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Middle English Lyrics

Middle English Lyrics

Middle English Lyrics

New Readings of Short Poems

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Cited by 2
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Crossref Citations

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Simon-Jones, Lindsey Pitard, Derrick and Twu, Krista Sue-Lo 2020. IV Chaucer. The Year's Work in English Studies, Vol. 99, Issue. 1, p. 292.

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Ash-Irisarri, Kate Atkinson, Laurie Bateman, Mary Black, Daisy Dow, Anna Greene, Darragh Grossman, Joel Lazikani, Ayoush Pascual, Rafael J Pattwell, Niamh Perry, R D Sawyer, Daniel and Wolf, Johannes 2020. III Middle English. The Year's Work in English Studies, Vol. 99, Issue. 1, p. 219.

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Edited by Julia Boffey, Christiania Whitehead

Publisher:: Boydell & Brewer
Online publication date:: July 2019
Print publication year:: 2018
Online ISBN:: 9781787442993
DOI:: https://doi.org/10.1017/9781787442993

Subjects:: Literature, European and World Literature: General Interest

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A collection attesting to the richness and lasting appeal of these short forms of Middle English verse.

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Contents

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Contents

Select Frontmatter

Frontmatter
pp i-iv
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Select Dedication

Dedication
pp v-vi
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Select Contents

Contents
pp vii-viii
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Select List of Illustrations

List of Illustrations
pp ix-x
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Select List of Contributors

List of Contributors
pp xi-xiv
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Select Acknowledgements

Acknowledgements
pp xv-xv
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Select Abbreviations

Abbreviations
pp xvi-xviii
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Select Introduction

Introduction
pp 1-11
- By Julia Boffey, Professor of Medieval Studies in the Department of English at Queen Mary University of London, Christiania Whitehead, Professor of Middle English Literature in the Department of English and Comparative Literary Studies at the University of Warwick
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Select 1 - Editing Issues in Middle English Lyrics

1 - Editing Issues in Middle English Lyrics
pp 12-28
- By Thomas G. Duncan, Honorary Senior Lecturer in English Language and Literature in the School of English, St Andrews University.
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Select Part I - Affect

Part I - Affect
pp 29-30
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Select 2 - Moving Lights: An Affective Reading of <span class='italic'>On leome is in þis world ilist</span> and Church Wall Paintings

2 - Moving Lights: An Affective Reading of On leome is in þis world ilist and Church Wall Paintings
pp 31-44
- By A. S. Lazikani, Stipendiary Lecturer in Old and Middle English at the University of Oxford.
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Select 3 - Blood and Chocolate: Affective Layering in Swete <span class='italic'>Ihesu, now wil I synge</span>

3 - Blood and Chocolate: Affective Layering in Swete Ihesu, now wil I synge
pp 45-56
- By Daniel McCann, Simon and June Li Fellow in Old and Middle English at Lincoln College, University of Oxford.
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Select 4 - Textual and Affective Stability in <span class='italic'>All Other Love is Like the Moon</span>

4 - Textual and Affective Stability in All Other Love is Like the Moon
pp 57-70
- By Michael P. Kuczynski, Professor and Chair of English at Tulane University in New Orleans.
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Select Part II - Visuality

Part II - Visuality
pp 71-72
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Select 5 - The Unlikely Landscapes of <span class='italic'>On God Ureisun of Ure Lefdi</span>

5 - The Unlikely Landscapes of On God Ureisun of Ure Lefdi
pp 73-86
- By Annie Sutherland, Associate Professor in English at the University of Oxford, and a tutorial fellow at Somerville College, Oxford.
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Select 6 - ‘Adreynt in shennesse’: Blood, Shame and Contrition in Quis est iste qui uenit de Edom?

