Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-08T02:26:03.844Z Has data issue: false hasContentIssue false

32 - Publishing and publishers

Published online by Cambridge University Press:  05 July 2014

Ira B. Nadel
Affiliation:
University of British Columbia, Vancouver
Get access

Summary

In the past twenty years, modernist studies has radically revised the conventional wisdom about modernism and its relationship to commerce, capitalism, and mass culture. Rejecting the claim that modernism was a mandarin movement, headed by highbrow reactionaries such as T.S. Eliot and Ezra Pound, the new modernist scholarship points to the many and forgotten links between modernism and mass culture. Certainly, links between the two had always been acknowledged, but they were connections of anathema: high modernist works such as The Cantos, “The Hollow Men,” and even Ulysses were read as execrating mass culture, especially the kind of mass culture produced by capitalism. It followed, then, that modernist writers saw themselves as above the marketplace: to them mass popularity or success in the market was a sign of artistic failure.

But modernist writers such as Pound and Joyce were deeply involved in the marketplace and in the outlets of mass culture and not just to condemn them. This is nowhere clearer than in the relationship of modernist writers to their publishers. Throughout his career Pound published with very small presses as well as with large trade publishers in the USA and Britain, for whom he helped shape marketing and promotion campaigns for his books. Like modernism itself, Pound's publishing history describes an oscillation between coterie and crowd, between highbrow and middlebrow, between private presses and commercial establishments. And in this Pound becomes, perhaps, the signal example of modernism's ambivalence about commercial publishing, of the modernist desire to reach (and convert) a mass audience and its fierce insistence that it was aimed at the few.

Type
Chapter
Information
Ezra Pound in Context , pp. 356 - 365
Publisher: Cambridge University Press
Print publication year: 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×