Scholar
James, Henry. The Aspern Papers and Other Stories. Ed. Poole, Adrian. 1983. Oxford: Oxford University Press, 2009.Google Scholar
James, HenryDaniel Deronda: A Conversation.” Atlantic Monthly, December 1876, 684694.Google Scholar
[Jeffrey, Francis]. Review of Rejected Addresses; or, The New Theatrum Poetarum. Edinburgh Review 20, no. 40 (November 1812): 434451.Google Scholar
John Gilpin and Mazeppa.” Blackwood’s Edinburgh Magazine 5, no. 28 (July 1819): 434439.Google Scholar
Johnson, Samuel. The Yale Edition of the Works of Samuel Johnson. Ed. McAdam, E. L. Jr., et al. 23 vols. New Haven, ct: Yale University Press, 1958–2012.Google Scholar
Keats, John. The Letters of John Keats, 1814–1821. Ed. Rollins, Hyder Edward. 2 vols. Cambridge, ma: Harvard University Press, 1958.Google Scholar
Kent, Charles, ed. The Wit and Wisdom of Edward Bulwer Lord Lytton with Impressive Humorous and Pathetic Passages from His Works. London: George Routledge and Sons, 1883.Google Scholar
Kitton, Fred G. Dickensiana: A Bibliography of the Literature Relating to Charles Dickens and His Writings. London: George Redway, 1886.Google Scholar
Kitton, Fred G. The Minor Writings of Charles Dickens: A Bibliography and Sketch. London: Elliot Stock, 1900.Google Scholar
Lacy, T. H. The Pickwickians; or, The Peregrinations of Sam Weller. A Comic Drama, in Three Acts. London: Samuel French, [1837].Google Scholar
Lady Cheveley; or, The Woman of Honour. A New Version of Cheveley, the Man of Honour. 2nd ed. London: Edward Churton, 1839.Google Scholar
Lang, A[ndrew]. “Literary Plagiarism.” Contemporary Review 51 (June 1887): 831840.Google Scholar
Langbaine, Gerard. Momus Triumphans; or, The Plagiaries of the English Stage. 1687. Los Angeles: University of California, 1971.Google Scholar
“Latest Intelligence.” Hampshire Advertiser, 8 December 1860, 2.Google Scholar
Lewes, George Henry. Ranthorpe. 1847. Ed. Smalley, Barbara. Athens: Ohio University Press, 1974.Google Scholar
The Life and Opinions of Bertram Montfichet, Esq; Written by Himself. 2 vols. London: Printed for C. G. Seyffert, [ 1761].Google Scholar
The Life and Opinions of Miss Sukey Shandy, of Bow-Street, Gentlewoman. In a Series of Letters to Her Dear Brother Tristram Shandy, Gent. London: Printed for R. Stevens, 1760.Google Scholar
Liggins, Joseph. A Refutation of the Calumnies Circulated by the Anti-Slavery Agency Committee, against the West India Planters. London: Effingham Wilson, 1833.Google Scholar
Liggins, JosephTo Mr. John Crisp. Morning Post, 16 August 1832, n.p.Google Scholar
Liggins, JosephTo the Editor. Morning Post, 8 August 1832, n.p.Google Scholar
Liggins, JosephTo the Editor. Morning Post, 5 March 1838, n.p.Google Scholar
Liggins, JosephTo the Editor. Morning Post, 23 November 1847, n.p.Google Scholar
Liggins, JosephTo the Right Hon. Viscount Melbourne. Morning Post, 29 August 1832, n.p.Google Scholar
[Lister, T. H.] “Dickens’s Tales.” Edinburgh Review 68, no. 137 (October 1838): 7597.Google Scholar
Literary Impostures. – Alexandre Dumas.” North American Review 78, no. 163 (April 1854): 305345.Google Scholar
“Literary Recipes.” Punch; or, The London Charivari, 7 August 1841, 39.Google Scholar
Literature.” Morning Post, 11 May 1836. In Dickensian 32, no. 239 (Summer 1936): 218.Google Scholar
Living Literary Characters, No. V. Edward Lytton Bulwer.” New Monthly Magazine and Literary Journal 31, no. 125 (May 1831): 437450.Google Scholar
Lloyd’s Pickwickian Songster. London: E. Lloyd, [1837?].Google Scholar
[Locke, John]. Two Treatises of Government: In the Former, the False Principles, and Foundation of Sir Robert Filmer, and His Followers, Are Detected and Overthrown. The Latter Is an Essay Concerning the True Original, Extent, and End of Civil Government. London: Printed for Awnsham Churchill, 1690.Google Scholar
[Lockhart, John Gibson]. Review of Zohrab the Hostage. Quarterly Review 48, no. 96 (December 1832): 391420.Google Scholar
“London Gazette.” Morning Chronicle, 23 February 1839, n.p.Google Scholar
Lytton, Edward George Earle Lytton Bulwer [né Bulwer]. The Caxtons: A Family Picture. 1848–49. London: George Routledge and Sons, 1878.Google Scholar
Lytton, Edward Devereux. 1829. London: George Routledge and Sons, 1878.Google Scholar
Lytton, Edward The Disowned. 2nd ed. 3 vols. London: Henry Colburn, 1829.Google Scholar
Lytton, Edward The Disowned. 1828. London: George Routledge and Sons, 1877.Google Scholar
Lytton, Edward England and the English. 1833. Chicago: University of Chicago Press, 1970.Google Scholar
Lytton, Edward Ernest Maltravers. 1837. London: George Routledge and Sons, 1877.Google Scholar
Lytton, Edward Eugene Aram. 3 vols. London: Henry Colburn and Richard Bentley, 1832.Google Scholar
Lytton, Edward Eugene Aram. 1832. London: George Routledge and Sons, 1877.Google Scholar
Lytton, EdwardFalkland. In The Coming Race; Falkland; Zicci; and Pausanias the Spartan. London: George Routledge and Sons, 1878.Google Scholar
Lytton, Edward Godolphin. 1833. London: Pickering and Chatto, 2005.Google Scholar
Lytton, Edward Godolphin. 1833. London: Saunders and Otley, 1840.Google Scholar
Lytton, Edward The Last Days of Pompeii. 1834. London: George Routledge and Sons, 1875.Google Scholar
Lytton, Edward Letters of the Late Edward Bulwer, Lord Lytton, to His Wife. With Extracts from Her MS. “Autobiography,” and Other Documents, Published in Vindication of Her Memory. Ed. Louisa Devey. London: W. Swan Sonnenschein, 1884.Google Scholar
Lytton, EdwardModern Novelists and Recent Novels.” New Monthly Magazine and Literary Journal 38, no. 150 (June 1833): 135142.Google Scholar
Lytton, Edward My Novel; or, Varieties in English Life. 1850–53. London: George Routledge and Sons, 1878.Google Scholar
Lytton, Edward Not So Bad as We Seem; or, Many Sides to a Character. A Comedy. London: Published for the Guild of Literature and Art, by Chapman and Hall, 1851.Google Scholar
Lytton, EdwardOn Art in Fiction.” Parts 1–2. Monthly Chronicle 1, no. 1 (March 1838): 4251; no. 2 (April 1838): 138149.Google Scholar
Lytton, EdwardOn the Different Kinds of Prose Fiction, with Some Apology for the Fiction of the Author.” In The Works of Edward Lytton Bulwer, Esq. 2 vols. Philadelphia: E. L. Carey and A. Hart, 1836.Google Scholar
Lytton, Edward Paul Clifford. 1830. London: George Routledge and Sons, 1877.Google Scholar
Lytton, Edward Pelham; or, Adventures of a Gentleman. 1828. London: George Routledge and Sons, 1877.Google Scholar
Lytton, Edward The Sea-Captain; or, The Birthright. A Drama. 4th ed. London: Saunders and Otley, 1839.Google Scholar
Lytton, Edward The Student and Asmodeus at Large. London: George Routledge and Sons, 1875.Google Scholar
Lytton, EdwardA Word to the Public. N.p., 1847.Google Scholar
[Lytton, Edward Robert Bulwer]. The Life, Letters, and Literary Remains of Edward Bulwer, Lord Lytton. By his son. 2 vols. London: Kegan Paul, Trench and Co., 1883.Google Scholar
Lytton, Rosina Anne Doyle Bulwer [née Wheeler]. “Artaphernes the Platonist; or, The Supper at Sallust’s.” Fraser’s Magazine for Town and Country 17, no. 100 (April 1838): 513520.Google Scholar
Lytton, Rosina Bianca Cappello. An Historical Romance. 3 vols. London: Edward Bull, 1843.Google Scholar
Lytton, Rosina A Blighted Life. 1880. Bristol: Thoemmes Press, 1994.Google Scholar
Lytton, Rosina The Budget of the Bubble Family. 3 vols. London: Edward Bull, 1840.Google Scholar
Lytton, RosinaBulwer’s Dramatic Poetry.” Parts 12. Dublin University Magazine 15, no. 87 (March 1840): 267284; no. 88 (April 1840): 412423.Google Scholar
Lytton, Rosina Cheveley; or, The Man of Honour. 1839. London: Pickering and Chatto, 2005.Google Scholar
Lytton, Rosina The Collected Letters of Rosina Bulwer Lytton. Ed. Marie Mulvey-Roberts with Steve Carpenter. 3 vols. London: Pickering and Chatto, 2008.Google Scholar
Lytton, Rosina Lady Bulwer Lytton’s Appeal to the Justice and Charity of the English Public. London: Published for and by the Author, [1857].Google Scholar
Lytton, Rosina Memoirs of a Muscovite. 3 vols. London: T. C. Newby, 1844.Google Scholar
Lytton, Rosina Miriam Sedley; or, The Tares and the Wheat. A Tale of Real Life. 3 vols. London: W. Shoberl, 1851.Google Scholar
Lytton, Rosina The Peer’s Daughters. 3 vols. London: T. C. Newby, 1849.Google Scholar
Lytton, Rosina Shells from the Sands of Time. London: Bickers and Son, 1876.Google Scholar
Lytton, Rosina Very Successful! 3 vols. London: Whittaker and Co.; Taunton: Frederick R. Clarke, 1856.Google Scholar
[Madden, Richard Robert]. “Plagiarism and Accidental Imitation.” Dublin University Magazine 73, no. 433 (January 1869): 107120.Google Scholar
The Madras Miscellany. July 1839–March 1840. Madras: J. B. Pharoah, 1840.Google Scholar
Main, Alexander, ed. Wise, Witty, and Tender Sayings in Prose and Verse: Selected from the Works of George Eliot. Edinburgh: William Blackwood and Sons, 1872.Google Scholar
[Mallock, W. H.] Every Man His Own Poet; or, The Inspired Singer’s Recipe Book. By a Newdigate Prizeman. Oxford: Thomas Shrimpton and Son, 1872.Google Scholar
Maritime Romances, and Parliamentary Novels.” Fraser’s Magazine for Town and Country 4, no. 24 (January 1832): 661671.Google Scholar
Martial, . Epigrams. Trans. D. R. Shackleton Bailey. 3 vols. Loeb Classical Library. Cambridge, ma: Harvard University Press, 1993.Google Scholar
Masson, David. British Novelists and Their Styles: Being a Critical Sketch of the History of British Prose Fiction. 1859. Folcroft, pa: The Folcroft Press, 1969.Google Scholar
“Master Humphrey’s Clock. From the Editor of the ‘Town,’ in His Easy Chair, to Master Humphrey, in His Chimney Corner.” Town, 10 November 1841, 1852.Google Scholar
“Master Humphrey’s Clock, Written by Himself.” Parts 1–10. Town, 17 November 1841–26 January 1842.Google Scholar
“Master Humphrey’s Turnip, a Chimney Corner Crotchet.” By Poz. Parts 1–18. Town, 25 April–5 December 1840.Google Scholar
Matthews, James Brander. “The Ethics of Plagiarism.” In Pen and Ink: Papers on Subjects of More or Less Importance. 1888. 3rd ed. New York: Charles Scribner’s Sons, 1902.Google Scholar
