Book contents
- Home on the Stage
- Home on the Stage
- Copyright page
- Dedication
- Contents
- Illustrations
- Acknowledgements
- Introduction: Ibsen and after
- Chapter 1 A Doll’s House: the drama of the interior
- Chapter 2 The Cherry Orchard: all Russia
- Chapter 3 Heartbreak House:waiting for the Zeppelin
- Chapter 4 Long Day’s Journey into Night:the Tyrones at home in America
- Chapter 5 A Streetcar Named Desire: see-through representation
- Chapter 6 Endgame:in the refuge
- Chapter 7 The Homecoming:men’s room
- Chapter 8 Arcadia: seeing double
- Chapter 9 Topdog/Underdog: welcome to the family
- Conclusion: home base
- Notes
- Bibliography
- Index
Chapter 9 - Topdog/Underdog: welcome to the family
Published online by Cambridge University Press: 05 October 2014
- Home on the Stage
- Home on the Stage
- Copyright page
- Dedication
- Contents
- Illustrations
- Acknowledgements
- Introduction: Ibsen and after
- Chapter 1 A Doll’s House: the drama of the interior
- Chapter 2 The Cherry Orchard: all Russia
- Chapter 3 Heartbreak House:waiting for the Zeppelin
- Chapter 4 Long Day’s Journey into Night:the Tyrones at home in America
- Chapter 5 A Streetcar Named Desire: see-through representation
- Chapter 6 Endgame:in the refuge
- Chapter 7 The Homecoming:men’s room
- Chapter 8 Arcadia: seeing double
- Chapter 9 Topdog/Underdog: welcome to the family
- Conclusion: home base
- Notes
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Home on the StageDomestic Spaces in Modern Drama, pp. 185 - 201Publisher: Cambridge University PressPrint publication year: 2014