Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- List of Abbreviations
- Introduction
- Part I Berlin 1873–1897
- Part II Wesel 1897–1902
- Part III Leipzig 1903–1918
- Part IV Intermezzo: Leipzig 1918–1920
- Part V Leipzig 1920–1929
- Part VI Leipzig 1930–1939
- Part VII Leipzig 1940–1950
- Epilogue: Musical Offering
- Bibliography
- Index
Part II - Wesel 1897–1902
Published online by Cambridge University Press: 26 May 2022
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- List of Abbreviations
- Introduction
- Part I Berlin 1873–1897
- Part II Wesel 1897–1902
- Part III Leipzig 1903–1918
- Part IV Intermezzo: Leipzig 1918–1920
- Part V Leipzig 1920–1929
- Part VI Leipzig 1930–1939
- Part VII Leipzig 1940–1950
- Epilogue: Musical Offering
- Bibliography
- Index
Summary
I remember a comment of Max Reger, expressed to me on the first day of our personal acquaintance … in Frankfurt am Main: “If someone just shows an impulse to compose, then these efforts should be supported. No one knows what might erupt [hervorbrechen] from such a talent.”
—Karl Straube to Hans Jakob Haller, May 15, 1946; Letter, May 15, 1946, StAL Teilnachlass Hudemann Sig. 7, 63–65- Type
- Chapter
- Information
- Karl Straube (1873-1950)Germany's Master Organist in Turbulent Times, pp. 47 - 48Publisher: Boydell & BrewerPrint publication year: 2022