[Meadows, Joseph K.] Heads from Nicholas Nickleby. From Drawings by Miss La Creevy. London: Robert Tyas, [1839].Google Scholar
Moncrieff, William Thomas. Nickleby and Poor Smike; or, The Victim of the Yorkshire School. 1839. [Plays from the Lord Chamberlain’s Office. British Museum Additional MS 42951.]Google Scholar
Moncrieff, William Thomas.Sam Weller; or, The Pickwickians. A Drama. London: Printed for the Author, 1837.Google Scholar
Morning Chronicle, 3 January 1850, 4.Google Scholar
Mr. Bulwer’s New Novel.” Spectator 2, no. 56 (25 July 1829): 473475.Google Scholar
Mr. Edward Lytton Bulwer’s Novels; and Remarks on Novel-Writing.” Fraser’s Magazine for Town and Country 1, no. 5 (June 1830): 511.Google Scholar
Mr. Pickwick’s Collection of Songs. London: Smeeton, n.d.Google Scholar
“Mr. Pickwick’s Hat-Box.” Ed. Henry Ross. Parts 1–5. New Monthly Belle Assemblée, June, August–November 1840.Google Scholar
“Mr. Thackeray’s New Novel.” Times, 22 December 1852, 8.Google Scholar
Neale, C. M. An Index to Pickwick. London: Printed for the Author by J. Hitchcock, 1897.Google Scholar
New-York Times, 30 March 1880, 4.Google Scholar
Nicholson, Renton. Dombey and Daughter: A Moral Fiction. London: Thomas Faris, [1847].Google Scholar
Notes of the Week.” Literary Gazette: A Weekly Journal of Literature, Science, Art, and General Information 2, no. 51 (18 June 1859): 711712.Google Scholar
Notes on New Publications.” New Monthly Magazine and Humorist 64, no. 253 (January 1842): 157159.Google Scholar
The Novels of the Season.” Fraser’s Magazine for Town and Country 3, no. 8 (February 1831): 95113.Google Scholar
Obituary. Leicester Chronicle; or, Commercial and Agricultural Advertiser, 3 February 1855, n.p.Google Scholar
Obituary. Morning Post, 26 June 1860, 7.Google Scholar
[Oliphant, Margaret]. “Bulwer.” Blackwood’s Edinburgh Magazine 77, no. 472 (February 1855): 221233.Google Scholar
Oliver Twiss, the Workhouse Boy. Edited by Poz, . London: James Pattie, 1838.Google Scholar
Oliver Twist; or, The Parish Boy’s Progress. A Drama. London: Thomas Hailes Lacy, n.d.Google Scholar
An Omitted Pickwick Paper.” Restored by Poz. In The Token and Atlantic Souvenir. Boston: William D. Ticknor, 1841.Google Scholar
On the Origin of Sam Weller, and the Real Cause of the Success of the Posthumous Papers of the Pickwick Club, by a Lover of Charles Dickens’s Works. London: J. W. Jarvis and Son, 1883.Google Scholar
[Osborne, Sidney Godolphin]. “The Great Unknown.” Times, 3 June 1859, 10.Google Scholar
Our Civilization.” Saturday Review of Politics, Literature, Science, and Art 35, no. 2 (28 June 1856): 195196.Google Scholar
Our Leader.” Thief, no. 1 (21 April 1832): n.p.Google Scholar
“Our Weekly Gossip.” Athenaeum: Journal of English and Foreign Literature, Science, and the Fine Arts, no. 1650 (11 June 1859): 780.Google Scholar
“Our Weekly Gossip.” Athenaeum: Journal of English and Foreign Literature, Science, and the Fine Arts, no. 1651 (18 June 1859): 811.Google Scholar
“Our Weekly Gossip.” Athenaeum: Journal of English and Foreign Literature, Science, and the Fine Arts, no. 1653 (2 July 1859): 20.Google Scholar
Palette, Peter. Illustrations to Nicholas Nickleby. London: Grattan and Gilbert,[1840].Google Scholar
Parley’s Illuminated Library. Vol. 9. London: Cleave, [1843–44].Google Scholar
Parley’s Penny Library; or, Treasury of Knowledge, Entertainment and Delight. Vol. 1. London: Cleave, [1841].Google Scholar
Parley’s Penny Library; or, Treasury of Knowledge, Entertainment and Delight. Vol. 3. London: Cleave, [1842?]Google Scholar
Pemberton, Thomas Edgar. Charles Dickens and the Stage: A Record of His Connection with the Drama as Playwright, Actor and Critic. London: George Redway, 1888.Google Scholar
Pickwick Abroad.” Cleave’s Penny Gazette of Variety. Late the London Satirist 1, no. 11 (23 December 1837): 1.Google Scholar
The Pickwick Comic Almanac for 1838. Containing Sam Weller’s Diary of Fun and Pastime. London: W. Marshall, [1837].Google Scholar
Pickwick in India. Parts 1–7. The Madras Miscellany. July 1839–February 1840.Google Scholar
The Pickwick Treasury of Wit; or, Joe Miller’s Jest Book. Dublin: James Duffy, 1840.Google Scholar
Posthumous Papers of the Cadgers’ Club. London: E. Lloyd, [1837–38].Google Scholar
Posthumous Papers of the Wonderful Discovery Club, Formerly of Camden Town. Edited by Poz. London: William Mark Clark, 1838.Google Scholar
[Prest, Thomas Peckett]. Barnaby Budge. London: E. Lloyd, 1841.Google Scholar
Prest, Thomas Peckett The Life and Adventures of Oliver Twiss, the Workhouse Boy [aka Life and History of Oliver Twiss]. Edited by “Bos.” London: E. Lloyd, [1837–39].Google Scholar
Prest, Thomas Peckett Mister Humfries’ Clock [aka Mister Humfrie’s Clock]. “Bos,” Maker. London: E. Lloyd, 1840.Google Scholar
Prest, Thomas Peckett Nickelas Nickelbery. Edited by “Bos.” London: E. Lloyl [sic], [1838–39].Google Scholar
Prest, Thomas Peckett The Penny Pickwick. Edited by “Bos.” London: E. Lloyd, [1837–39]. Published in volume form as The Post-Humourous Notes of the Pickwickian Club, 1838–39.Google Scholar
Prest, Thomas Peckett Pickwick in America. Edited by “Bos.” London: E. Lloyd, [1838–39]. Published in volume form as Pickwick in America!Google Scholar
Prest, Thomas Peckett Preface to The Post-Humourous Notes of the Pickwickian Club. Edited by “Bos.” London: E. Lloyd, [1838–39].Google Scholar
Prest, Thomas Peckett The Sketch-Book by “Bos.” London: E. Lloyd, [1837]. Also published as The Sketch Book by “Bos,” Containing a Great Number of Highly Interesting and Original Tales, Sketches, &c. &c.Google Scholar
The Queerfish Chronicles, Forming a Correct Narrative of Divers Travels, Voyages, and Remarkable Adventures, That Have Come under the Notice of the Queerfish Society. Edited by Trout, Humphrey. London: B. Steill, 1837.Google Scholar
Recent English Romances.” Edinburgh Review 65, no. 131 (April 1837): 180204.Google Scholar
“Recent Novels.” Times, 2 January 1859, 9.Google Scholar
“Recent Poetic Plagiarisms and Imitations.” Parts 1–2. London Magazine (December 1823): 597–604; (March 1824): 277–285.Google Scholar
Rede, William Leman. Peregrinations of Pickwick. A Drama. London: W. Strange, 1837.Google Scholar
Refutation of an Audacious Forgery of the Dowager Lady Lytton’s Name to a Book of the Publication of Which She Was Totally Ignorant. N.p., 1880.Google Scholar
Review of The Caxtons. New Monthly Magazine and Humorist 87, no. 347 (November 1849): 279380.Google Scholar
Review of Charles O’Malley, the Irish Dragoon. Monthly Review 2, no. 3 (July 1840): 398411.Google Scholar
Review of Cheveley. Athenaeum: Journal of English and Foreign Literature, Science, and the Fine Arts, no. 596 (30 March 1839): 235236.Google Scholar
Review of The Complete Works of Bret Harte. Athenaeum: Journal of English and Foreign Literature, Science, the Fine Arts, Music and the Drama, no. 2786 (19 March 1881): 390391.Google Scholar
Review of Devereux. Athenaeum and Literary Chronicle, no. 90 (15 July 1829): 433434.Google Scholar
Review of The Disowned. Monthly Magazine 7, no. 37 (January 1829): 8485.Google Scholar
Review of Episodes in the Lives of Men, Women, and Lovers. Pall Mall Gazette: An Evening Newspaper and Review 35, no. 5371 (17 May 1882): 45.Google Scholar
Review of Eugene Aram. Athenaeum: Journal of English and Foreign Literature, Science, and the Fine Arts, no. 219 (7 January 1832): 35.Google Scholar
Review of Eugene Aram. Edinburgh Review 55, no. 109 (April 1832): 208219.Google Scholar
Review of Eugene Aram. Monthly Magazine of Politics, Literature, and the Belles Lettres 13, no. 74 (February 1832): 233234.Google Scholar
Review of A Flight to America; or, Ten Hours in New York. Times, 8 November 1836, 5.Google Scholar
Review of La Parodie chez les Grecs, chez les Romains, et chez les Modernes. Athenaeum: Journal of English and Foreign Literature, Science, the Fine Arts, Music and the Drama, no. 2279 (1 July 1871): 1213.Google Scholar
Review of The Life and Adventures of Valentine Vox. Operative, 5 May 1839, 11.Google Scholar
Review of New Books.” London Literary Gazette; and Journal of Belles Lettres, Arts, Sciences, & c., no. 693 (1 May 1830): 281284.Google Scholar
Review of Paul Clifford. Athenaeum: Weekly Review of English and Foreign Literature, Fine Arts, and Works of Embellishment, no. 133 (15 May 1830): 289291.Google Scholar
Review of Pelham; or, Adventures of a Gentleman. London Literary Gazette; and Journal of the Belles Lettres, Arts, Sciences, & c., no. 594 (7 June 1828): 357358.Google Scholar
Review of Pelham; or, Adventures of a Gentleman. Parts 1–2. Examiner, no. 1076 (14 September 1828): 595597; no. 1077 (21 September 1828): 613–614.Google Scholar
Review of Pelham; or, Adventures of a Gentleman (“Revised and improved”). London Literary Gazette; and Journal of the Belles Lettres, Arts, Sciences, & c., no. 616 (8 November 1828): 710.Google Scholar
Review of The Posthumous Papers of the Pickwick Club and Sketches by Boz. Quarterly Review 59, no. 118 (October 1837): 484518.Google Scholar
Review of The Posthumous Papers of the Pickwick Club. Athenaeum: Journal of English and Foreign Literature, Science, and the Fine Arts, no. 475 (3 December 1836): 841843.Google Scholar
Reynolds, George W. M.The Marriage of Mr. Pickwick.” In Master Timothy’s Book-Case; or, The Magic-Lanthorn of the World. 1842. London: William Emans, 1844. Previously published as “Pickwick Married,” in Teetotaller, 23 January–19 June 1841.Google Scholar
Reynolds, George W. M.Noctes Pickwickianae.” Parts 1–5. In Dickensian 13, no. 3 (March 1917): 6971; no. 5 (May 1917): 126–128; no. 7 (July 1917): 187–189; no. 9 (September 1917): 244–245; no. 11 (November 1917): 301–302. Previously published in Teetotaller, 27 June–8 August 1840.Google Scholar
Reynolds, George W. M. Pickwick Abroad; or, The Tour in France. 1837–39. London: Henry G. Bohn, 1864.Google Scholar
