Book contents
- Frontmatter
- Contents
- Introduction
- Image In(ter)ventions
- Filming as Writing, Writing as Filming, Staking One's Life
- Between Wars, Between Images
- Documenting the Life of Ideas? – Farocki and the 'Essay Film'
- Images of the World and the Inscription of War
- Film: Media: Work: Archive
- From the Surveillance Society to the Control Society
- Acknowledgement
- Farocki: A Filmography
- Notes on Contributors
- Index of Names
- Index of Film Titles / Subjects
- Film Culture in Transition General Editor: Thomas Elsaesser
- Plate Section
Documenting the Life of Ideas? – Farocki and the 'Essay Film'
Published online by Cambridge University Press: 26 January 2021
- Frontmatter
- Contents
- Introduction
- Image In(ter)ventions
- Filming as Writing, Writing as Filming, Staking One's Life
- Between Wars, Between Images
- Documenting the Life of Ideas? – Farocki and the 'Essay Film'
- Images of the World and the Inscription of War
- Film: Media: Work: Archive
- From the Surveillance Society to the Control Society
- Acknowledgement
- Farocki: A Filmography
- Notes on Contributors
- Index of Names
- Index of Film Titles / Subjects
- Film Culture in Transition General Editor: Thomas Elsaesser
- Plate Section
- Type
- Chapter
- Information
- Harun FarockiWorking on the Sightlines, pp. 155 - 156Publisher: Amsterdam University PressPrint publication year: 2004