Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-26T11:31:50.971Z Has data issue: false hasContentIssue false

Reading list

Published online by Cambridge University Press:  16 August 2019

William Shakespeare
Edited by
Michael Hattaway
Michael Hattaway
Affiliation:
University of Sheffield
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The First Part of King Henry VI , pp. 208 - 210
Publisher: Cambridge University Press
Print publication year: 1990

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Alexander, Peter. Shakespeare’s ‘Henry VI’ and ‘Richard III’, 1929Google Scholar
Baldwin, T. W. Shakspere’s ‘Small Latine & Lesse Greeke’, 2 vols., 1944Google Scholar
Berman, Ronald S. ‘Fathers and sons in the Henry VI plays’, SQ 13 (1962), 487–97Google Scholar
Berry, Edward. ‘Twentieth-century Shakespeare criticism: the histories’, in Wells, Stanley (ed.), The Cambridge Companion to Shakespeare Studies, 1986, pp. 249–56Google Scholar
Berry, Edward Patterns of Decay: Shakespeare’s Early Histories, 1975Google Scholar
Bevington, David. ‘The domineering female in 1 Henry VI’, S.St. 2 (1966), 51–8Google Scholar
Blanpied, J. W. ‘“Art and baleful sorcery”: the counterconsciousness of Henry VI Part 1’, SEL 15 (1975), 213–27Google Scholar
Boswell-Stone, W. G. Shakespeare’s Holinshed: The Chronicle and the Historical Plays Compared, 1896Google Scholar
Bristol, Michael D. Carnival and Theater, 1985Google Scholar
Brockbank, J. P. ‘The frame of disorder – Henry VI’, in Brown, J. R. and Harris, B. (eds.), Early Shakespeare, 1961Google Scholar
Brooke, Nicholas. ‘Marlowe as provocative agent in Shakespeare’s early plays’, S. Sur. 14 (1961), 34–44CrossRefGoogle Scholar
Brownlow, F. W. Two Shakespearean Sequences, 1977CrossRefGoogle Scholar
Bullough, G. Narrative and Dramatic Sources of Shakespeare, 111, 1960Google Scholar
Bulman, James C. The Heroic Idiom of Shakespearean Tragedy, 1985Google Scholar
Bulman, James C. ‘Shakespeare’s Georgic histories’, S. Sur. 38 (1985), 37–47Google Scholar
Burckhardt, S. Shakespearean Meanings, 1968Google Scholar
Burke, Peter. The Renaissance Sense of the Past, 1969Google Scholar
Campbell, Lily B. Shakespeare’s ‘Histories’: Mirrors of Elizabethan Policy, 1947Google Scholar
Carroll, D. Allen. ‘Greene’s “vpstart crow” passage: a survey of commentary’, Research Opportunities in Renaissance Drama 28 (1985), 111–27Google Scholar
Champion, L. Perspective in Shakespeare’s English Histories, 1980Google Scholar
Clemen, Wolfgang. ‘Some aspects of style in the Henry VI plays’, in Edwards, P., Ewbank, I-S., Hunter, G. K. (eds.), Shakespeare’s Styles: Essays in Honour of Kenneth Muir, 1980, pp. 9–24Google Scholar
Colman, E.A.M. The Dramatic Use of Bawdy in Shakespeare, 1974Google Scholar
Cox, John D. Shakespeare and the Dramaturgy of Power, 1989CrossRefGoogle Scholar
Dean, P. ‘Shakespeare’s Henry VI trilogy and Elizabethan “romance” histories: the origins of a genre’, SQ 33 (1982), 34–48CrossRefGoogle Scholar
Dent, R. W. Shakespeare’s Proverbial Language: An Index, 1981Google Scholar
Dessen, Alan C. Elizabethan Stage Conventions and Modern Interpreters, 1984Google Scholar
Eccleshall, Robert. Order and Reason in Politics: Theories of Absolute and Limited Monarchy in Early Modern England, 1978Google Scholar
Edmond, Mary. ‘Pembroke’s Men’, RES 25 (1974), 129–36Google Scholar
Elton, G. R. England Under the Tudors, 1974Google Scholar
Fiedler, L. A. The Stranger in Shakespeare, 1972Google Scholar
Fleischer, Martha Hester. The Iconography of the English History Play, 1974Google Scholar
French, A. L. ‘Joan of Arc and Henry VI’, English Studies 49 (1968), 425–9Google Scholar
George, D. ‘Shakespeare and Pembroke’s Men’, SQ 32 (1981), 305–23Google Scholar
Goy-Blanquet, D. ‘Images de la monarchie dans le théâtre historique de Shakespeare’, in Konigson, E. (ed.), Les Voies de la création théâtrale, VIII: théâtre, histoire, modèles, 1980Google Scholar
Goy-Blanquet, D. Le Roi mis à nu: l’histoire d’Henri VI de Hall à Shakespeare, 1986Google Scholar
Griffiths, Ralph. The Reign of King Henry VI, 1981Google Scholar
Hammond, A. C. The Early Shakespeare, 1967Google Scholar
Harlow, C. G. ‘A source for Nashe’s Terrors of the Night and the authorship of 1 Henry VI’, SEL 5 (1965), 31–47 and 269–81CrossRefGoogle Scholar
Hattaway, Michael. Elizabethan Popular Theatre, 1982Google Scholar
Hinchcliffe, Judith. King Henry VI, Parts 1, 2, and 3, Garland Shakespeare Bibliographies, 1986Google Scholar