Richardson, Samuel. Selected Letters of Samuel Richardson. Ed. Carroll, John. Oxford: Clarendon Press, 1964.Google Scholar
Rideal, Charles F. Wellerisms from “Pickwick” & “Master Humphrey’s Clock.” London: George Redway, 1886.Google Scholar
[Robertson, John]. “Sir Lytton Bulwer.” Westminster Review 39, no. 1 (February 1843): 3369.Google Scholar
Robinson, Charles J. Review of Episodes in the Lives of Men, Women, and Lovers. Academy, no. 521 (29 April 1882): 296297.Google Scholar
[Roscoe, W. C.] “Sir E. B. Lytton, Novelist, Philosopher, and Poet.” National Review 8, no. 16 (April 1859): 279313.Google Scholar
[Russell, C. W.] “The Novels of 1853.” Dublin Review 34, no. 67 (March 1853): 174203.Google Scholar
Sam Weller; A Journal of Wit and Humour. Edited by Slick, Sam. London: W. Strange, 1837.Google Scholar
Sam Weller’s Budget of Recitations. London: J. Clements, 1838.Google Scholar
Sam Weller’s Favorite Song Book. London: Smeeton, [1837].Google Scholar
Sam Weller’s Pickwick Jest-Book. London: Berger; Pigot and Co.; W. M. Clark, 1837.Google Scholar
Sayings and Doings.” Critic: Weekly Journal of Literature, Art, Science, and the Drama 18, no. 459 (23 April 1859): 387.Google Scholar
[Scott, Walter]. Ivanhoe; a Romance. 3 vols. Edinburgh: Archibald Constable and Co.; London: Hurst, Robinson and Co., 1820.Google Scholar
Scott, Walter Review of Tales of My Landlord. Quarterly Review 16, no. 32 (January 1817): 430480.Google Scholar
Scott, Walter Tales of My Landlord, Collected and Arranged by Jedidiah Cleishbotham, Schoolmaster and Parish-Clerk of Gandercleugh. 4 vols. Edinburgh: William Blackwood; London: John Murray, 1816.Google Scholar
Scenes from the Life of Nickleby Married. Edited by “Guess.” London: John Williams, 1840.Google Scholar
[Senior, N. W.] “Sir E. Bulwer Lytton’s Novels.” North British Review 23, no. 46 (August 1855): 339392.Google Scholar
Seth Bede, “the Methody:” His Life and Labours; Chiefly Written by Himself. London: Tallant and Co., 1859.Google Scholar
Seymour, Mrs. [Jane]. “An Account of the Origin of the ‘Pickwick Papers.’” In A Centenary Bibliography of the Pickwick Papers. By W[illiam] Miller and E. H. Strange. London: Argonaut Press, 1936.Google Scholar
Seymour, Robert Jr.Seymour’s Sketches.” Athenaeum: Journal of English and Foreign Literature, Science, and the Fine Arts, no. 2004 (24 March 1866): 398399.Google Scholar
Sibson, T. Illustrations of Master Humphrey’s Clock. London: Robert Tyas, 1840.Google Scholar
Simcox, Edith. Episodes in the Lives of Men, Women, and Lovers. London: Trübner and Co., 1882.Google Scholar
Simcox, EdithGeorge Eliot.” Nineteenth Century 9, no. 51 (May 1881): 778801.Google Scholar
Simcox, Edith A Monument to the Memory of George Eliot: Edith J. Simcox’s Autobiography of a Shirtmaker. Ed. Fulmer, Constance M. and Barfield, Margaret E.. New York: Garland Publishing, 1998.Google Scholar
Simcox, Edith Natural Law: An Essay in Ethics. London: Trübner and Co., 1877.Google Scholar
Simcox, Edith Primitive Civilizations; or, Outlines of the History of Ownership in Archaic Communities. 2 vols. London: Swan Sonnenschein and Co., 1894.Google Scholar
Simcox, EdithReview of Middlemarch. Academy: A Record of Literature, Learning, Science, and Art 4, no. 63 (1 January 1873): 14.Google Scholar
[Smith, James, and Smith, Horace]. Rejected Addresses; or, The New Theatrum Poetarum. London: Printed for John Miller, 1812.Google Scholar
[Stephen, Leslie]. “The Late Lord Lytton as a Novelist.” Cornhill Magazine, March 1873, 345354.Google Scholar
Sterne, Laurence. The Life and Opinions of Tristram Shandy, Gentleman. 1759–67. Ed. Petrie, Graham. London: Penguin Books, 1988.Google Scholar
Stirling, Edward. A Christmas Carol; or, Past, Present and Future. London: William Barth, [1844].Google Scholar
Stirling, Edward The Fortunes of Smike; or, A Sequel to Nicholas Nickleby: A Drama. London: Sherwood, Gilbert, and Piper, [1840].Google Scholar
Stirling, Edward Nicholas Nickleby. A Farce. London: Chapman and Hall, 1838.Google Scholar
Stirling, Edward The Old Curiosity Shop; or, One Hour from Humphrey’s Clock. A Drama. London: John Duncombe, [1844?]Google Scholar
Stirling, EdwardOliver Twist, a New Version [aka Oliver Twist; or, The Workhouse Boy]. 1838. [Plays from the Lord Chamberlain’s Office. British Museum Additional MS 42950 (first two acts only).]Google Scholar
Stirling, Edward The Pickwick Club; or, The Age We Live In! A Burletta Extravaganza! Philadelphia: Frederick Turner, [1837].Google Scholar
[Swepstone, W. M.] Christmas Shadows. A Tale of the Times. London: T. C. Newby, [1850].Google Scholar
Swinburne, Algernon Charles. A Note on Charlotte Brontë. London: Chatto and Windus, 1877.Google Scholar
Thackeray, William Makepeace. “A Brother of the Press on the History of a Literary Man, Laman Blanchard, and the Chances of the Literary Profession.” Fraser’s Magazine for Town and Country 33, no. 195 (March 1846): 332342.Google Scholar
Thackeray, William Makepeace.Catherine: A Story. By Ikey Solomons, Esq., Jr. 1839–40. Ann Arbor: University of Michigan Press, 1999.Google Scholar
Thackeray, William Makepeace.“Epistles to the Literati. No. XIII. Ch-s Y-ll-wpl-sh, Esq., to Sir Edward Lytton Bulwer, Bart. John Thomas Smith, Esq. to C-s Y-h, Esq.” Fraser’s Magazine for Town and Country 21, no. 121 (January 1840): 7180.Google Scholar
Thackeray, William Makepeace.“Half-a-Crown’s Worth of Cheap Knowledge.” Fraser’s Magazine for Town and Country 17, no. 99 (March 1838): 279290.Google Scholar
Thackeray, William Makepeace.The History of Pendennis. 1848–50. Ed. Sutherland, John. Oxford: Oxford University Press, 1999.Google Scholar
Thackeray, William Makepeace.The Letters and Private Papers of William Makepeace Thackeray. Ed. Ray, Gordon N.. 4 vols. London: Oxford University Press, 1945–46.Google Scholar
Thackeray, William Makepeace.The Newcomes. 1853–55. Ed. Pascoe, David. London: Penguin Books, 1996.Google Scholar
Thackeray, William Makepeace.“Proposals for a Continuation of Ivanhoe. In a Letter to Monsieur Alexandre Dumas, by Monsieur Michael Angelo Titmarsh.” Parts 1–2. Fraser’s Magazine for Town and Country 34, no. 200 (August 1846): 237245; no. 201 (September 1846): 359–367.Google Scholar
Thackeray, William Makepeace.Rebecca and Rowena: A Romance upon Romance. In The Christmas Books of Mr M. A. Titmarsh. London: Smith, Elder, and Co., 1879.Google Scholar
Thackeray, William Makepeace.Review of Alice; or, The Mysteries. Times, 24 April 1838, 6.Google Scholar
Thackeray, William Makepeace.Review of Ernest Maltravers. Times, 30 September 1837, 5.Google Scholar
Thackeray, William Makepeace.Review of The New Timon. Morning Chronicle, 22 April 1846, 5.Google Scholar
Thackeray, William Makepeace.The Snobs of England and Punch’s Prize Novelists. Ed. Harden, Edgar F.. Ann Arbor: University of Michigan Press, 2005.Google Scholar
Thackeray, William Makepeace.Vanity Fair. 1847–48. Ed. Sutherland, John. Oxford: Oxford University Press, 2008.Google Scholar
Thackeray, William Makepeace.The Yellowplush Correspondence. In Flore et Zéphyr; The Yellowplush Correspondence; The Tremendous Adventures of Major Gahagan. Ed. Shillingsburg, Peter L.. New York: Garland Publishing, 1991.Google Scholar
[Thackeray, William Makepeace, and Maginn, William]. “Our Batch of Novels for Christmas, 1837.” Fraser’s Magazine for Town and Country 17, no. 97 (January 1838): 79103.Google Scholar
[Thomas, J.] “Sam Weller’s Adventures! A Song of the Pickwickians.” London Singer’s Magazine and Reciter’s Album, no. 33 (1839).Google Scholar
[Thompson, Alfred]. “Daniel Deronda. Book IX. – ‘Tire and Side-on.’” In Punch’s Pocket-Book for 1877, Containing a Calendar, Cash Account, Diary and Memoranda for Every Day of the Year, and a Variety of Useful Business Information. London: Punch Office, 1877.Google Scholar
Three Portraits of Kate Nickleby, ’Tilda Price, and Madeline Bray. From Paintings by Frank Stone. Engraved by Edward Finden. London: Chapman and Hall, 1848.Google Scholar
To the Editor. Times, 15 April 1859, 10.Google Scholar
To the Editor. Times, 16 April 1859, 7.Google Scholar
Toulmin, Camilla [Camilla Dufour Crosland]. Partners for Life: A Christmas Story. London: Wm. S. Orr, and Co., 1847.Google Scholar
A Touching Scene. (From the Penny Pickwick).” Cleave’s London Satirist, and Gazette of Variety 1, no. 2 (21 October 1837): 1.Google Scholar
“A Venerable and a Non-Venerable Bede.” Punch; or, The London Charivari, 3 December 1859, 224.Google Scholar
“Vice-Chancellor’s Court. – This Day.” Standard, 11 February 1839, 4.Google Scholar
“Vice-Chancellor’s Court, Thursday, June 8.” Times, 9 June 1837, 7.Google Scholar
“Vice-Chancellors’ Court, Wednesday, May 2.” Times, 3 May 1838, 6.Google Scholar
“Vice-Chancellors’ Courts, Thursday, Jan. 11.” Times, 12 January 1844, 6.Google Scholar
“Vice-Chancellors’ Courts, Thursday, Jan. 18.” Times, 19 January 1844, 7.Google Scholar
“Vice-Chancellors’ Courts, Tuursday [sic], Jan. 25.” Times, 26 January 1844, 7.Google Scholar
Wells, Stanley, ed. Nineteenth-Century Shakespeare Burlesques. 5 vols. London: Diploma Press, 1977 –78.Google Scholar
Whipple, Edwin P. Review of Daniel Deronda. North American Review 124, no. 254 (January 1877): 3152.Google Scholar
William Ainsworth and Jack Sheppard.” Fraser’s Magazine for Town and Country 21, no. 122 (February 1840): 227245.Google Scholar
[Wills, W. H., and Cole, Alfred Whaley]. “The Martyrs of Chancery. Second Article.” Household Words 2, no. 47 (15 February 1851): 493496.Google Scholar
“Winkle’s Journal (Omitted in The Pickwick Papers).” Metropolitan Magazine (October 1838): 158176.Google Scholar
[Wise, J. R.] “Belles Lettres.” Westminster Review 44, no. 1 (July 1873): 254270.Google Scholar
[Young, Edward]. Conjectures on Original Composition. In a Letter to the Author of Sir Charles Grandison. London: Printed for A. Miller, 1759.Google Scholar

Secondary Sources

Abrams, M. H.Burlesque.” In A Glossary of Literary Terms. 6th ed. Worth, Fort, tx: Harcourt Brace Jovanovich College Publishers, 1993.Google Scholar
