II

Summary

If he went in, however, with something of his more or less inevitable scowl, there were really, at the moment, two rather valid reasons for screened observation; the first of these being that the whole place seemed to reflect as never before the lustre of Mrs. Worthingham's own polished and prosperous little person—to smile, it struck him, with her smile, to twinkle not only with the gleam of her lovely teeth, but with that of all her rings and brooches and bangles and other gewgaws, to curl and spasmodically cluster as in emulation of her charming complicated yellow tresses, to surround the most animated of pink-and-white, of ruffled and ribboned, of frilled and festooned Dresden china shepherdesses with exactly the right system of rococo curves and convolutions and other flourishes, a perfect bower of painted and gilded and moulded conceits. The second ground of this immediate impression of scenic extravagance, almost as if the curtain rose for him to the first act of some small and expensively mounted comic opera, was that she hadn’t, after all, awaited him in fond singleness, but had again just a trifle inconsiderately exposed him to the drawback of having to reckon, for whatever design he might amiably entertain, with the presence of a third and quite superfluous person, a small black insignificant but none the less oppressive stranger. It was odd how, on the instant, the little lady engaged with her did affect him as comparatively black—very much as if that had absolutely, in such a medium, to be the graceless appearance of any item not positively of some fresh shade of a light colour or of some pretty pretension to a charming twist. Any witness of their meeting, his hostess should surely have felt, would have been a false note in the whole rosy glow; but what note so false as that of the dingy little presence that she might actually, by a refinement of her perhaps always too visible study of effect, have provided as a positive contrast or foil? whose name and intervention, moreover, she appeared to be no more moved to mention and account for than she might have been to “present”—whether as stretched at her feet or erect upon disciplined haunches—some shaggy old domesticated terrier or poodle.