Book contents
- Frontmatter
- Contents
- List of Illustrations
- Introduction
- 1 Robert Schumann's Music in New York City, 1848–1898
- 2 Presenting Berlioz's Music in New York, 1846–1890: Carl Bergmann, Theodore Thomas, Leopold Damrosch
- 3 Liszt (and Wagner) in New York, 1840–1890
- 4 “Home, Sweet Home” Away from Home: Sigismund Thalberg in New York, 1856–1858
- 5 Leopold Damrosch as Composer
- 6 New York's Orchestras and the “American” Composer: A Nineteenth-Century View
- 7 Between the Old World and the New: William Steinway and the New York Liederkranz in the 1860s
- 8 The Development of the German American Musical Stage in New York City, 1840–1890
- 9 Patrick S. Gilmore: The New York Years
- 10 Grafulla and Cappa: Bandmasters of New York's Famous Seventh Regiment
- 11 She Came, She Sang . . . She Conquered? Adelina Patti in New York
- 12 A Confluence of Moravian Impresarios: Max Maretzek, the Strakosches, and the Graus
- 13 An Opera for Every Taste: The New York Scene, 1862–1869
- 14 “Dear Miss Ober”: Music Management and the Interconnections of Musical Culture in the United States, 1876–1883
- Bibliography
- Notes on the Contributors
- Index
- Eastman Studies in Music
Bibliography
Published online by Cambridge University Press: 14 March 2023
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Book contents
- Frontmatter
- Contents
- List of Illustrations
- Introduction
- 1 Robert Schumann's Music in New York City, 1848–1898
- 2 Presenting Berlioz's Music in New York, 1846–1890: Carl Bergmann, Theodore Thomas, Leopold Damrosch
- 3 Liszt (and Wagner) in New York, 1840–1890
- 4 “Home, Sweet Home” Away from Home: Sigismund Thalberg in New York, 1856–1858
- 5 Leopold Damrosch as Composer
- 6 New York's Orchestras and the “American” Composer: A Nineteenth-Century View
- 7 Between the Old World and the New: William Steinway and the New York Liederkranz in the 1860s
- 8 The Development of the German American Musical Stage in New York City, 1840–1890
- 9 Patrick S. Gilmore: The New York Years
- 10 Grafulla and Cappa: Bandmasters of New York's Famous Seventh Regiment
- 11 She Came, She Sang . . . She Conquered? Adelina Patti in New York
- 12 A Confluence of Moravian Impresarios: Max Maretzek, the Strakosches, and the Graus
- 13 An Opera for Every Taste: The New York Scene, 1862–1869
- 14 “Dear Miss Ober”: Music Management and the Interconnections of Musical Culture in the United States, 1876–1883
- Bibliography
- Notes on the Contributors
- Index
- Eastman Studies in Music
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- European Music and Musicians in New York City, 1840-1900 , pp. 299 - 316Publisher: Boydell & BrewerPrint publication year: 2006