Ackroyd, Peter. Dickens. 1990. New York: HarperPerennial, 1992.Google Scholar
Adam, J. A. Stanley, and White, Bernard C., eds. Parodies and Imitations Old and New. London: Hutchinson and Co., 1912.Google Scholar
Adamson, Sylvia. “Literary Language.” In The Cambridge History of the English Language, Vol. 4: 1776–1997. Ed. Romaine, Suzanne. Cambridge: Cambridge University Press, 1998.Google Scholar
Addison, William. In the Steps of Charles Dickens. London: Rich and Cowan, 1955.Google Scholar
Allen, Graham. Intertextuality. 2nd ed. London: Routledge, 2011.Google Scholar
Alley, Henry. The Quest for Anonymity: The Novels of George Eliot. Newark: University of Delaware Press, 1997.Google Scholar
Altick, Richard D. The English Common Reader: A Social History of the Mass Reading Public, 1800–1900. 2nd ed. Columbus: Ohio State University Press, 1998.Google Scholar
Amos, William. The Originals: Who’s Really Who in Fiction. London: Jonathan Cape, 1985.Google Scholar
Andrews, Malcolm. Charles Dickens and His Performing Selves: Dickens and the Public Readings. Oxford: Oxford University Press, 2006.Google Scholar
Ashton, Rosemary. George Eliot: A Life. Harmondsworth: Allen Lane, The Penguin Press, 1996.Google Scholar
Ashton, Rosemary 142 Strand: A Radical Address in Victorian London. London: Chatto and Windus, 2006.Google Scholar
Auden, W. H. The Dyer’s Hand and Other Essays. New York: Random House, 1962.Google Scholar
Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature. Trans. Willard R. Trask. 1946. Princeton, nj: Princeton University Press, 2003.Google Scholar
Bakhtin, Mikhail M. The Dialogic Imagination: Four Essays. Trans. Caryl Emerson and Michael Holquist. 1981. Austin: University of Texas Press, 1990.Google Scholar
Bakhtin, Mikhail M. Problems of Dostoevsky’s Poetics. Trans. Caryl Emerson. 1984. Minneapolis: University of Minnesota Press, 2011.Google Scholar
Bakhtin, Mikhail M. Rabelais and His World. Trans. Hélène Iswolsky. 1968. Bloomington: Indiana University Press, 1984.Google Scholar
Baldick, Chris. In Frankenstein’s Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Clarendon Press, 1987.Google Scholar
Barthes, Roland. “The Death of the Author.” In The Norton Anthology of Theory and Criticism. Ed. Leitch, Vincent B., et al. New York: W. W. Norton and Company, 2001.Google Scholar
Barthes, RolandFrom Work to Text.” In The Norton Anthology of Theory and Criticism. Ed. Leitch, Vincent B., et al. New York: W. W. Norton and Co., 2001.Google Scholar
Barthes, Roland The Pleasure of the Text. Trans. Richard Miller. New York: Hill and Wang, 1975.Google Scholar
Bate, W. Jackson. The Burden of the Past and the English Poet. London: Chatto and Windus, 1971.Google Scholar
Baxandall, Michael. Patterns of Intention: On the Historical Explanation of Pictures. New Haven, ct: Yale University Press, 1985.Google Scholar
Beard, Joseph J.Everything Old Is New Again: Dickens to Digital.” Loyola of Los Angeles Law Review 38, no. 1 (Fall 2004): 1969.Google Scholar
Beer, Gillian. George Eliot. Brighton: Harvester Press, 1986.Google Scholar
Beer, GillianKnowing a Life: Edith Simcox – Sat est vixisse?” In Knowing the Past: Victorian Literature and Culture. Ed. Anger, Suzy. Ithaca, ny: Cornell University Press, 2001.Google Scholar
Beer, GillianA Troubled Friendship.” George Eliot Review, no. 29 (1998): 2429.Google Scholar
Beerbohm, Max. A Christmas Garland. London: William Heinemann, 1912.Google Scholar
Bell, E. G. Introductions to the Prose Romances, Plays and Comedies of Edward Bulwer Lord Lytton. Chicago: Walter M. Hill, 1914.Google Scholar
Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” In Illuminations. Trans. Harry Zohn. 1968. New York: Schocken Books, 1969.Google Scholar
Bennett, Andrew. The Author. London: Routledge, 2005.Google Scholar
Bergson, Henri. “Laughter.” In Comedy. Ed. Sypher, Wylie. 1956. Baltimore: Johns Hopkins University Press, 1980.Google Scholar
Besant, Walter. “The Examination.” Dickensian 32, no. 237 (Winter 1935): 5153.Google Scholar
Bevington, David M.Seasonal Relevance in The Pickwick Papers.” Nineteenth-Century Fiction 16, no. 3 (December 1961): 219230.Google Scholar
Bevis, Matthew. The Art of Eloquence: Bryon, Dickens, Tennyson, Joyce. Oxford: Oxford University Press, 2007.Google Scholar
Blain, Virginia. “Rosina Bulwer Lytton and the Rage of the Unheard.” Huntington Library Quarterly 53, no. 3 (Summer 1990): 210236.Google Scholar
Blake, Robert. “Bulwer-Lytton.” Cornhill Magazine, Autumn 1973, 6776.Google Scholar
Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. 1973. London: Oxford University Press, 1975.Google Scholar
Bloom, Harold A Map of Misreading. 1975. Oxford: Oxford University Press, 1980.Google Scholar
Bloom, Harold, et al. “Plagiarism – A Symposium.” Times Literary Supplement, 9 April 1982, 413415.Google Scholar
Bodenheimer, Rosemarie. “Autobiography in Fragments: The Elusive Life of Edith Simcox.” Victorian Studies 44, no. 3 (Spring 2002): 399422.Google Scholar
Bodenheimer, Rosemarie Knowing Dickens. 2007. Ithaca, ny: Cornell University Press, 2010.Google Scholar
Bodenheimer, Rosemarie The Real Life of Mary Ann Evans: George Eliot, Her Letters and Fiction. 1994. Ithaca, ny: Cornell University Press, 1995.Google Scholar
Bolton, H. Philip. Dickens Dramatized. London: Mansell, 1987.Google Scholar
Bolton, H. Philip Scott Dramatized. London: Mansell, 1992.Google Scholar
Borges, Jorge Luis. Labyrinths: Selected Stories and Other Writings. Ed. Yates, Donald A. and James, E. Irby. 1962. Rev. ed. New York: New Directions, 1964.Google Scholar
Bowen, John. Other Dickens: Pickwick to Chuzzlewit. 2000. Oxford: Oxford University Press, 2003.Google Scholar
Bracher, Peter. “Thwarting the Pirates: Timing the Publication of American Notes.” Dickens Studies Newsletter 7, no. 2 (June 1976): 3334.Google Scholar
Brady, Kristin. George Eliot. New York: St. Martin’s Press, 1992.Google Scholar
Brett, Simon, ed. The Faber Book of Parodies. London: Faber and Faber, 1984.Google Scholar
Brewer, David A. The Afterlife of Character, 1726–1825. Philadelphia: University of Pennsylvania Press, 2005.Google Scholar
Bricker, Andrew Benjamin. “Libel and Satire: The Problem with Naming.” ELH 81, no. 3 (Fall 2014): 889921.Google Scholar
Broadbent, A., ed. A Lytton Treasury. Manchester: Albert Broadbent, 1908.Google Scholar
Bromwich, David. “Parody, Pastiche, and Allusion.” In Lyric Poetry: Beyond New Criticism. Ed. Hosek, Chaviva and Parker, Patricia. Ithaca, ny: Cornell University Press, 1985.Google Scholar
Butt, John, and Tillotson, Kathleen. Dickens at Work. London: Methuen, 1957.Google Scholar
Byatt, A. S. Possession: A Romance. New York: Random House, 1990.Google Scholar
Cabajsky, Andrea. “Plagiarizing Sir Walter Scott: The Afterlife of Kenilworth in Victorian Quebec.” Novel: A Forum on Fiction 44, no. 3 (Fall 2011): 354381.Google Scholar
Calè, Luisa. “Dickens Extra-Illustrated: Heads and Scenes in Monthly Parts (The Case of Nicholas Nickleby).” Yearbook of English Studies 40, nos. 1/2 (2010): 832.Google Scholar
Cardwell, Sarah. Adaptation Revisited: Television and the Classic Novel. Manchester: Manchester University Press, 2002.Google Scholar
Carey, John. The Violent Effigy: A Study of Dickens’ Imagination. 2nd ed. London: Faber and Faber, 1991.Google Scholar
Carlton, William J.A Pickwick Lawsuit in 1837.” Dickensian 52, no. 317 (December 1955): 3338.Google Scholar
Carroll, David, ed. George Eliot: The Critical Heritage. London: Routledge and Kegan Paul, 1971.Google Scholar
Castillo, Larisa T.Natural Authority in Charles Dickens’s Martin Chuzzlewit and the Copyright Act of 1842.” Nineteenth-Century Literature 62, no. 4 (March 2008): 435464.Google Scholar
Castle, Terry. Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction. Stanford, ca: Stanford University Press, 1986.Google Scholar
Charles Dickens in Chancery.” Dickensian 10, no. 8 (August 1914): 216217.Google Scholar
Chartier, Roger. The Order of Books: Readers, Authors, and Libraries in Europe between the Fourteenth and Eighteenth Centuries. Trans. Lydia G. Cochrane. Stanford, ca: Stanford University Press, 1994.Google Scholar
Chesterton, G. K. Charles Dickens. 1906. London: Methuen and Co., 1960.Google Scholar
Chesterton, G. K. Criticisms and Appreciations of the Works of Charles Dickens. 1911. London: J. M. Dent and Sons, 1933.Google Scholar
Childers, Joseph W.Victorian Theories of the Novel.” In A Companion to the Victorian Novel. Ed. Brantlinger, Patrick and Thesing, William B.. Oxford: Blackwell Publishing, 2002.Google Scholar
Chittick, Kathryn. The Critical Reception of Charles Dickens, 1833–1841. New York: Garland Publishing, 1989.Google Scholar
Chittick, Kathryn Dickens and the 1830s. 1990. Cambridge: Cambridge University Press, 2009.Google Scholar
Christensen, Allan Conrad. Edward Bulwer-Lytton: The Fiction of New Regions. Athens: University of Georgia Press, 1976.Google Scholar
Churchill, R. C., ed. A Bibliography of Dickensian Criticism, 1836–1975. New York: Garland Publishing, 1975.Google Scholar
Clark, Peter. British Clubs and Societies, 1580–1800: The Origins of an Associational World. Oxford: Oxford University Press, 2000.Google Scholar
Clayton, Jay. Charles Dickens in Cyberspace: The Afterlife of the Nineteenth Century in Postmodern Culture. New York: Oxford University Press, 2003.Google Scholar
Clendening, Logan. A Handbook to Pickwick Papers. New York: Alfred A. Knopf, 1936.Google Scholar
Clinton-Baddeley, V. C.Benevolent Teachers of Youth.” Cornhill Magazine, Autumn 1957, 360382.Google Scholar
Cobbold, David Lytton. A Blighted Marriage: The Life of Rosina Bulwer Lytton, Irish Beauty, Satirist and Tormented Victorian Wife, 1802–1882. Knebworth, Herts: Knebworth House Education and Preservation Trust, 1999.Google Scholar
Cohen, Jane R. Charles Dickens and His Original Illustrators. Columbus: Ohio State University Press, 1980.Google Scholar
Cohen, Marc D. “‘By the Express Permission of the Author’: Intellectual Property and the Authorized Adaptations of Charles Dickens.” Doctoral thesis, University of North Carolina at Chapel Hill, 2011.Google Scholar
