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Published online by Cambridge University Press: 16 July 2022
After Iconoclasm, portraits of the inspired evangelists continue to clearly dominate in number among depictions of biblical authors receiving divine revelations. This chapter’s textual and visual analysis reveals a hierarchy among biblical authors that applies even to those of the canonical Gospels: John is the only evangelist whose divine inspiration is particularly highlighted in the hagiographical literature, and his privileged role is also strongly reflected in art.
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