Book contents
- Frontmatter
- TRANSLATOR'S PREFACE
- Dedication
- Contents
- Introduction
- CHAPTER I Epoch of Hucbald; the tenth century
- CHAPTER II Epoch of Guido; the eleventh century
- CHAPTER III Epoch not distinguished by the name of any particular individual; the twelfth century
- CHAPTER IV Epoch of Franco; the thirteenth century
- CHAPTER V Epoch of Marchettus and De Muris; 1300 to 1380
- CHAPTER VI Epoch of Dufay; 1380 to 1450
- CHAPTER VII Epoch of Ockenheim; 1450 to 1480
- CHAPTER VIII Epoch of Josquin; 1480 to 1520
- CHAPTER IX Epoch of Willaert; 1520 to 1560
- CHAPTER X Epoch of Palestrina; 1560 to 1600
- CHAPTER XI Epoch of Montiverde; 1600 to 1640
- CHAPTER XII Epoch of Carissimi; 1640 to 1680
- CHAPTER XIII Epoch of Scarlatti; 1680 to 1725
- CHAPTER XIV Epoch of Leo and Durante; 1725 to 1760
- CHAPTER XV Epoch of Gluck; 1760 to 1780
- CHAPTER XVI Epoch of Haydn and Mozart; 1780 to 1800
- CHAPTER XVII Epoch of Beethoven and Rossini; 1800 to 1832
- Review of the Epochs, with a list of the Composers, Teachers, and Authors who made themselves distinguished in each epoch
- APPENDIX OF NOTES
- CORRESPONDENCE WITH THE AUTHOR
- Note to Guido's scale
- Note to the Ut queant laxis
- Note to Walter Odington
- Note on the origin of the German H, as name for the second note of the alphabetical series
- Extracts from various letters in reference to the text
- Catalogue of the published works of the Baron and Imperial Chancellor, R. G. Kiesewetter
- Supplementary note of explanation regarding the Missa Gaudeamus of Josquin des Pres, hitherto considered as being the composition of his teacher, Ockenheim
- SUPPLEMENT The most ancient monuments of Figural Counterpoint
Supplementary note of explanation regarding the Missa Gaudeamus of Josquin des Pres, hitherto considered as being the composition of his teacher, Ockenheim
Published online by Cambridge University Press: 05 October 2014
- Frontmatter
- TRANSLATOR'S PREFACE
- Dedication
- Contents
- Introduction
- CHAPTER I Epoch of Hucbald; the tenth century
- CHAPTER II Epoch of Guido; the eleventh century
- CHAPTER III Epoch not distinguished by the name of any particular individual; the twelfth century
- CHAPTER IV Epoch of Franco; the thirteenth century
- CHAPTER V Epoch of Marchettus and De Muris; 1300 to 1380
- CHAPTER VI Epoch of Dufay; 1380 to 1450
- CHAPTER VII Epoch of Ockenheim; 1450 to 1480
- CHAPTER VIII Epoch of Josquin; 1480 to 1520
- CHAPTER IX Epoch of Willaert; 1520 to 1560
- CHAPTER X Epoch of Palestrina; 1560 to 1600
- CHAPTER XI Epoch of Montiverde; 1600 to 1640
- CHAPTER XII Epoch of Carissimi; 1640 to 1680
- CHAPTER XIII Epoch of Scarlatti; 1680 to 1725
- CHAPTER XIV Epoch of Leo and Durante; 1725 to 1760
- CHAPTER XV Epoch of Gluck; 1760 to 1780
- CHAPTER XVI Epoch of Haydn and Mozart; 1780 to 1800
- CHAPTER XVII Epoch of Beethoven and Rossini; 1800 to 1832
- Review of the Epochs, with a list of the Composers, Teachers, and Authors who made themselves distinguished in each epoch
- APPENDIX OF NOTES
- CORRESPONDENCE WITH THE AUTHOR
- Note to Guido's scale
- Note to the Ut queant laxis
- Note to Walter Odington
- Note on the origin of the German H, as name for the second note of the alphabetical series
- Extracts from various letters in reference to the text
- Catalogue of the published works of the Baron and Imperial Chancellor, R. G. Kiesewetter
- Supplementary note of explanation regarding the Missa Gaudeamus of Josquin des Pres, hitherto considered as being the composition of his teacher, Ockenheim
- SUPPLEMENT The most ancient monuments of Figural Counterpoint
Summary
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- History of the Modern Music of Western EuropeFrom the First Century of the Christian Era to the Present Day, pp. 300Publisher: Cambridge University PressPrint publication year: 2013