Cohen, Marc D.How Dickens Co-opted the British Theatrical Adaptation Industry in 1844: Part I.” Dickensian 108, no. 487 (Summer 2012): 126140.Google Scholar
Cohen, Monica F.Making Piracy Pay: Fagin and Contested Authorship in Victorian Print Culture.” Dickens Studies Annual: Essays on Victorian Fiction 44 (2013): 4354.Google Scholar
Cohen, Monica F. Pirating Fictions: Ownership and Creativity in Nineteenth-Century Popular Culture. Charlottesville: University of Virginia Press, 2017.Google Scholar
Colby, Robert A.An American Sequel to ‘Daniel Deronda.’” Nineteenth-Century Fiction 12, no. 3 (December 1957): 231235.Google Scholar
Collins, Philip, ed. Dickens: The Critical Heritage. London: Routledge and Kegan Paul, 1971.Google Scholar
Contributors. London Review of Books, 21 January–3 February 1982, 2.Google Scholar
Cross, Nigel. The Common Writer: Life in Nineteenth-Century Grub Street. 1985. Cambridge: Cambridge University Press, 2010.Google Scholar
Cruse, Amy. The Victorians and Their Books. London: George Allen and Unwin, 1935.Google Scholar
Currey, R. N. “Joseph Liggins: A Slight Case of Literary Identity.” Times Literary Supplement, 26 December 1958, 753.Google Scholar
Darnton, Robert. “What Is the History of Books?” In The Kiss of Lamourette: Reflections in Cultural History. New York: W. W. Norton and Company, 1990.Google Scholar
Davis, Paul. The Lives and Times of Ebenezer Scrooge. New Haven, ct: Yale University Press, 1990.Google Scholar
Deane, Bradley. The Making of the Victorian Novelist: Anxieties of Authorship in the Mass Market. New York: Routledge, 2003.Google Scholar
De Certeau, Michel. The Practice of Everyday Life. Trans. Steven Rendall. 1984. Berkeley: University of California Press, 1988.Google Scholar
Dentith, Simon. Parody. 2000. London: Routledge, 2005.Google Scholar
DeVries, Duane. Dickens’s Apprentice Years: The Making of a Novelist. Hassocks, Sussex: Harvester Press; New York: Barnes and Noble Books, 1976.Google Scholar
Dexter, Walter, and Ley, J. W. T.. The Origin of Pickwick: New Facts Now First Published in the Year of the Centenary. London: Chapman and Hall, 1936.Google Scholar
“Dickens in Chancery.” Times Literary Supplement, 2 July 1914, 319.Google Scholar
“Dickens’s Imitators.” Times Literary Supplement, 13 April 1922, 248.Google Scholar
Dillane, Fionnuala. Before George Eliot: Marian Evans and the Periodical Press. Cambridge: Cambridge University Press, 2013.Google Scholar
Douglas-Fairhurst, Robert. Becoming Dickens: The Invention of a Novelist. Cambridge, ma: Belknap Press of Harvard University Press, 2011.Google Scholar
Douglas-Fairhurst, Robert Victorian Afterlives: The Shaping Influence of Nineteenth-Century Literature. 2002. Oxford: Oxford University Press, 2004.Google Scholar
Dunn, Richard J. David Copperfield: An Annotated Bibliography. New York: Garland Publishing, 1981.Google Scholar
Easson, Angus. “The Old Curiosity Shop: From Manuscript to Print.” Dickens Studies Annual 1 (1970): 93128.Google Scholar
Eigner, Edwin M. The Metaphysical Novel in England and America: Dickens, Bulwer, Melville, and Hawthorne. Berkeley: University of California Press, 1978.Google Scholar
Eigner, Edwin M., and Worth, George J., eds. Victorian Criticism of the Novel. Cambridge: Cambridge University Press, 1985.Google Scholar
Eisenstein, Sergei. “Dickens, Griffith, and the Film Today.” In Film Form: Essays in Film Theory. 1949. San Diego, ca: Harcourt Brace and Company, 1977.Google Scholar
Eisner, Caroline, and Vicinus, Martha, eds. Originality, Imitation, and Plagiarism: Teaching Writing in the Digital Age. Ann Arbor: University of Michigan Press and the University of Michigan Library, 2008.Google Scholar
Eliot, T. S.Tradition and the Individual Talent.” In Selected Essays, 1917–1932. New York: Harcourt, Brace and Company, 1932.Google Scholar
Ellis, S. M. William Harrison Ainsworth and His Friends. 2 vols. London: John Lane, the Bodley Head; New York: John Lane Company, 1911.Google Scholar
Engel, Elliot. Pickwick Papers: An Annotated Bibliography. New York: Garland Publishing, 1990.Google Scholar
Engel, Elliot D., and King, Margaret F.. “Pickwick’s Progress: The Critical Reception of The Pickwick Papers from 1836 to 1986.” Dickens Quarterly 3, no. 1 (March 1986): 5666.Google Scholar
Escott, T. H. S. Edward Bulwer First Baron Lytton of Knebworth: A Social, Personal, and Political Monograph. London: George Routledge and Sons, 1910.Google Scholar
Fadiman, Clifton. “Pickwick Lives Forever.” Atlantic Monthly, December 1949, 2329.Google Scholar
Feather, John. “The Book Trade in Politics: The Making of the Copyright Act of 1710.” Publishing History: The Social, Economic and Literary History of Book, Newspaper and Magazine Publishing 8 (1980): 1944.Google Scholar
Feather, John Publishing, Piracy and Politics: An Historical Study of Copyright in Britain. London: Mansell, 1994.Google Scholar
Feltes, N. N. Modes of Production of Victorian Novels. Chicago: University of Chicago Press, 1986.Google Scholar
Fitzgerald, Percy. Memories of Charles Dickens. Bristol: J. W. Arrowsmith; London: Simpkin, Marshall, Hamilton, Kent and Co., 1913.Google Scholar
Fitzgerald, Percy.Pickwick Riddles and Perplexities. London: Gay and Hancock, 1912.Google Scholar
Fitzgerald, Percy, ed. Bardell v. Pickwick: The Trial for Breach of Promise of Marriage Held at the Guildhall Sittings, on April 1, 1828, before Mr. Justice Stareleigh and a Special Jury of the City of London. London: Elliot Stock, 1902.Google Scholar
Fitzgerald, Percy Pickwickian Wit and Humour. London: Gay and Bird, 1903.Google Scholar
Flower, Sibylla Jane. Bulwer-Lytton: An Illustrated Life of the First Baron Lytton, 1803–1873. Aylesbury, Bucks: Shire Publications, 1973.Google Scholar
Ford, George H. Dickens and His Readers: Aspects of Novel-Criticism since 1836. 1955. New York: W. W. Norton and Company, 1965.Google Scholar
Franklyn, Julian. The Cockney: A Survey of London Life and Language. London: Andre Deutsch Limited, 1953.Google Scholar
Freud, Sigmund. The Uncanny. Trans. David McLintock. 1919. London: Penguin Books, 2003.Google Scholar
Frost, William Alfred. Bulwer Lytton: An Exposure of the Errors of His Biographers. London: Lynwood and Co., 1913.Google Scholar
Fruman, Norman. Coleridge, the Damaged Archangel. New York: George Braziller, 1971.Google Scholar
Garber, Marjorie. Quotation Marks. New York: Routledge, 2003.Google Scholar
Garcha, Amanpal. From Sketch to Novel: The Development of Victorian Fiction. Cambridge: Cambridge University Press, 2009.Google Scholar
Gardiner, John. “The Dickensian and Us.” History Workshop Journal, no. 51 (Spring 2001): 226237.Google Scholar
Genette, Gérard. Palimpsests: Literature in the Second Degree. Trans. Channa Newman and Claude Doubinsky. Lincoln: University of Nebraska Press, 1997.Google Scholar
Genette, Gérard Paratexts: Thresholds of Interpretation. Trans. Jane E. Lewin. 1997. Cambridge: Cambridge University Press, 2001.Google Scholar
Gettmann, Royal A. A Victorian Publisher: A Study of the Bentley Papers. Cambridge: Cambridge University Press, 1960.Google Scholar
Gill, Stephen C.‘Pickwick Papers’ and the ‘Chroniclers by the Line’: A Note on Style.” Modern Language Review 63, no. 1 (January 1968): 3336.Google Scholar
Gissing, George. The Immortal Dickens. London: Cecil Palmer, 1925.Google Scholar
Glancy, Ruth F. Dickens’s Christmas Books, Christmas Stories, and Other Short Fiction: An Annotated Bibliography. New York: Garland Publishing, 1985.Google Scholar
Glavin, John. After Dickens: Reading, Adaptation and Performance. Cambridge: Cambridge University Press, 1999.Google Scholar
Glavin, John, ed. Dickens Adapted. Farnham, Surrey: Ashgate, 2012.Google Scholar
Goodman, Nelson. Languages of Art: An Approach to a Theory of Symbols. London: Oxford University Press, 1969.Google Scholar
Grafton, Anthony. Forgers and Critics: Creativity and Duplicity in Western Scholarship. London: Juliet Gardiner Books, Collins and Brown, 1990.Google Scholar
Graham, Kenneth. English Criticism of the Novel, 1865–1900. Oxford: Oxford University Press, 1965.Google Scholar
Griest, Guinevere L. Mudie’s Circulating Library and the Victorian Novel. Bloomington: Indiana University Press, 1970.Google Scholar
Groom, Nick. The Forger’s Shadow: How Forgery Changed the Course of Literature. London: Picador, 2002.Google Scholar
Gross, John, ed. The Oxford Book of Parodies. Oxford: Oxford University Press, 2010.Google Scholar
Grossman, Jonathan H. Charles Dickens’s Networks: Public Transport and the Novel. Oxford: Oxford University Press, 2012.Google Scholar
Guida, Fred. A Christmas Carol and Its Adaptations: A Critical Examination of Dickens’s Story and Its Productions on Screen and Television. Jefferson, nc: McFarland and Company, 2000.Google Scholar
Hack, Daniel. The Material Interests of the Victorian Novel. Charlottesville: University of Virginia Press, 2005.Google Scholar
Hack, Daniel Reaping Something New: African American Transformations of Victorian Literature. Princeton, nj: Princeton University Press, 2017.Google Scholar
Haight, Gordon S. George Eliot: A Biography. New York: Oxford University Press, 1968.Google Scholar
Haight, Gordon S. George Eliot and John Chapman: With Chapman’s Diaries. 2nd ed. N.p.: Archon Books, 1969.Google Scholar
Haight, Gordon S. George Eliot’s Originals and Contemporaries: Essays in Victorian Literary History and Biography. Ed. Witemeyer, Hugh. Basingstoke: Macmillan, 1992.Google Scholar
Han, Carrie Sickmann. “Pickwick’s Other Papers: Continually Reading Dickens.” Victorian Literature and Culture 44, no. 1 (March 2016): 1941.Google Scholar
Hancher, Michael. “Dickens’s First Effusion.” Dickens Quarterly 31, no. 4 (December 2014): 285297.Google Scholar
Hancher, MichaelGrafting A Christmas Carol.” SEL Studies in English Literature 1500–1900 48, no. 4 (Autumn 2008): 813827.Google Scholar
