Book contents
- The New Edith Wharton Studies
- Twenty-First-Century Critical Revisions
- The New Edith Wharton Studies
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgments
- Editions and Abbreviations
- Introduction
- Part I Self and Composition
- Part II International Wharton
- Part III Wharton on the Margins
- Chapter 7 Edith Wharton’s Unprivileged Lives
- Chapter 8 Wharton, Insurance Culture, and Pain Management
- Chapter 9 Edith Wharton’s Humanimal Pity
- Chapter 10 Edith Wharton and the Writing of Whiteness
- Part IV Sex and Gender Revisited
- Bibliography
- Index
Chapter 7 - Edith Wharton’s Unprivileged Lives
from Part III - Wharton on the Margins
Published online by Cambridge University Press: 28 November 2019
- The New Edith Wharton Studies
- Twenty-First-Century Critical Revisions
- The New Edith Wharton Studies
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgments
- Editions and Abbreviations
- Introduction
- Part I Self and Composition
- Part II International Wharton
- Part III Wharton on the Margins
- Chapter 7 Edith Wharton’s Unprivileged Lives
- Chapter 8 Wharton, Insurance Culture, and Pain Management
- Chapter 9 Edith Wharton’s Humanimal Pity
- Chapter 10 Edith Wharton and the Writing of Whiteness
- Part IV Sex and Gender Revisited
- Bibliography
- Index
Summary
This essay re-examines Wharton’s early career to suggest an emerging writer much more focused on and concerned with lives of hardship and lack of privilege than we have acknowledged. Archival research and attention to less familiar, at times unpublished early writing and genres, including her poetry and plays, illuminate anew a bold, compassionate and at times subversive writer. Wharton’s attacks on social inequality, injustice, and the complicity of her own class, are strong, powerful, and pervasive, her writing often in conflict with conventional ideologies of poverty and pauperism of the time. Deeply engaged in contemporary issues and inspired as much by newspaper reporting than by the more familiar classical allusions with which she is credited, what emerges, this essay suggests, is a radical creative vision running counter to ongoing popular images of Wharton and her work.
- Type
- Chapter
- Information
- The New Edith Wharton Studies , pp. 113 - 128Publisher: Cambridge University PressPrint publication year: 2019