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II

Published online by Cambridge University Press:  11 April 2021

N. H. Reeve
Affiliation:
University of Wales, Swansea
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Summary

What he had first felt, of course, was the rare coolness of it, the almost impudent absence of any tone of responsibility; which had begun by seeming to make the little painter-man's own case as “rum,” surely, as one could imagine it. He had gone, poor troubled Traffle, after the talk, straight to his own studio, or to the rather chill and vague, if scrupulously neat, pavilion at the garden-end, which he had put up eight years ago in the modest hope that it would increasingly inspire him; since it wasn't making preparations and invoking facilities that constituted swagger, but, much rather, behaving as if one's powers could boldly dispense with them. He was certain Jane would come to him there on hearing of him from the parlour-maid, to whom he had said a word in the hall. He wasn't afraid—no—of having to speak a little as he felt; but, though well aware of his wife's impatience, he wasn't keen, either, for any added intensity of effort to abound only in Mrs. Traffle's sense. He required space and margin, he required a few minutes’ time, to say to himself frankly that this dear dismal lady had no sense—none at least of their present wretched question—that was at all worth developing; since he of course couldn't possibly remark it to poor Jane. He had perhaps never remarked for his own private benefit so many strange things as between the moment of his letting himself again into the perpetually swept and garnished temple of his own perfunctory aesthetic rites, where everything was ready to his hand and only that weak tool hung up, and his glimpse of Jane, from the smaller window, as she came down the garden walk. Puddick's studio had been distinctly dirty, and Puddick himself, from head to foot, despite his fine pale little face and bright, direct, much more searching than shifting eyes, almost as spotty as the large morsel of rag with which he had so oddly begun to rub his fingers while standing there to receive Mora's nearest male relative; but the canvas on his easel, the thing that even in the thick of his other adventure was making so straight a push for the Academy, almost embarrassed that relative's eyes, not to say that relative's conscience, by the cleanness of its appeal.

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Publisher: Cambridge University Press
Print publication year: 2017

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  • II
  • Henry James
  • Edited by N. H. Reeve, University of Wales, Swansea
  • Book: The Jolly Corner and Other Tales, 1903–1910
  • Online publication: 11 April 2021
  • Chapter DOI: https://doi.org/10.1017/9780511757440.034
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  • II
  • Henry James
  • Edited by N. H. Reeve, University of Wales, Swansea
  • Book: The Jolly Corner and Other Tales, 1903–1910
  • Online publication: 11 April 2021
  • Chapter DOI: https://doi.org/10.1017/9780511757440.034
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • II
  • Henry James
  • Edited by N. H. Reeve, University of Wales, Swansea
  • Book: The Jolly Corner and Other Tales, 1903–1910
  • Online publication: 11 April 2021
  • Chapter DOI: https://doi.org/10.1017/9780511757440.034
Available formats
×