Handley, Graham. “Reclaimed.” George Eliot Fellowship Review, no. 20 (1989): 3840.Google Scholar
Hanna, Robert C. Dickens’s Nonfictional, Theatrical, and Poetical Writings: An Annotated Bibliography, 1820–2000. New York: AMS Press, 2007.Google Scholar
Hardy, Barbara. The Novels of George Eliot: A Study in Form. 1959. London: University of London, Athlone Press, 1963.Google Scholar
Harvey, J. R. Victorian Novelists and Their Illustrators. London: Sidgwick and Jackson, 1970.Google Scholar
Hearn, Michael Patrick. The Annotated Christmas Carol. New York: Clarkson N. Potter, 1976.Google Scholar
Henry, Nancy. The Life of George Eliot: A Critical Biography. Chichester, West Sussex: Wiley-Blackwell, 2012.Google Scholar
Hill, T. W.A Pickwick Examination.” Dickensian 32, no. 240 (Autumn 1936): 240.Google Scholar
Hirsch, Pam. “Ligginitis, Three Georges, Perie-zadeh and Spitting Critics, or ‘Will the Real Mr Eliot Please Stand Up?’” Critical Survey 13, no. 2 (2001): 7897.Google Scholar
Hoggart, P. R.The Father of the Cheap Press.” Dickensian 80, no. 402 (Spring 1984): 3338.Google Scholar
Holdsworth, William S. Charles Dickens as Legal Historian. New Haven, ct: Yale University Press, 1928.Google Scholar
Hollingsworth, Keith. The Newgate Novel, 1830–1847: Bulwer, Ainsworth, Dickens and Thackeray. Detroit: Wayne State University Press, 1963.Google Scholar
Holloway, John. The Victorian Sage: Studies in Argument. London: Macmillan and Co., 1953.Google Scholar
House, Humphry. The Dickens World. London: Oxford University Press, 1941.Google Scholar
Householder, Fred W., Jr. “ΠΑΡΩΙΔΙΑ.” Classical Philology 39, no. 1 (January 1944): 19.Google Scholar
Hughes, Kathryn. “‘But Why Always Dorothea?’ Marian Evans’ Sisters, Cousins and Aunts.” George Eliot–George Henry Lewes Studies, nos. 58/59 (September 2010): 4360.Google Scholar
Hughes, Kathryn George Eliot: The Last Victorian. London: Fourth Estate, 1998.Google Scholar
Hutcheon, Linda. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. 1985. Urbana: University of Illinois Press, 2000.Google Scholar
Hutcheon, Linda, with O’Flynn, Siobhan. A Theory of Adaptation. 2nd ed. London: Routledge, 2013.Google Scholar
James, Louis. Fiction for the Working Man, 1830–1850: A Study of the Literature Produced for the Working Classes in Early Victorian Urban England. London: Oxford University Press, 1963.Google Scholar
James, LouisPickwick in America! Dickens Studies Annual 1 (1970): 6580.Google Scholar
James, LouisThe View from Brick Lane: Contrasting Perspectives in Working-Class and Middle-Class Fiction in the Early Victorian Period.” Yearbook of English Studies 11 (1981): 87101.Google Scholar
Jameson, Fredric. “Postmodernism and Consumer Culture.” In Postmodern Culture. Ed. Foster, Hal. 1983. London: Pluto Press, 1985. Previously published as The Anti-Aesthetic.Google Scholar
Jamison, Anne, et al. Fic: Why Fanfiction Is Taking Over the World. Dallas: Smart Pop, 2013.Google Scholar
Jaques, E. T. Charles Dickens in Chancery: Being an Account of His Proceedings in Respect of the “Christmas Carol” with Some Gossip in Relation to the Old Law Courts at Westminster. London: Longman, Green and Co., 1914.Google Scholar
Jarvis, Stephen. Death and Mr. Pickwick. New York: Farrar, Straus and Giroux, 2015.Google Scholar
Jauss, Hans Robert. Toward an Aesthetic of Reception. Trans. Timothy Bahti. Brighton: Harvester Press, 1982.Google Scholar
Jenkins, Henry. Textual Poachers: Television Fans and Participatory Culture. 1992. Rev. ed. New York: Routledge, 2013.Google Scholar
Jerrold, Walter, and Leonard, R. M., eds. A Century of Parody and Imitation. London: Oxford University Press, 1913.Google Scholar
John, Juliet. Dickens and Mass Culture. Oxford: Oxford University Press, 2010.Google Scholar
Johns, Adrian. Piracy: The Intellectual Property Wars from Gutenberg to Gates. Chicago: University of Chicago Press, 2009.Google Scholar
Johnson, Claudia L.F. R. Leavis: The ‘Great Tradition’ of the English Novel and the Jewish Part.” Nineteenth-Century Literature 56, no. 2 (September 2001): 198227.Google Scholar
Johnson, Edgar. Charles Dickens: His Tragedy and Triumph. 2 vols. New York: Simon and Schuster, 1952.Google Scholar
Jones, Mark, ed. Fake? The Art of Deception. Berkeley: University of California Press, 1990.Google Scholar
Jordan, John O.The Purloined Handkerchief.” Dickens Studies Annual: Essays on Victorian Fiction 18 (1989): 117.Google Scholar
Jordan, John O., ed. The Cambridge Companion to Charles Dickens. Cambridge: Cambridge University Press, 2001.Google Scholar
Jump, John D. Burlesque. London: Methuen and Co., 1972.Google Scholar
Keats, Jonathon. Forged: Why Fakes Are the Great Art of Our Age. Oxford: Oxford University Press, 2013.Google Scholar
Keitt, Diane. “Charles Dickens and Robert Seymour: The Battle of Wills.” Dickensian 82, no. 408 (Spring 1986): 211.Google Scholar
Kerr, Matthew P. M. “With Many Voices: The Sea in Victorian Fiction.” Doctoral thesis, University of Oxford, 2012.Google Scholar
Keymer, Thomas. Sterne, the Moderns, and the Novel. Oxford: Oxford University Press, 2002.Google Scholar
Keymer, Thomas, and Sabor, Peter. Pamela in the Marketplace: Literary Controversy and Print Culture in Eighteenth-Century Britain and Ireland. Cambridge: Cambridge University Press, 2005.Google Scholar
Kincaid, James R. Dickens and the Rhetoric of Laughter. Oxford: Oxford University Press, 1971.Google Scholar
King, Margaret F., and Engel, Elliot. “The Emerging Carlylean Hero in Bulwer’s Novels of the 1830s.” Nineteenth-Century Fiction 36, no. 3 (December 1981): 277295.Google Scholar
Kitchin, George. A Survey of Burlesque and Parody in English. Edinburgh: Oliver and Boyd, 1931.Google Scholar
Lamarque, Peter. Work and Object: Explorations in the Metaphysics of Art. Oxford: Oxford University Press, 2010.Google Scholar
Lambert, Samuel W. When Mr. Pickwick Went Fishing. New York: The Brick Row Book Shop, 1924.Google Scholar
Lanham, Richard A. A Handlist of Rhetorical Terms. 2nd ed. Berkeley: University of California Press, 1991.Google Scholar
Latané, David E. William Maginn and the British Press: A Critical Biography. Farnham, Surrey: Ashgate, 2013.Google Scholar
Leader, Zachary. Revision and Romantic Authorship. Oxford: Clarendon Press, 1996.Google Scholar
Leavis, F. R. The Great Tradition: A Study of the English Novel. 1948. Garden City, ny: Doubleday Anchor Books, 1954.Google Scholar
Leavis, F. R.‘Gwendolen Harleth.’” London Review of Books, 21 January–3 February 1982, 1012.Google Scholar
Lessig, Lawrence. Remix: Making Art and Commerce Thrive in the Hybrid Economy. 2008. New York: Penguin Books, 2009.Google Scholar
Levine, George. “Isabel, Gwendolen, and Dorothea.” ELH 30, no. 3 (September 1963): 244257.Google Scholar
Levine, George, ed. The Cambridge Companion to George Eliot. Cambridge: Cambridge University Press, 2001.Google Scholar
Litvack, Charles L. Charles Dickens’s Dombey and Son: An Annotated Bibliography. New York: AMS Press, 1999.Google Scholar
Loewenstein, Joseph. The Author’s Due: Printing and the Prehistory of Copyright. Chicago: University of Chicago Press, 2002.Google Scholar
Long, William F.‘Boz’: Reinforcement of the Received Wisdom.” Dickens Quarterly 31, no. 2 (June 2014): 165166.Google Scholar
Lougy, Robert E. Martin Chuzzlewit: An Annotated Bibliography. New York: Garland Publishing, 1990.Google Scholar
Lüthi, Max. The European Folktale: Form and Nature. Trans. John D. Niles. 1947. Philadelphia: Institute for the Study of Human Issues, 1982.Google Scholar
[Lytton, Victor Alexander Bulwer]. The Life of Edward Bulwer First Lord Lytton. By his grandson. 2 vols. London: Macmillan and Co., 1913.Google Scholar
Macdonald, Dwight, ed. Parodies: An Anthology from Chaucer to Beerbohm – and After. 1960. London: Faber and Faber, 1964.Google Scholar
Macfarlane, Robert. Original Copy: Plagiarism and Originality in Nineteenth-Century Literature. Oxford: Oxford University Press, 2007.Google Scholar
Mallon, Thomas. Stolen Words: Forays into the Origins and Ravages of Plagiarism. New York: Ticknor and Fields, 1989.Google Scholar
Marcus, Steven. Dickens from Pickwick to Dombey. 1965. New York: Simon and Schuster, 1968.Google Scholar
Marcus, StevenLanguage into Structure: Pickwick Revisited.” Daedalus 101, no. 1 (Winter 1972): 183202.Google Scholar
Marshall, George O. Jr. Tennyson in Parody and Jest: An Essay and a Selection. Lincoln: The Tennyson Society, 1975.Google Scholar
Matz, B. W. The Inns and Taverns of “Pickwick”: With Some Observances on Their Other Associations. London: Cecil Palmer, 1921.Google Scholar
Matz, B. W., and Ley, J. W. T.. The Pickwick Exhibition: Catalogue of Exhibits. London: The Dickens Fellowship, 1907.Google Scholar
Mazzeno, Laurence M. The Dickens Industry: Critical Perspectives, 1836–2005. 2008. Rochester, ny: Camden House, 2011.Google Scholar
Mazzeo, Tilar J. Plagiarism and Literary Property in the Romantic Period. Philadelphia: University of Pennsylvania Press, 2007.Google Scholar
McDonagh, Josephine. “Writings on the Mind: Thomas De Quincey and the Importance of the Palimpsest in Nineteenth Century Thought.” Prose Studies: History, Theory, Criticism 10, no. 2 (1987): 207224.Google Scholar
McFarland, Thomas. Originality and Imagination. Baltimore: Johns Hopkins University Press, 1985.Google Scholar
McGann, Jerome J. The Beauty of Inflections: Literary Investigations in Historical Method and Theory. Oxford: Clarendon Press, 1985.Google Scholar
McGann, Jerome J. A Critique of Modern Textual Criticism. Chicago: University of Chicago Press, 1983.Google Scholar
McGann, Jerome J. The Textual Condition. Princeton, nj: Princeton University Press, 1991.Google Scholar
McGill, Meredith L. American Literature and the Culture of Reprinting, 1834–1853. Philadelphia: University of Pennsylvania Press, 2003.Google Scholar
McGowan, Mary Teresa. “Pickwick and the Pirates: A Study of Some Early Imitations, Dramatisations and Plagiarisms of Pickwick Papers.” Doctoral thesis, University of London, 1975.Google Scholar
