Book contents
- Frontmatter
- Contents
- List of Figures
- Notes on Contributors
- Acknowledgements
- Preface: Life in the Post Pandemic Age
- Dedication
- 1 Introduction: Complexities, Compromises and Complicities
- 2 Against the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory
- 3 Married to the Eiffel Tower: Notes on Love, Loss and Knowledge
- 4 Creativity and Neoliberalism: Between Autonomy, Resistance and Tactical Compliance
- 5 Tactical Compliance and the Persistence of Elsaesser
- 6 Storytelling and Game Playing
- 7 Autonomy and the Other Woman: Queer Active Agency and Postcolonial Expectations
- 8 From Neolithic to Neoliberal
- 9 First-person Expression on ‘Non-Western’ Screens: China as a Case Study
- 10 Scholarly Exploration of the Creative Process: Integrating Film Theory and Practice
- 11 Teaching Practice as Theory: Guerrilla Filmmaking
- 12 Baits of Falsehood: The Role of Fiction in Documentary or From Untheorised Practice to Unpractised Theory
- 13 Repented: A Creative Intersemiotic Translation
- Notes on Repented
- 14 How do you see me? The Camera as Transitional Object in Diasporic, Domestic Ethnography
- 15 ‘Shut Your Hole, Girlie. Mine's Making Money, Doll’: Creative Practice-Research and the Problem of Professionalism
- 16 Feminist ‘Pensive-creative Praxis’ and Irigaray: A Porous, Dialogical Encounter
- 17 The Paths of Creation, or How Can I Help my Dybbouk to Get Out of Me?
- 18 ‘We Want to Kill Boko Haram’: Reflections on the Photographic Representation of Children in a Displacement Camp
- 19 Between ‘Counter-movement’ (Ingold) and ‘Living with Ghosts’ (Demos)
- 20 Screen Memories: A Video Essay on Smultronstället/Wild Strawberries
- Index
Dedication
Published online by Cambridge University Press: 17 October 2020
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Book contents
- Frontmatter
- Contents
- List of Figures
- Notes on Contributors
- Acknowledgements
- Preface: Life in the Post Pandemic Age
- Dedication
- 1 Introduction: Complexities, Compromises and Complicities
- 2 Against the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory
- 3 Married to the Eiffel Tower: Notes on Love, Loss and Knowledge
- 4 Creativity and Neoliberalism: Between Autonomy, Resistance and Tactical Compliance
- 5 Tactical Compliance and the Persistence of Elsaesser
- 6 Storytelling and Game Playing
- 7 Autonomy and the Other Woman: Queer Active Agency and Postcolonial Expectations
- 8 From Neolithic to Neoliberal
- 9 First-person Expression on ‘Non-Western’ Screens: China as a Case Study
- 10 Scholarly Exploration of the Creative Process: Integrating Film Theory and Practice
- 11 Teaching Practice as Theory: Guerrilla Filmmaking
- 12 Baits of Falsehood: The Role of Fiction in Documentary or From Untheorised Practice to Unpractised Theory
- 13 Repented: A Creative Intersemiotic Translation
- Notes on Repented
- 14 How do you see me? The Camera as Transitional Object in Diasporic, Domestic Ethnography
- 15 ‘Shut Your Hole, Girlie. Mine's Making Money, Doll’: Creative Practice-Research and the Problem of Professionalism
- 16 Feminist ‘Pensive-creative Praxis’ and Irigaray: A Porous, Dialogical Encounter
- 17 The Paths of Creation, or How Can I Help my Dybbouk to Get Out of Me?
- 18 ‘We Want to Kill Boko Haram’: Reflections on the Photographic Representation of Children in a Displacement Camp
- 19 Between ‘Counter-movement’ (Ingold) and ‘Living with Ghosts’ (Demos)
- 20 Screen Memories: A Video Essay on Smultronstället/Wild Strawberries
- Index
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- Publisher: Edinburgh University PressPrint publication year: 2020