Book contents
- Messiaen in Context
- Composers in Context
- Messiaen in Context
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Abbreviations
- Part I Mondial Messiaen
- Part II Messiaen and Theology
- Part III Composers, Performers, and Critics
- Part IV Concepts and Legacy
- Chapter 25 The Simplicity of Messiaen
- Chapter 26 Music in Colour
- Chapter 27 The Opposite of Time
- Chapter 28 Messiaen and Surrealism
- Chapter 29 An Explosive Confrontation
- Chapter 30 Messiaen and Jacques Charpentier
- Chapter 31 Messiaen and Boulez
- Chapter 32 Messiaen and Spectralism
- Chapter 33 Olivier Messiaen and Jean-Louis Florentz
- Chapter 34 Messiaen in France Today
- Select Bibliography
- Index
Chapter 31 - Messiaen and Boulez
from Part IV - Concepts and Legacy
Published online by Cambridge University Press: 09 November 2023
- Messiaen in Context
- Composers in Context
- Messiaen in Context
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Abbreviations
- Part I Mondial Messiaen
- Part II Messiaen and Theology
- Part III Composers, Performers, and Critics
- Part IV Concepts and Legacy
- Chapter 25 The Simplicity of Messiaen
- Chapter 26 Music in Colour
- Chapter 27 The Opposite of Time
- Chapter 28 Messiaen and Surrealism
- Chapter 29 An Explosive Confrontation
- Chapter 30 Messiaen and Jacques Charpentier
- Chapter 31 Messiaen and Boulez
- Chapter 32 Messiaen and Spectralism
- Chapter 33 Olivier Messiaen and Jean-Louis Florentz
- Chapter 34 Messiaen in France Today
- Select Bibliography
- Index
Summary
Since the death of Pierre Boulez in 2016, the historiography of contemporary music has begun to confront the completion of one of the most remarkable careers affecting the character and context of musical life since 1945. This chapter examines the changing nature of the relationship between Messiaen and his most distinguished student. It examines Boulez’s critiques of Messiaen, and it creates a dialogue between aspects of classicism and modernism in the thinking of both composers, establishing their distinctiveness and relevance to the continuing evolution of compositional practice in the present day.
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- Messiaen in Context , pp. 290 - 297Publisher: Cambridge University PressPrint publication year: 2023