McKenzie, D. F. Bibliography and the Sociology of Texts. London: The British Library, 1986.Google Scholar
McKenzie, D. F. Making Meaning: “Printers of the Mind” and Other Essays. Ed. McDonald, Peter D. and Suarez, Michael F.. Amherst: University of Massachusetts Press, 2002.Google Scholar
McKenzie, K. A. Edith Simcox and George Eliot. London: Oxford University Press, 1961.Google Scholar
McKeon, Richard. “Literary Criticism and the Concept of Imitation in Antiquity.” In Critics and Criticism: Ancient and Modern. Ed. R. S. Crane. Chicago: University of Chicago Press, 1952.Google Scholar
Mead, Rebecca. My Life in Middlemarch. New York: Crown Publishers, 2014.Google Scholar
Mee, Jon. The Cambridge Introduction to Charles Dickens. Cambridge: Cambridge University Press, 2010.Google Scholar
Melville, Lewis. “The Centenary of Bulwer-Lytton: May 25th, 1903.” Bookman 24, no. 140 (May 1903): 4952.Google Scholar
Miller, D. A. Narrative and Its Discontents: Problems of Closure in the Traditional Novel. Princeton, nj: Princeton University Press, 1981.Google Scholar
Miller, J. Hillis. Charles Dickens: The World of His Novels. Cambridge, ma: Harvard University Press, 1958.Google Scholar
Miller, William, ed. Catalogue of a Pickwick Exhibition. London: The Dickens Fellowship, 1936.Google Scholar
Miller, William The Dickens Student and Collector: A List of Writings Relating to Charles Dickens and His Works, 1836–1945. London: Chapman and Hall, 1946.Google Scholar
Miller, WilliamG. W. M. Reynolds and Pickwick.” Dickensian 13, no. 1 (January 1917): 812.Google Scholar
Miller, WilliamImitations of Pickwick.” Dickensian 32, no. 237 (Winter 1935): 45.Google Scholar
W[illiam], Miller, and Strange, E. H.. A Centenary Bibliography of the Pickwick Papers. London: Argonaut Press, 1936.Google Scholar
Mitchell, Leslie. Bulwer Lytton: The Rise and Fall of a Victorian Man of Letters. London: Hambledon and London, 2003.Google Scholar
Moretti, Franco. Distant Reading. London: Verso, 2013.Google Scholar
Morley, Malcolm. “Curtain Up on A Christmas Carol.” Dickensian 47, no. 299 (June 1951): 159164.Google Scholar
Morley, MalcolmEarly Dramas of Oliver Twist.” Dickensian 43, no. 282 (1 March 1947): 7479.Google Scholar
Morley, MalcolmMartin Chuzzlewit in the Theatre.” Dickensian 47, no. 298 (March 1951): 98102.Google Scholar
Morley, MalcolmNicholas Nickleby on the Boards.” Dickensian 43, no. 283 (1 June 1947): 137141.Google Scholar
Morley, MalcolmPickwick Makes His Stage Début.” Dickensian 42, no. 280 (Autumn 1946): 204206.Google Scholar
Morley, MalcolmPlays in Master Humphrey’s Clock.” Dickensian 43, no. 284 (1 September 1947): 202205.Google Scholar
Mulvey-Roberts, Marie. “Fame, Notoriety and Madness: Edward Bulwer-Lytton Paying the Price of Greatness.” Critical Survey 13, no. 2 (2001): 115134.Google Scholar
Mulvey-Roberts, MariePleasures Engendered by Gender: Homosociality and the Club.” In Pleasure in the Eighteenth Century. Ed. Porter, Roy and Mulvey[-]Roberts, Marie. Basingstoke: Macmillan, 1996.Google Scholar
Mulvey-Roberts, MarieWriting for Revenge: The Battle of the Books of Edward and Rosina Bulwer Lytton.” In The Subverting Vision of Bulwer Lytton: Bicentenary Reflections. Ed. Christensen, Allan Conrad. Newark: University of Delaware Press, 2004.Google Scholar
Murray, Simone. The Adaptation Industry: The Cultural Economy of Contemporary Literary Adaptation. New York: Routledge, 2012.Google Scholar
Musings without Method.” Blackwood’s Edinburgh Magazine 173, no. 1051 (May 1903): 707719.Google Scholar
New, Melvyn, ed. Critical Essays on Laurence Sterne. New York: G. K. Hall and Co., 1998.Google Scholar
Novak, Maximillian E., and Fisher, Carl, eds. Approaches to Teaching Defoe’s Robinson Crusoe. New York: Modern Language Association of America, 2005.Google Scholar
Olmsted, John Charles. A Victorian Art of Fiction: Essays on the Novel in British Periodicals, 1830–1850. New York: Garland Publishers, 1979.Google Scholar
Orwell, George. “Charles Dickens.” In A Collection of Essays. 1946. San Diego, ca: Harcourt, 1981.Google Scholar
Pakenham, Pansy. “The Way to Dingley Dell.” Dickensian 52, no. 320 (September 1956): 163.Google Scholar
Parker, David. “The Pickwick Prefaces.” Dickens Studies Annual: Essays on Victorian Fiction 43 (2012): 6779.Google Scholar
Paroissien, David. Oliver Twist: An Annotated Bibliography. New York: Garland Publishing, 1986.Google Scholar
Paroissien, DavidWhat’s in a name?’ Some Speculations about Fagin.” Dickensian 80, no. 402 (Spring 1984): 4145.Google Scholar
Patten, Robert L.The Art of Pickwick’s Interpolated Tales.” ELH 34, no. 3 (September 1967): 349366.Google Scholar
Patten, Robert L. Charles Dickens and “Boz”: The Birth of the Industrial-Age Author. Cambridge: Cambridge University Press, 2012.Google Scholar
Patten, Robert L. Charles Dickens and His Publishers. Oxford: Oxford University Press, 1978.Google Scholar
Patten, Robert L.Pickwick Papers and the Development of Serial Fiction.” Rice University Studies 61, no. 1 (Winter 1975): 5174.Google Scholar
Patten, Robert L.The Unpropitious Muse: Pickwick’s ‘Interpolated’ Tales.” Dickens Studies Newsletter, no. 1 (March 1970): 710.Google Scholar
Paull, H. M. Literary Ethics: A Study in the Growth of the Literary Conscience. London: Thornton Butterworth, 1928.Google Scholar
Perry, Seamus. “Sweet Counter-Song.” Times Literary Supplement, 20 August 2010, 34.Google Scholar
Peters, Catherine. Thackeray: A Writer’s Life. 1987. Rev. ed. Stroud: Sutton Publishing, 1999. Previously published as Thackeray’s Universe: Shifting Worlds of Imagination and Reality.Google Scholar
Pettitt, Clare. Patent Inventions: Intellectual Property and the Victorian Novel. Oxford: Oxford University Press, 2004.Google Scholar
Picker, John M.George Eliot and the Sequel Question.” New Literary History 37, no. 2 (Spring 2006): 361388.Google Scholar
Pierce, Dorothy. “Special Bibliography: The Stage Versions of Dickens’s Novels.” Parts 1–2. Bulletin of Bibliography 16, no. 1 (September–December 1936): 10; no. 2 (January–April 1937): 3031.Google Scholar
Poirier, Richard. “The Politics of Self-Parody.” Partisan Review 35, no. 3 (Summer 1968): 339353.Google Scholar
Poole, Adrian. Shakespeare and the Victorians. London: Arden Shakespeare, 2004.Google Scholar
Posner, Richard A. Law and Literature. 1988. Rev. ed. Cambridge, ma: Harvard University Press, 2002.Google Scholar
Preston, Jane. That Odd Rich Old Woman: The Life and Troubled Times of Elizabeth Barbara Bulwer-Lytton of Knebworth House, 1773–1843. Dorchester: Plush Publishing, 1998.Google Scholar
Price, Leah. The Anthology and the Rise of the Novel: From Richardson to George Eliot. 2000. Cambridge: Cambridge University Press, 2003.Google Scholar
Price, Leah How to Do Things with Books in Victorian Britain. Princeton, nj: Princeton University Press, 2012.Google Scholar
Priestman, Judith. “The Age of Parody: Literary Parody and Some Nineteenth-Century Perspectives.” Doctoral thesis, University of Kent at Canterbury, 1980.Google Scholar
Proust, Marcel. Against Sainte-Beuve and Other Essays. Trans. John Sturrock. London: Penguin Books, 1988.Google Scholar
Pugh, Edwin. The Charles Dickens Originals. 1912. New York: AMS Press, 1975.Google Scholar
Rabinowitz, Peter J.What’s Hecuba to Us?” In The Reader in the Text: Essays on Audience and Interpretation. Ed. Suleiman, Susan R. and Crosman, Inge. Princeton, nj: Princeton University Press, 1980.Google Scholar
Randall, Marilyn. Pragmatic Plagiarism: Authorship, Profit, and Power. Toronto: University of Toronto Press, 2001.Google Scholar
Ransom, Harry. The First Copyright Statute: An Essay on An Act for the Encouragement of Learning, 1710. Austin: University of Texas Press, 1956.Google Scholar
Ray, Gordon N. The Buried Life: A Study of the Relation between Thackeray’s Fiction and His Personal History. Published for the Royal Society of Literature by George Cumberlege. London: Oxford University Press, 1952.Google Scholar
Ray, Gordon N.Dickens versus Thackeray: The Garrick Club Affair.” PMLA 69, no. 4 (September 1954): 815832.Google Scholar
Ray, Gordon N. Thackeray: The Age of Wisdom, 1847–1863. New York: McGraw Hill Book Company, 1958.Google Scholar
Ray, Gordon N. Thackeray: The Uses of Adversity, 1811–1846. New York: McGraw Hill Book Company, 1955.Google Scholar
Read, Newbury Frost. “Facts and Figures from ‘Pickwick.’” Dickensian 32, no. 238 (Spring 1936): 132.Google Scholar
Redinger, Ruby V. George Eliot: The Emergent Self. London: Bodley Head, 1975.Google Scholar
Reinhold, Heinz. “‘The Stroller’s Tale’ in Pickwick.” Trans. Margaret Jury. Dickensian 64, no. 356 (September 1968): 141151.Google Scholar
Rem, Tore. “Dickens and Parody.” Doctoral thesis, University of Oxford, 1998.Google Scholar
Reynolds, Margaret. “After Eliot: Adapting Adam Bede.” English 63, no. 242 (Autumn 2014): 198223.Google Scholar
Rice, Scott, ed. It Was a Dark and Stormy Night: The Best (?) from the Bulwer-Lytton Contest. New York: Penguin Books, 1984.Google Scholar
Rice, Scott Son of “It Was a Dark and Stormy Night”: More of the Best (?) from the Bulwer-Lytton Contest. New York: Penguin Books, 1986.Google Scholar
Richardson, Ruth. “‘BOZ’: Another Explanation.” Dickens Quarterly 30, no. 1 (March 2013): 6465.Google Scholar
Ricks, Christopher. Allusion to the Poets. 2002. Oxford: Oxford University Press, 2007.Google Scholar
Riewald, J. G.Parody as Criticism.” Neophilologus 50, no. 1 (1 January 1966): 125148.Google Scholar
Rignall, John, ed. Oxford Reader’s Companion to George Eliot. Oxford: Oxford University Press, 2000.Google Scholar
Rigney, Ann. The Afterlives of Walter Scott: Memory on the Move. Oxford: Oxford University Press, 2012.Google Scholar
Rodstein, Susan de Sola. “Sweetness and Dark: George Eliot’s ‘Brother Jacob.’” Modern Language Quarterly 52, no. 3 (September 1991): 295317.Google Scholar
Rogers, Philip. “Mr. Pickwick’s Innocence.” Nineteenth-Century Fiction 27, no. 1 (June 1962): 2137.Google Scholar
Roh, David S. Illegal Literature: Toward a Disruptive Creativity. Minneapolis: University of Minnesota Press, 2015.Google Scholar
