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Published online by Cambridge University Press: 16 July 2018
We saw, in Chapter 3, how idle contemplation is repeatedly villainized in mid-century theorizations of ideal labour, as well as in the meditative poetry of aesthetic consciousness that stands in that ideology’s shadow. The field we are to turn to now – the cultural theory of the 1850s, 1860s and 1870s – represents, by contrast, a discourse that accommodates aesthetic consciousness in strikingly positive terms even as contemporary poetry turns against that category.
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