Book contents
- Frontmatter
- Contents
- Editor's Preface
- Introduction: Broch, Our Contemporary
- I. Hermann Broch: The Critic
- Kitsch and Art: Broch's Essay “Das Böse im Wertsystem der Kunst”
- Erneuerung des Theaters?: Broch's Ideas on Drama in Context
- “Der Rhythmus der Ideen”: On the Workings of Broch's Cultural Criticism
- “Kurzum die Hölle”: Broch's Early Political Text “Die Straße”
- Visionaries in Exile: Broch's Cooperation with G. A. Borgese and Hannah Arendt
- Fear in Culture: Broch's Massenwahntheorie
- II. Hermann Broch: The Novelist and Dramatist
- Notes on the Contributors
- Index of Broch's Works
- Index of Names
“Kurzum die Hölle”: Broch's Early Political Text “Die Straße”
from I. Hermann Broch: The Critic
Published online by Cambridge University Press: 05 February 2013
- Frontmatter
- Contents
- Editor's Preface
- Introduction: Broch, Our Contemporary
- I. Hermann Broch: The Critic
- Kitsch and Art: Broch's Essay “Das Böse im Wertsystem der Kunst”
- Erneuerung des Theaters?: Broch's Ideas on Drama in Context
- “Der Rhythmus der Ideen”: On the Workings of Broch's Cultural Criticism
- “Kurzum die Hölle”: Broch's Early Political Text “Die Straße”
- Visionaries in Exile: Broch's Cooperation with G. A. Borgese and Hannah Arendt
- Fear in Culture: Broch's Massenwahntheorie
- II. Hermann Broch: The Novelist and Dramatist
- Notes on the Contributors
- Index of Broch's Works
- Index of Names
Summary
WRITTEN IN 1918, BROCH'S “Die Straße” (KW13/1,30–35) is not only one of the author's most interesting and enigmatic essays, it is also one of the most important literary documents showing how Austrian authors dealt with the consequences of the First World War, a war that in Robert Musil's words tore “Welt und Denken” so completely asunder that they could not be mended again. The text is also rather strange from our point of view, particularly the apodictic judgments it pronounces on Judaism and socialism, suggesting at least a hint of deviation from political correctness. On the other hand, the text does contain in essence much of what determined the political and literary discourse of Austria during the First Republic, a fundamentally different discourse from that of the Weimar Republic. As early as 1973 Paul Michael Lützeler dedicated a thorough study to Broch's text, examining the aspect of the “Auseinandersetzung mit dem Marxismus.” I base my observations here on Lützeler's work, which I would like to complement with an analysis of the text's specific rhetoric, elucidating in the process its peculiar amalgamation of individual theses and viewpoints. From here I move to the literature of Broch's Austrian contemporaries in order to highlight the text's unique features against this background. I then point out the traces of Broch's thoughts about the upheaval of 1918 discernible in the third part of the Schlafwandler trilogy.
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- Hermann Broch, Visionary in ExileThe 2001 Yale Symposium, pp. 55 - 66Publisher: Boydell & BrewerPrint publication year: 2003