Rose, Margaret A. Parody: Ancient, Modern, and Post-modern. 1993. Cambridge: Cambridge University Press, 2000.Google Scholar
Rose, Mark. Authors and Owners: The Invention of Copyright. Cambridge, ma: Harvard University Press, 1993.Google Scholar
Rosenman, Ellen Bayuk. “Mother Love: Edith Simcox, Maternity, and Lesbian Erotics.” In Other Mothers: Beyond the Maternal Ideal. Ed. Bayuk Rosenman, Ellen and Klaver, Claudia C.. Columbus: Ohio State University Press, 2008.Google Scholar
Ross, Trevor. “The Fate of Style in an Age of Literary Property.” ELH 80, no. 3 (Fall 2013): 747782.Google Scholar
Rust, S. J.At the Dickens House: Legal Documents Relating to the Piracy of A Christmas Carol.” Dickensian 34, no. 245 (Winter 1937–38): 4144.Google Scholar
Ruthven, K. K. Faking Literature. 2001. Cambridge: Cambridge University Press, 2010.Google Scholar
Sadleir, Michael. Bulwer and His Wife: A Panorama, 1803–1836. 1931. New ed. London: Constable and Co., 1933. Previously published as Edward and Rosina, 1803–1836.Google Scholar
Sadrin, Anny. “Fragmentation in The Pickwick Papers.” Dickens Studies Annual: Essays on Victorian Fiction 22 (1993): 2134.Google Scholar
Saint-Amour, Paul K. The Copywrights: Intellectual Property and the Literary Imagination. 2003. Ithaca, ny: Cornell University Press, 2010.Google Scholar
Saintsbury, George. “Dickens.” In The Cambridge History of English Literature, Vol. 13: The Nineteenth Century 2. Ed. Ward, A. W. and Walker, A. R.. New York: G. P. Putnam’s Sons, 1917.Google Scholar
Saint Victor, Carol de. “Master Humphrey’s Clock: Dickens’ ‘Lost’ Book.” Texas Studies in Literature and Language 10, no. 4 (Winter 1969): 569584.Google Scholar
Sallis, Eva. Sheherazade through the Looking Glass: The Metamorphosis of the Thousand and One Nights. Richmond, Surrey: Curzon, 1999.Google Scholar
Salmon, Richard. The Formation of the Victorian Literary Profession. Cambridge: Cambridge University Press, 2013.Google Scholar
Sanders, Julie. Adaptation and Appropriation. London: Routledge, 2006.Google Scholar
Schlicke, Paul. Dickens and Popular Entertainment. London: Allen and Unwin, 1985.Google Scholar
Schlicke, PaulDickens and the Pirates: The Case of The Odd Fellow.” Dickensian 100, no. 464 (Winter 2004): 224225.Google Scholar
Schlicke, PaulDickens in the Circus.” Theatre Notebook: A Journal of the History and Technique of the British Theatre 47, no. 1 (1993): 319.Google Scholar
Schlicke, Priscilla, and Schlicke, Paul. The Old Curiosity Shop: An Annotated Bibliography. New York: Garland Publishing, 1988.Google Scholar
Schreiner, T. W.Warren’s Blacking.” Dickensian 32, no. 237 (Winter 1935): 73.Google Scholar
Schwartz, Hillel. The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles. New York: Zone Books, 1996.Google Scholar
Seville, Catherine. “Edward Bulwer Lytton Dreams of Copyright: ‘It Might Make Me a Rich Man.’” In Victorian Literature and Finance. Ed. O’Gorman, Francis. Oxford: Oxford University Press, 2007.Google Scholar
Shattock, Joanne, ed. The Cambridge Bibliography of English Literature, Vol. 4: 1800–1900. Cambridge: Cambridge University Press, 1999.Google Scholar
Shaw, Peter. “Plagiary.” American Scholar 51, no. 3 (Summer 1982): 325337.Google Scholar
Shores, Lucille P.Rosina Bulwer-Lytton: Strong-Minded Woman.” Massachusetts Studies in English 6, nos. 3 and 4 (1978): 8392.Google Scholar
Simonds, C. H.Peter Parley and Dickens.” Dickensian 19, no. 3 (July 1923): 129132.Google Scholar
Slater, Michael. The Composition and Monthly Publication of Nicholas Nickleby. Menston, Yorkshire: Scolar Press, 1973.Google Scholar
Small, Helen. Love’s Madness: Medicine, the Novel, and Female Insanity, 1800–1865. 1996. Oxford: Clarendon Press, 1998.Google Scholar
Stang, Richard. The Theory of the Novel in England, 1850–1870. London: Routledge and Kegan Paul, 1959.Google Scholar
William, St. Clair, and Bautz, Annika. “Imperial Decadence: The Making of the Myths in Edward Bulwer-Lytton’s The Last Days of Pompeii.” Victorian Literature and Culture 40, no. 2 (September 2012): 359396.Google Scholar
Stephen, Leslie. George Eliot. New York: Macmillan Company, 1902.Google Scholar
Stewart, Garrett. Dickens and the Trials of the Imagination. Cambridge, ma: Harvard University Press, 1974.Google Scholar
Stillinger, Jack. Multiple Authorship and the Myth of Solitary Genius. New York: Oxford University Press, 1991.Google Scholar
Stone, Christopher. Parody. London: Martin Secker, [1914].Google Scholar
Stone, Harry. The Night Side of Dickens: Cannibalism, Passion, Necessity. Columbus: Ohio State University Press, 1994.Google Scholar
Stoneman, Patsy. Brontë Transformations: The Cultural Dissemination of Jane Eyre and Wuthering Heights. London: Prentice Hall/Harvester Wheatsheaf, 1996.Google Scholar
Sutherland, John. The Stanford Companion to Victorian Fiction. Stanford, ca: Stanford University Press, 1989. Previously published as The Longman Companion to Victorian Fiction.Google Scholar
Sutherland, John Victorian Fiction: Writers, Publishers, Readers. 1995. Rev. ed. Basingstoke: Palgrave Macmillan, 2006.Google Scholar
Sutherland, John Victorian Novelists and Publishers. 1976. Chicago: University of Chicago Press, 1978.Google Scholar
Symons, Arthur, ed. A Book of Parodies. London: Blackie and Son, 1908.Google Scholar
Tanselle, G. Thomas. A Rationale of Textual Criticism. 1989. Philadelphia: University of Pennsylvania Press, 1992.Google Scholar
Terry, Richard. The Plagiarism Allegation in English Literature from Butler to Sterne. Basingstoke: Palgrave Macmillan, 2010.Google Scholar
Thomas, L. H. C.‘Walladmor’: A Pseudo-Translation of Sir Walter Scott.” Modern Language Review 46, no. 2 (January 1951): 218231.Google Scholar
Thompson, Kenneth Carlyle. “Boz and the Hacks: Literature and Social Exchange in Early Victorian England.” Doctoral thesis, University of Virginia, 1993.Google Scholar
Thrall, Miriam M. H. Rebellious Fraser’s: Nol Yorke’s Magazine in the Days of Maginn, Thackeray, and Carlyle. New York: Columbia University Press, 1934.Google Scholar
Tillotson, Kathleen. Introduction to Oliver Twist, by Dickens, Charles. Oxford: Clarendon Press, 1966.Google Scholar
Tobias, J. J.Ikey Solomons – A Real-Life Fagin.” Dickensian 65, no. 359 (September 1969): 171175.Google Scholar
Trela, D. J.Carlyle, Bulwer and the New Monthly Magazine.” Victorian Periodicals Review 22, no. 4 (Winter 1989): 157162.Google Scholar
Trodd, Anthea. “Michael Angelo Titmarsh and the Knebworth Apollo.” Costerus: Essays in English and American Literature 2 (1974): 5981.Google Scholar
Tyler, Daniel, ed. Dickens’s Style. Cambridge: Cambridge University Press, 2013.Google Scholar
Vaidhyanathan, Siva. Copyrights and Copywrongs: The Rise of Intellectual Property and How It Threatens Creativity. New York: New York University Press, 2001.Google Scholar
Vanden Bossche, Chris R.The Value of Literature: Representations of Print Culture in the Copyright Debate of 1837–1842.” Victorian Studies 38, no. 1 (Autumn 1994): 4168.Google Scholar
Vann, J. Don. “Pickwick in the London Newspapers.” Dickensian 70, no. 372 (January 1974): 4952.Google Scholar
Vann, J. Don Victorian Novels in Serial. New York: Modern Language Association of America, 1985.Google Scholar
Ward, H. Snowden, and Catharine, W. B. Ward. The Real Dickens Land. London: Chapman and Hall, 1904.Google Scholar
Watts, Harold H.Lytton’s Theories of Prose Fiction.” PMLA 50, no. 1 (March 1935): 274289.Google Scholar
Weinsheimer, Joel. “Conjectures on Unoriginal Composition.” Eighteenth Century 22, no. 1 (Winter 1981): 5873.Google Scholar
Welcher, J. K.Gulliver in the Market-place.” Studies on Voltaire and the Eighteenth Century, no. 217 (1983): 129139.Google Scholar
Wells, Carolyn, ed. A Parody Anthology. New York: Charles Scribner’s Sons, 1904.Google Scholar
Welsh, Alexander. From Copyright to Copperfield: The Identity of Dickens. Cambridge, ma: Harvard University Press, 1987.Google Scholar
Welsh, Alexander George Eliot and Blackmail. Cambridge, ma: Harvard University Press, 1985.Google Scholar
Wheeler, , Burton, M.The Text and Plan of Oliver Twist.” Dickens Studies Annual: Essays on Victorian Fiction 12 (1983): 4161.Google Scholar
Williams, Carolyn. Gilbert and Sullivan: Gender, Genre, Parody. 2011. New York: Columbia University Press, 2012.Google Scholar
Wilson, Edmund. “Dickens: The Two Scrooges.” In The Wound and the Bow: Seven Studies in Literature. 1941. Athens: Ohio University Press, 1997.Google Scholar
Wollheim, Richard. “Style in Painting.” In The Question of Style in Philosophy and the Arts. Ed. van Eck, Caroline, McAllister, James, and van de Vall, Renée. Cambridge: Cambridge University Press, 1995.Google Scholar
Wood, Claire. Dickens and the Business of Death. Cambridge: Cambridge University Press, 2015.Google Scholar
Woodmansee, Martha. The Author, Art, and the Market: Rereading the History of Aesthetics. New York: Columbia University Press, 1994.Google Scholar
Woodmansee, Martha, and Jaszi, Peter, eds. The Construction of Authorship: Textual Appropriation in Law and Literature. Durham, nc: Duke University Press, 1994.Google Scholar
Worton, Michael, and Still, Judith, eds. Intertextuality: Theories and Practice. Manchester: Manchester University Press, 1990.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Adam Abraham, Virginia Commonwealth University
  • Book: Plagiarizing the Victorian Novel
  • Online publication: 07 August 2019
  • Chapter DOI: https://doi.org/10.1017/9781108675406.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Adam Abraham, Virginia Commonwealth University
  • Book: Plagiarizing the Victorian Novel
  • Online publication: 07 August 2019
  • Chapter DOI: https://doi.org/10.1017/9781108675406.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Adam Abraham, Virginia Commonwealth University
  • Book: Plagiarizing the Victorian Novel
  • Online publication: 07 August 2019
  • Chapter DOI: https://doi.org/10.1017/9781108675406.009
Available formats
×