Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-24T00:58:49.777Z Has data issue: false hasContentIssue false

Epilogue

A Cloistered Art: Connoisseurship and Private Music-Making

Published online by Cambridge University Press:  31 August 2020

Andrew Kirkman
Andrew Kirkman
Affiliation:
University of Birmingham
Get access

Summary

Attention in this final chapter is directed to the private passions of church personnel as revealed in the executors’ accounts of deceased canons, and in particular Jacques de Houchin, remarkable for his bibliophilic sophistication and (apparently) private music-making. Houchin’s book collection at death ran to more than 300 volumes, including large numbers of classical texts, making him one of the most significant private bibliophiles of his age. He also possessed a large number of music books and musical instruments. Centred on this one man’s proclivities, the chapter paints a picture of private music-making within the confines of the church and its cloister, involving canons, vicars and choirboys.

Keywords

librarieswillsexecutors’ accountsmonochordfuneralspurgatoryendowmentepitaphSt GoedeleBrussels
Type
Chapter
Information
Music and Musicians at the Collegiate Church of St Omer
Crucible of Song, 1350–1550
 , pp. 257 - 276
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Epilogue
  • Andrew Kirkman, University of Birmingham
  • Book: Music and Musicians at the Collegiate Church of St Omer
  • Online publication: 31 August 2020
  • Chapter DOI: https://doi.org/10.1017/9781108884990.008
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Epilogue
  • Andrew Kirkman, University of Birmingham
  • Book: Music and Musicians at the Collegiate Church of St Omer
  • Online publication: 31 August 2020
  • Chapter DOI: https://doi.org/10.1017/9781108884990.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Epilogue
  • Andrew Kirkman, University of Birmingham
  • Book: Music and Musicians at the Collegiate Church of St Omer
  • Online publication: 31 August 2020
  • Chapter DOI: https://doi.org/10.1017/9781108884990.008
Available formats
×