Book contents
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Introduction
- Music as Metaphor in Etty Hillesum’s Spirituality
- A “staretz” in Camp Westerbork: The Connections Between Slavic Orthodoxy and the Spirituality of Etty Hillesum
- Etty Hillesum: Humanity as a Task
- Etty Hillesum & Albert Konrad Gemmeker: A Twofold Analysis of the Perpetration of the Westerbork Commander
- “Now is the Time to Put into Practice: Love Your Enemies”: Several Notes on Hillesum’s “Love for Enemies” in Levenskunst
- The Cares of the Pagans: The Reading of Matthew 6:25-34 by Søren Kierkegaard and Etty Hillesum
- Dialogizing Life amidst a Culture of Death: Etty Hillesum, Dostoevsky’s Grand Inquisitor and Nazi Reductionism
- Patience and Hope in the Writings of Julian of Norwich and Etty Hillesum
- The Girl Who Could Not Kneel: Etty Hillesum and the Turn Inward
- Etty Hillesum and Charlotte Salomon: Pregnancy as a Theme in Their Lives and Works
- Wandering Beyond Words: Etty Hillesum and Clarice Lispector
- “Verbalize, Vocalize, Visualize”: Creative Death and Performative Writing in the Testimonies of Hillesum and Levi
- A “No” that Is an Affirmation: Etty Hillesum and Simone Weil Against the Laws of Force
- From Enclosure to Disclosure: Images of the Self in Etty Hillesum’s Diary
- A Story of Individuation in the Writings of Etty Hillesum: A Jungian Perspective
- Mad Midrash in the Diaries of Etty Hillesum
- The Mystery of Encounter: Poetry and Faith After Auschwitz in the Work of Paul Celan and Etty Hillesum
- Can Religion Help Heal a World Broken by Trauma?: Etty Hillesum as Our Ancestor in the Qahal Goyim
- The Contours of These Times:Etty Hillesum as Chronicler of Love Transcending Hate in Her Times, for Our Time, for All Time
- Etty Hillesum’s Hand Analysis: The Prologue to Her Diaries
- Suffering, Silence, and Wisdom in the Life of Etty Hillesum
- Feeding the Soul: Etty Hillesum’s Pedagogical and Spiritual Path
- Am I Really a Woman?: A Question About Female Identity in Etty Hillesum
- A Powerless God: Etty Hillesum and Dietrich Bonhoeffer
- New Light on Etty Hillesum’s Actions in Camp Westerbork
- “My Beloved Desk, the Best Place on this Earth”: Etty Hillesum Says Goodbye to Her Familiar Surroundings
- Etty Hillesum’s Humanism: Ethical, Philosophical and Theological Comments
- Etty Hillesum’s Struggle to See Clearly: A Story of Two Worlds
- Present Traces of a Past Existence: Through the Lens of Photography
- Etty Hillesum Bibliography
- Works on Etty Hillesum
- Index of Names and Subjects
- Index of Citations
The Girl Who Could Not Kneel: Etty Hillesum and the Turn Inward
Published online by Cambridge University Press: 21 November 2020
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Introduction
- Music as Metaphor in Etty Hillesum’s Spirituality
- A “staretz” in Camp Westerbork: The Connections Between Slavic Orthodoxy and the Spirituality of Etty Hillesum
- Etty Hillesum: Humanity as a Task
- Etty Hillesum & Albert Konrad Gemmeker: A Twofold Analysis of the Perpetration of the Westerbork Commander
- “Now is the Time to Put into Practice: Love Your Enemies”: Several Notes on Hillesum’s “Love for Enemies” in Levenskunst
- The Cares of the Pagans: The Reading of Matthew 6:25-34 by Søren Kierkegaard and Etty Hillesum
- Dialogizing Life amidst a Culture of Death: Etty Hillesum, Dostoevsky’s Grand Inquisitor and Nazi Reductionism
- Patience and Hope in the Writings of Julian of Norwich and Etty Hillesum
- The Girl Who Could Not Kneel: Etty Hillesum and the Turn Inward
- Etty Hillesum and Charlotte Salomon: Pregnancy as a Theme in Their Lives and Works
- Wandering Beyond Words: Etty Hillesum and Clarice Lispector
- “Verbalize, Vocalize, Visualize”: Creative Death and Performative Writing in the Testimonies of Hillesum and Levi