6 - ‘Adreynt in shennesse’: Blood, Shame and Contrition in Quis est iste qui uenit de Edom?
pp 87-98
- By Hetta Elizabeth Howes, Lecturer in Medieval Literature at City, University of London and a BBC/AHRC New Generation Thinker.
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Select 7 - <span class='italic'>Ihesus woundes so wide and the fons vitae</span>: Text, Image and the Manuscript Context

7 - Ihesus woundes so wide and the fons vitae: Text, Image and the Manuscript Context
pp 99-108
- By Natalie Jones, Lecturer in Medieval Literature at University College London.
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Select 8 - ‘Written in gold upon a purple stain’: Mariological Rhetoric and the Material Culture of Aureate Diction

8 - ‘Written in gold upon a purple stain’: Mariological Rhetoric and the Material Culture of Aureate Diction
pp 109-121
- By Anne Marie D'Arcy, Associate Professor of Medieval and Renaissance Literature and Language in the School of Arts at the University of Leicester.
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Select 9 - Textual Lyricism in Lydgate's <span class='italic'>Fifteen Joys and Sorrows of Mary</span>

9 - Textual Lyricism in Lydgate's Fifteen Joys and Sorrows of Mary
pp 122-138
- By Mary Wellesley, worked until recently in the department of Ancient, Medieval and Early Modern Manuscripts at the British Library.
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Select Part III - Mouvance, Transformation

Part III - Mouvance, Transformation
pp 139-140
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Select 10 - Voice and Response: Lyric Rewriting of the Song of Songs

10 - Voice and Response: Lyric Rewriting of the Song of Songs
pp 141-157
- By Anne Baden-Daintree, Teaching Fellow in English at the University of Bristol.
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Select 11 - Compiling the Lyric: Richard Rolle, Textual Dynamism and Devotional Song in London, British Library, Additional MS 37049

11 - Compiling the Lyric: Richard Rolle, Textual Dynamism and Devotional Song in London, British Library, Additional MS 37049
pp 158-173
- By Katherine Zieman, taught at various institutions in the US and the UK, including the University of Notre Dame, University of Oxford, and Birkbeck, University of London.
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Select 12 - Lyric Interventions in <span class='italic'>Troilus and Criseyde</span>

12 - Lyric Interventions in Troilus and Criseyde
pp 174-188
- By Elizabeth Robertson, Professor and Chair of English Language at the University of Glasgow.
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Select 13 - Poems that Speak Volumes: Lydgate's Thoroughfare of Woe, and Lyric as Epitome

13 - Poems that Speak Volumes: Lydgate's Thoroughfare of Woe, and Lyric as Epitome
pp 189-200
- By Julia Boffey, Professor of Medieval Studies in the Department of English at Queen Mary University of London.
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Select 14 - ‘Short song is good in ale’: Charles d'Orléans and Authorial Intentions in the Middle English <span class='italic'>Ballade</span> 84

14 - ‘Short song is good in ale’: Charles d'Orléans and Authorial Intentions in the Middle English Ballade 84
pp 201-210
- By Denis Renevey, Professor of Medieval English Language and Literature at the University of Lausanne.
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Select Part IV - Words, Music, Speech

Part IV - Words, Music, Speech
pp 211-212
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Select 15 - All Adam's Children: The Early Middlez English Lyric Sequence in Oxford, Jesus College, MS 29 (II)

15 - All Adam's Children: The Early Middlez English Lyric Sequence in Oxford, Jesus College, MS 29 (II)
pp 213-226
- By Susanna Fein, Professor of English at Kent State University and editor of The Chaucer Review.
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Select 16 - Musical and Poetic Form in <span class='italic'>Stond wel, moder, under rode</span>

16 - Musical and Poetic Form in Stond wel, moder, under rode
pp 227-239
- By Christiania Whitehead, Professor of Middle English Literature in the Department of English and Comparative Literary Studies at the University of Warwick, and is also currently seconded to the University of Lausanne as Senior Research Fellow for a three-year project on northern English saints.
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Select 17 - Tutivillus and the Policing of Speech in Oxford, Bodleian Library, MS Douce 104

17 - Tutivillus and the Policing of Speech in Oxford, Bodleian Library, MS Douce 104
pp 240-250
- By Mary C. Flannery, posts at the J. Paul Getty Museum, Queen Mary University of London, and, most recently, the University of Lausanne.
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Select 18 - Have This in Mind: Word and Image in Audelay's Writing

18 - Have This in Mind: Word and Image in Audelay's Writing
pp 251-260
- By Jane Griffiths, Fellow and Tutor in English at Wadham College, Oxford.
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