Hinman, Charlton. The Printing and Proof-Reading of the First Folio of Shakespeare, 2 vols., 1963Google Scholar
Hodgdon, B. ‘Shakespeare’s directorial eye: a look at the early history plays’, in Homan, S. (ed.), Shakespeare’s ‘More than Words can Witness’, 1980, pp. 115–29Google Scholar
Honigmann, E. A. J. Shakespeare: The ‘Lost Years’, 1985Google Scholar
Honigmann, E. A. J. Shakespeare’s Impact on his Contemporaries, 1982CrossRefGoogle Scholar
Howard-Hill, T. H. (ed.). 1 Henry VI: A Concordance to the Text of the First Folio, 1970Google Scholar
Jackson, Sir Barry. ‘On producing Henry VI’, S.Sur. 6 (1953), 49–52Google Scholar
Jackson, Gabriele Bernhard. ‘Topical ideology: witches, Amazons, and Shakespeare’s Joan of Arc’, ELR 18 (1988), 40–65CrossRefGoogle Scholar
Jackson, Mac. (2008) ‘New Research on the Dramatic Canon of Thomas Kyd’, Research Opportunities in Medieval and Renaissance Drama, 47, 107–127Google Scholar
Jones, Emrys. The Origins of Shakespeare, 1977Google Scholar
Jones, Emrys Scenic Form in Shakespeare, 1971Google Scholar
Kastan, David Scott. ‘Proud majesty made a subject: Shakespeare and the spectacle of rule’, SQ 37 (1986), 459–75Google Scholar
Kay, C. McG. ‘Traps, slaughters, and chaos: a study of Shakespeare’s Henry VI plays’, Studies in the Literary Imagination 5 (1972), 1–26Google Scholar
Kelly, F. L. ‘Oaths in Shakespeare’s Henry VI plays’, SQ 24 (1973), 357–71Google Scholar
Kelly, H. A. Divine Providence in the England of Shakespeare’s Histories, 1970Google Scholar
Leggatt, Alexander. Shakespeare’s Political Drama, 1988CrossRefGoogle Scholar
Long, J. H. Shakespeare’s Use of Music: The Histories and the Tragedies, 1972Google Scholar
McCanles, Michael. Dialectical Criticism and Renaissance Literature, 1975Google Scholar
McFarlane, K. B. England in the Fifteenth Century, 1982Google Scholar
McMillin, Scott. ‘Casting for Pembroke’s Men: the Henry VI quartos and The Taming of A Shrew’, SQ 23 (1972), 141–59Google Scholar
Manheim, M. The Weak King Dilemma in the Shakespearean History Play, 1973Google Scholar
Mincoff, Marco. ‘The composition of Henry VI, Part 1’, SQ 16 (1965), 279–87Google Scholar
Price, Hereward T. Construction in Shakespeare, University of Michigan Contributions in Modern Philology 17, 1951Google Scholar
Reese, M. M. The Cease of Majesty, 1961Google Scholar
Rhodes, E. L. Henslowe’s Rose: The Stage and Staging, 1976Google Scholar
Ribner, Irving. The English History Play in the Age of Shakespeare, rev. edn, 1965Google Scholar
Riddell, J. A. ‘Talbot and the Countess of Auvergne’, SQ 28 (1977), 51–7Google Scholar
Riggs, D. Shakespeare’s Heroical Histories: ‘Henry VI’ and its Literary Tradition, 1971CrossRefGoogle Scholar
Saccio, Peter. Shakespeare’s English Kings: History, Chronicle, and Drama, 1977Google Scholar
Shepherd, Simon. Marlowe and the Politics of Elizabethan Theatre, 1986Google Scholar
Siegel, Paul N. Shakespeare’s English and Roman History Plays: A Marxist Approach, 1986Google Scholar
Smidt, K. Unconformities in Shakespeare’s History Plays, 1982CrossRefGoogle Scholar
Sprague, A. C. Shakespeare’s Histories: Plays for the Stage, 1964Google Scholar
Talbert, E. W. Elizabethan Drama and Shakespeare’s Early Plays: An Essay in Historical Criticism, 1963Google Scholar
Taylor, Gary. ‘Shakespeare and others: the authorship of 1 Henry VI’, Medieval and Renaissance Drama in England (forthcoming)Google Scholar
Tennenhouse, Leonard. Power on Display: The Politics of Shakespeare’s Genres, 1986Google Scholar
Thomas, Keith. Religion and the Decline of Magic, 1971Google Scholar
Tillyard, E. M. W. Shakespeare’s History Plays, 1944Google Scholar
Warren, Roger. ‘“Contrarieties agree”: an aspect of dramatic technique in Henry VI’, S. Sur. 37 (1984), 75–83Google Scholar
Wells, Stanley, and Taylor, Gary. William Shakespeare: A Textual Companion, 1987CrossRefGoogle Scholar
Wilders, John. The Lost Garden: A View of Shakespeare’s English and Roman History Plays, 1978CrossRefGoogle Scholar
Williams, Penry. The Tudor Regime, 1979Google Scholar
Williamson, Marilyn L. ‘“When men are rul’d by women”: Shakespeare’s first tetralogy’, S.St. 19 (1987), 41–60Google Scholar
Winny, J. The Player King: A Theme of Shakespeare’s Histories, 1968Google Scholar
Yates, Frances. Astraea: The Imperial Theme in the Sixteenth Century, 1975Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×