- A “No” that Is an Affirmation: Etty Hillesum and Simone Weil Against the Laws of Force
- From Enclosure to Disclosure: Images of the Self in Etty Hillesum’s Diary
- A Story of Individuation in the Writings of Etty Hillesum: A Jungian Perspective
- Mad Midrash in the Diaries of Etty Hillesum
- The Mystery of Encounter: Poetry and Faith After Auschwitz in the Work of Paul Celan and Etty Hillesum
- Can Religion Help Heal a World Broken by Trauma?: Etty Hillesum as Our Ancestor in the Qahal Goyim
- The Contours of These Times:Etty Hillesum as Chronicler of Love Transcending Hate in Her Times, for Our Time, for All Time
- Etty Hillesum’s Hand Analysis: The Prologue to Her Diaries
- Suffering, Silence, and Wisdom in the Life of Etty Hillesum
- Feeding the Soul: Etty Hillesum’s Pedagogical and Spiritual Path
- Am I Really a Woman?: A Question About Female Identity in Etty Hillesum
- A Powerless God: Etty Hillesum and Dietrich Bonhoeffer
- New Light on Etty Hillesum’s Actions in Camp Westerbork
- “My Beloved Desk, the Best Place on this Earth”: Etty Hillesum Says Goodbye to Her Familiar Surroundings
- Etty Hillesum’s Humanism: Ethical, Philosophical and Theological Comments
- Etty Hillesum’s Struggle to See Clearly: A Story of Two Worlds
- Present Traces of a Past Existence: Through the Lens of Photography
- Etty Hillesum Bibliography
- Works on Etty Hillesum
- Index of Names and Subjects
- Index of Citations
Summary
Abstract
Etty Hillesum wrote in her diaries about the process of turning inward and of finding the deepest and best in herself, which she called: her God. In this process, Julius Spier played an important role. But the question remains: did he also have an influence on her discovering and developing the gesture of kneeling which was so important in her expression of herself? That still awaits an answer.
Keywords: kneeling, prayer, Julius Spier, hineinhorchen, hineinhoren, Henny Tideman, inner self
Introduction
In 1941 and 1942, Etty Hillesum filled notebooks with diary entries. In these diaries, the image appears of a young woman who was seeking and struggling in life, and who went through an important transformation. Julius Spier played an important role in that process; it was he who recommended that she start keeping a diary. As she wrote, Hillesum transformed from a person with many physical and psychological ailments to become a powerful, self-assured woman with a deep confidence in life.
A particular aspect of this transformation was that she gradually discovered that she could come into contact with her deepest self through the gesture of kneeling. In October 1942, in the last section of the extan diaries, she wrote that she remembered with tremendous gratitude Julius Spier, who had died in September 1942. She described how she learned to kneel thanks to him.
I think that I can bear everything this life and these times have in store for me. And when the turmoil becomes too great and I am completely at my wits’ end, I still have my folded hands and bended knee. A gesture that is not handed down from generation to generation with us Jews. I have had to learn it the hard way. It is my most precious inheritance from the man whose name I have almost forgotten but whose best part lives on in me.
The fact that Etty Hillesum herself remarked on the connection between Spier and kneeling fuels the assumption that it was Spier who taught her this gesture. It was striking that she – a Jewish woman – learned to kneel, for it is not a Jewish manner of prayer, but rather a Christian one.
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- Lasting Significance of Etty Hillesum's Writings , pp. 139 - 156Publisher: Amsterdam University PressPrint publication year: 2019